Country Roundup
Country Roundup

Country Roundup

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‘Marshals’ Fans Stunned By Riley Green’s Departure From The ‘Yellowstone’ Spinoff Series
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‘Marshals’ Fans Stunned By Riley Green’s Departure From The ‘Yellowstone’ Spinoff Series

Welp… I don’t know if a lot of Marshals fans expected that to happen. Just as it was in Yellowstone, viewers of the Kayce Dutton-led spinoff are finding out that no character is safe. This past weekend marked the 11th episode of Marshals Season 1, which means there are only two episodes of the CBS procedural left. That is until Season 2 comes along, which has already been ordered and will start filming in May (and could air as soon as this Fall). When it does return, one country music star that had a four-episode arc in the first season probably won’t be returning. Why? Well, I guess I should provide a spoiler alert right here, because the spinoff decided to end Riley Green’s story arc in shocking fashion this past weekend. If you don’t want to know what happened to the former NAVY Seal named Garrett that the “Worst Way” singer played in the show, don’t scroll any further. Consider this line your last chance to avoid spoilers. The May 10 episode had a lot of moving parts. Kayce Dutton and Cal were still dealing with the aftermath of the prison bus crash, all while flashbacks returned viewers to when Kayce and Cal were serving in the NAVY Seals alongside Green’s Garrett. In the current day, Riley Green’s Garrett was still recovering in the hospital from burns and smoke inhalation after a fire broke out at Kayce’s ranch. Though he didn’t appear to be doing well when we had seen him last, there weren’t any real indications that he was on his death bed. But sure enough, when Kayce and Cal wrapped up their Marshals mission in the present day and went back to the hospital along with Andrea (Green’s romantic interest in the show) to visit with Garrett, a nurse informed them that Garrett’s injuries were too severe to overcome, and that he had died a couple of hours after Kayce had last seen him. So I guess that puts all of the rumors that Riley Green would return for Season 2 to rest, eh? The story of Garrett was tragic from the start, so it’s not all that surprising that it ended like this. After all, we knew going into Green’s run as Garrett would be a four-episode arc, and with how his story was going, it wasn’t going to make much sense for him to just leave Kayce’s ranch. The May 10 episode was the country music’s fourth – and now evidently final – episode. The only hope, I suppose, is that you don’t ever see the body of Riley Green’s character. That’s an old TV trick… you only know that a character is actually deceased when you see them. If there’s no body, there’s always a chance of a return. That being said, this does seem like the closing of the door on Garrett, and if it is, Riley Green did a very commendable job portraying the troubled veteran. As I touched on earlier, there are only two episodes left in Season 1 of Marshals. They’ll air on CBS at 8 P.M. EST the next two Sundays before the show takes a break and returns for an 18-episode Season 2 later this year. The post ‘Marshals’ Fans Stunned By Riley Green’s Departure From The ‘Yellowstone’ Spinoff Series first appeared on Whiskey Riff.

Cody Johnson Reveals Tracklist For Upcoming Album, ‘Banks Of The Trinity’, During Live Concert
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Cody Johnson Reveals Tracklist For Upcoming Album, ‘Banks Of The Trinity’, During Live Concert

