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Just Stop Oil’s Stonehenge stunt betrays the Romantic vision
For all the outrage they provoke, the targets of Just Stop Oil’s vandalism up until now have at least made a certain kind of sense. Art galleries can (almost) plausibly be seen to represent Western decadence; the Chelsea Flower Show a display of bourgeois excess; and historic monuments symbols of imperialism and colonialism. All of these, however tenuously, fit within a stock narrative of the West and modern capitalism as drivers of environmental destruction.
The same...
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