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Ernest Puts A Traditional Twist On His Morgan Wallen Collaboration, “Cowgirls,” Live In Anaheim
The version I never knew I needed.
Over the past few years, Ernest has undeniably become one of the most interesting figures in country music. From a songwriting perspective, he’s been nothing short of a monster, co-writing a plethora of Morgan Wallen #1s, including the likes of “You Proof,” “Wasted On You,” “Heartless,” “I’m The Problem,” his Post Malone collaboration, “I Had Some Help” and many more. That doesn’t even mention other hits like Jelly Roll’s “Son of a Sinner” and other hits for the likes of Florida Georgia Line, Chris Lane, Sam Hunt and more.
As an artist, the “Flower Shops” singer, he’s continued to flex his versatility more with each subsequent release. While there’s no denying that a lot of his smash hits written for Wallen have leaned heavily into pop and rap-inspired country, independently, Ernest has proven he can essentially go in whatever direction he chooses to go. This is highlighted best on his traditional tunes, such as his Lainey Wilson duet, “Would If I Could,” his Snoop Dogg collaboration, “Gettin’ Gone” and most recently, his venture into beach/island country on his upcoming album, Deep Blue, which includes breezy tracks like “Lorelei” and “Boat Named After You.”
Recently, it seems as if Ernest has been making a harder push towards traditional country, and he’s continuing that push on his current Live From The South Tour with some killer reimaginings of past tracks.
At his show in Anaheim, California, back in January, he put this on full display by delivering a complete rearrangement of his 2023 collaboration with Wallen, “Cowgirls.” In case you’re unfamiliar with the track, it was nothing short of a success for both artists, snagging the pair a #1 on Billboard’s Country Airplay chart, receiving a 6x platinum certification from the Recording Industry Association of America and racking up a staggering 734 million streams on Spotify alone.
The only problem with the track, for many country fans, is the production itself. Though it’s been well-documented and further criticized heavily throughout his career, “Cowgirls” is easily one of the most egregious instances of Wallen overriding a track with rap-inspired production, complete with an obnoxious amount of trap beats on the chorus in particular.
During the aforementioned Anaheim show, Ernest completely transformed the track, slowing the tempo and, in turn, turned it into a bit of a two-stepper. Adding a healthy dose of steel and fiddle to the production, which was quite obviously missing in the studio version with Wallen, the Nashville native made “Cowgirls” nearly unrecognizable in the best way possible.
While I’ve always given Wallen his flowers simply due to his unprecedented success in the genre and his stage presence, I can admit that I’ve been a critic of his constant reliance on trap production throughout his career. If you’re someone like me who believes that there are some great tracks from Wallen hidden under a wall of overbearing production, give Ernest’s traditional reimagining of “Cowgirls” a listen. You just might like it.
Watch here:
@lmorua @Ernest singing a new version of cowgirls for Anaheim!! #cowgirls #ernest #livefromthesouthtour #morganwallen #houseofblues ♬ original sound – lmorua
Live From The South 2026 Dates
3/11 – Grand Rapids, Mich. – The Intersection #
3/13 – Detroit, Mich. – Filmore #
3/14 – McKees Rocks, Pa. – Roxian Theatre #
3/19 – Durant, Okla. – Choctaw Casino
3/26 – Boston, Mass. – House of Blues*
3/27 – New York, N.Y.– Irving Plaza*
3/28 – Bensalem, Pa. – Parx Casino*
4/2 – Houston, Texas – White Oak Music Hall*
4/3 – New Braunfels, Texas – Gruene Hall*
4/4 – Ft. Worth, Texas – Billy Bob’s*
4/16 – St. Louis, Mo. – Hawthorn #
4/18 – Minneapolis, Minn. – First Avenue #
* Support By Chandler Walters
> Support By Cody Lohden
# Support By Rhys RutherfordThe post Ernest Puts A Traditional Twist On His Morgan Wallen Collaboration, “Cowgirls,” Live In Anaheim first appeared on Whiskey Riff.