Get excited. After a 2025 that was filled with ups and downs, highlighted primarily by suffering a blown-out eardrum in October and following it up with his first-ever CMA Male Vocalist of the Year award just a month later, Cody Johnson has already had quite a year in 2026. From a release standpoint, he’s been keeping singles coming early and often, dropping back-to-back Monday morning surprise releases the past two months with a brand new ode to his home state, “Blame Texas,” as well as an incredibly personal cover of Merle Haggard’s 1979 deep cut, “Footlights.” Johnson has also been scoring some major career accomplishments as well. Not only did he receive four nominations at the upcoming ACM Awards (Entertainer of the Year, Male Artist of the Year, Single of the Year for “The Fall” and Visual Media for “The Fall”), but he also broke George Strait’s Rodeo Houston’s concert-only attendance record, performing to a crowd of 80,203. In case that wasn’t enough, the “Dirt Cheap” singer finally gave fans what they’ve been asking for after two years of waiting. Back on April 16th, Johnson would officially announce that his 10th studio album, Banks of the Trinity, is coming on Friday, June 26th. View this post on Instagram In the Instagram post announcing the record, Johnson would note that the album is a reflection of his roots back home in Sebastopol, Texas. Particularly, he’d note that hearing the title track for the first time kick-started the concept for Banks Of The Trinity. “When I heard the song “Banks Of The Trinity” for the first time, it was like a portrait flashed in my head of memories I thought I’d forgotten. It took me straight back home to Sebastopol, Texas, where I grew up on the river. That’s why I chose a photo of Lawrence’s Grocery Store for the album cover. As a kid, I used to ride my bike two miles down an old dirt road just to get a cream soda and a Blue Bell ice cream bar. I’d sit there and listen to the old men talk for a while before heading back home with a basket of groceries. This record is my way of going back to those dirt roads. I can’t wait for you to come with me on that journey back.” Since announcing the record, Johnson has previewed Banks of the Trinity with two stellar, traditional singles, “Hello Lonesome” and “I Want You.” Additionally, he’d confirm that the long-awaited collaborations with both Luke Combs and Brothers Osborne will also appear on the album. Despite all the hype surrounding the album and the collaboration confirmations, Johnson had yet to reveal the entire tracklist. That all changed during his show this weekend in South Dakota. Before the concert, Johnson showcased a slideshow of photos, which included all 16 of the tracks on Banks of the Trinity. @heatherashton1 Not only did we get to hear Hello Lonesome, which is only 5 days old! But @Cody Johnson surprised us tonight by releasing the track list!! #BanksOfTheTrinity comes out 06.26.26 and I can’t wait!!! #COJONation ♬ Hello Lonesome – Cody Johnson Taking a look at the confirmed tracklist, it looks like we’ll have 16 brand new originals from Johnson. “Fool Proof,” the Brothers Osborne collaboration, slots in as the third track, while “Shoot the Bull” with Luke Combs serves as the 12th track. Additionally, it appears that the eighth track, “Bible for a Boy (For Jaycee),” will mark the first song in his discography written for his son, who was born this past October. Banks of the Trinity released on Friday, June 26th. Banks of the Trinity Tracklist “Horseback” “Hello Lonesome” “Fool Proof” (feat. Brothers Osborne) “Take Me Back (Leave Me There)” “Banks of the Trinity” “I Want You” “I Have” “Bible for a Boy (For Jaycee)” “Kissing a Married Woman” “Every Man” “Motel Miss You” “Shoot the Bull” (feat. Luke Combs) “Cricket on a Hook” “Time Bomb” “Thank Somebody Country” “Yippy Ty Oh Hey Hey” Before you go, fire up his latest release from the album, “Hello Lonesome.” Cody Johnson Tour Dates May 30 – Rosemont, Illinois – Allstate Center July 11 – Cavendish, Prince Edward Island – Cavendish Beach Music Festival July 17 – Columbus, Ohio – Nationwide Arena with Drew Baldridge July 18 – Columbus, Ohio – Nationwide Arena with Ian Munsick & Walker Montgomery July 25 – Jacksonville, Florida – Vystar Veterans Memorial Arena August 8 – Oklahoma City, Oklahoma – Paycom Center August 22 – Knoxville, Tennessee – Food City Center August 29 – Saint Paul, Minnesota – Grand Casinoa Arena September 12 – Tacoma, Washington – Tacoma Dome The post Cody Johnson Reveals Tracklist For Upcoming Album, ‘Banks Of The Trinity’, During Live Concert first appeared on Whiskey Riff.

