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ACM Snub: What Do The Turnpike Troubadours Have To Do To Earn An Awards Show Nomination?
It’s getting ridiculous at this point.
This morning, the Academy of Country Music announced its picks for the 2026 ACM Awards. After what seems like well over a decade of head-scratching nominations, snubs and wins, many were wondering if they would finally diverge from the mainstream stranglehold that they’ve so clearly found themselves in despite the growth of the independent and alt. country scene over the past five years.
Following the trend set last November at the CMA Awards, women absolutely dominate this year’s set of nominees. Megan Moroney racked up the highest number of nominations with nine, followed by Miranda Lambert with eight nominations and then Ella Langley and Lainey Wilson with seven. As for males, Chris Stapleton and Riley Green also received a lot of love, being among the top-nominated.
Notably, traditionalist and rising superstar, Zach Top, is also riding the well-deserved buzz gained at both the CMA Awards and Grammys recently, picking up four nominations for Male Artist of the Year (his first), Album of the Year (Ain’t In It For My Health) and Single and Song of the Year (“I Never Lie”).
Overall, it’s about what you’d expect from the ACM Awards from a broad perspective. You have a lot of your mainstays getting nominations, such as Stapleton, Wilson, Lambert and Cody Johnson getting a bulk of the awards with hot newcomers, Langley and Moroney. On the other hand, you have the always-confusing New Artists categories, which are highlighted by four artists being renominated from 2025.
The biggest highlights, at least in the eyes of independent and alt. country fans, had to be the first-time nominations for 49 Winchester (Group of the Year), Stephen Wilson Jr. (Visual Media of the Year – “Cuckoo”) and Carter Faith (Album of the Year – Cherry Valley). Additionally, it was nice to see Flatland Cavalry, The Red Clay Strays and Muscadine Bloodline receive additional nominations this year as well for both Group and Duo of the Year.
There was one juggernaut missing from Group of the Year — none other than the Turnpike Troubadours.
If they were in the same position as they were two years ago, I could absolutely see them getting snubbed despite their brilliance. With that being said, Turnpike is undoubtedly the biggest they’ve ever been from a commercial standpoint. In addition to scoring massive opening spots on Cross Canadian Ragweed’s highly successful “Boys From Oklahoma” concert series, both in Stillwater, Oklahoma and Waco, Texas, the Red Dirt legends would also score appearances at Zach Bryan’s concerts over the summer, notably performing to his huge, sold-out shows at both BST Hyde Park in London and Golden Gate Park in San Francisco.
While Ragweed is still a hidden gem when you talk about the genre from a broad and mainstream perspective, there’s no denying that Bryan, despite also being snubbed and receiving zero ACM nominations (probably didn’t submit any), has aided Turnpike in receiving more attention throughout the past year.
In fact, Turnpike has seen a major boost in numbers throughout 2025 and into 2026. In addition to receiving a lot of love critically following the release of The Price of Admission last April, the record (and further attention from Bryan and Co.) boosted their monthly Spotify listeners all the way up to 2.3 million. This also led to them officially sending “With Heaven Passing Through” to country radio, marking their first-ever single released nationally.
Though they’re not putting up the same massive numbers as the giants in the genre, Turnpike has established themselves as a consistently impressive group from a streaming perspective despite not having major label backing.
Take the aforementioned “With Heaven Passing Through” as an example. Currently sitting at 20 million streams on Spotify alone since its April release, it’s out-streamed Group of the Year nominee, Old Dominion’s, latest single, “Making Good Time,” by nearly nine million. Of course, that’s not even mentioning the ridiculous fact that Rascal Flatts is nominated for Group based solely on the fact that they got back together and released a duet album of all their biggest hits from nearly two decades ago.
I hate to boil down Turnpike’s incredible artistry down to numbers here, but for massive award shows, sometimes you have to in an attempt to try to rationalize decisions. Here with Oklahoma natives, I really don’t get it. Sure, they might not have the raw numbers as the giants in the genre. However, when you consider the generational nature of their music, coupled with the fact that they’re going toe-to-toe streaming-wise recently with Nashville and award show darlings like Old Dominion, it begs the question, “What does Turnpike have to do at this point?”
Unfortunately, I don’t really have an answer. They were notoriously snubbed from the Grammys earlier this year too. All I know is that Turnpike is continuing to get bigger (and arguably better) by the day, and it further proves that generational talent does not need any awards, fluff pieces or gimmicks to remain one of the most important and impactful acts in the genre.
Before you go, fire up what should have been nominated for Song of the Year, “Heaven Passing Through.”
Turnpike Troubadours Tour Dates
June 12 – Chicago, Illinois – Huntington Bank Pavilion with Muscadine Bloodline & Katie Pruitt
June 13 – Sterling Heights, Michigan – Michigan Lottery Amphitheater with Muscadine Bloodline & Katie Pruitt
July 2 – Woodinville, Washington – Chateau Ste. Michelle with Muscadine Bloodline & Dexter & the Moonrocks
July 3 – Spokane, Washington – BECU Live with Muscadine Bloodline & Dexter & the Moonrocks
July 17 – Charlotte, North Carolina – Skyla Credit Union Amphitheater with Muscadine Bloodline & Dexter & the Moonrocks
July 23 – Grand Rapids, Michigan – The Wharf Amphitheater with Muscadine Bloodline & The Creekers
July 24 – Nashville, Tennessee – Ascend Amphitheater with Muscadine Bloodline & The Creekers
July 31 – Indianapolis, Indiana – Everwise Amphitheater with Muscadine Bloodline & Dexter & the Moonrocks
August 1 – Kansas City, Missouri – Starlight Theater with Muscadine Bloodline & Dexter & the Moonrocks
August 14 – Lewiston, New York – Artpark Amphitheater with Muscadine Bloodline & The Creekers
August 15 – Bethel, New York – Woods Center for the Arts with Muscadine Bloodline & The Creekers
October 2 – Charleston, South Carolina – Firefly Distillery with Muscadine Bloodline & The Creekers
October 3 – Richmond, Virginia – Allianz Amphitheater with Muscadine Bloodline & The Creekers
October 9 – Atlanta, Georgia – Synovus Bank Amphitheater with Muscadine Bloodline & The Creekers
October 10 – Raleigh, North Carolina – The Red Hat Amphitheater with Muscadine Bloodline & The Creekers
October 24 – St. Augustine, Florida – The St. Augustine Amphitheater with Muscadine Bloodline & Drayton Farley
October 25 – Clearwater, Florida – The BayCare Sound with Muscadine Bloodline & Drayton FarleyThe post ACM Snub: What Do The Turnpike Troubadours Have To Do To Earn An Awards Show Nomination? first appeared on Whiskey Riff.