Is Post Malone’s Upcoming Double Album Going To Be Country? All Signs Point To Yes
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Is Post Malone’s Upcoming Double Album Going To Be Country? All Signs Point To Yes

Post has been writing with some familiar faces once again. Though there has been plenty of conversation and subsequent criticism over Post Malone’s venture into country music over the past few years, as time passes, it’s become clear that he’s here to stay in the genre for the foreseeable future. Of course, Post started his country music journey with 2024’s massive, 27-song album, F-1 Trillion, which called upon some of the biggest stars, ranging from Hank Williams Jr. and Dolly Parton to Luke Combs and Morgan Wallen to Sierra Ferrell and Billy Strings. Despite the success of F-1 Trillion, Post has been all but radio-silent in terms of releases since then. Because of this, it’s led fans to speculate whether he would continue down his path in country music, return to his hip-hop/alternative roots or potentially do both heading into 2026. At the end of 2025, on a livestream, Post would tell the chat that he was hoping to release two records in 2026, adding that it’s his goal should “everything go my way”: “Chances are, chat, we are getting two albums in 2026. If everything goes my way.” The “Pour Me a Drink” singer would add even more fuel to the rumors of releasing a double album consisting of both country and his former rap/alternative songs back on April 6th when he teased his massive, 40-song upcoming record, titled The Eternal Buzz, with the simple caption: “Coming soon” View this post on Instagram Since all but breaking the internet with The Eternal Buzz’s announcement, the only update we received surrounding it came in the form of Post actually having to cancel the first few dates of his upcoming Big A** Stadium Tour. Though many online speculated that the cancellation stemmed from poor ticket sales, in a statement posted to his Instagram story, he said that he would be pushing back the start of the tour to focus on finishing up his upcoming double album: “Looking at the upcoming schedule after stagecoach, I came to the realization that what we were trying to do, and what’s possible, isn’t really lining up. Truth is, I promised y’all beautiful people new music, and I don’t have the time to finish it before tour starts. We ain’t ready for tour just yet, so I’m making the decision to push the tour back about 3 weeks to get this music done. That being said, I’m so sorry to the folks who were planning on coming to the few canceled shows. I was looking forward to going nuts with y’all. That THAT being said, we been making some badass shit for this double album… and I can’t wait to perform for y’all again.” Though Post himself has not given any updates on the album, there have been some interesting updates made on ASCAP, the organization responsible for licensing the rights to songs. Taking a look at their ACE Repertory yielded some interesting results that undoubtedly point to at least half of The Eternal Buzz continuing his journey in country music. Potential Songs Searching alphabetically, the first song that appears is arguably the most interesting. A track titled “Another Thing To Love,” which was written by Post, Ernest, Miranda Lambert, Ryan Vojtesak and Louis Bell, is the first in the batch of new songs potentially appearing on The Eternal Buzz.  While a Post Malone-Miranda Lambert collab would all but break the internet, the one thing to note about this one is that, for now, ASCAP is listing the track as a duet between Ernest and Lambert — not Post and Lambert.   Continuing to search through ASCAP’s repertoire, multiple other songs point to a return to country music for Post. In particular, “Hate Me Too,” a song written by Post, Ernest and HARDY, along with the likes of Nashville staples such as Ryan Vojtesak and Chandler Walters, also appears.   Finally, Rhett Atkins, longtime Nashville songwriter and father of Thomas Rhett, also appears on another track co-written by Post, Ernest and more, titled “Love You Into Leaving.” Other tracks such as “Red River Wind,” written by Post, Ernest and more, and “Hell or Hell Tonight,” which lists Luke Combs as a co-writer, round out the songs currently registered on ASCAP.   Keep in mind, just because a song is registered to ASCAP does not automatically mean that it will see the light of day on an album. With that being said, however, it’s incredibly safe to assume that Post is coming back to country music in some way, shape or form on The Eternal Buzz. The biggest question surrounding the album, at this point, is just how much of it will actually be country music due to its massive length and rumors surrounding a multi-genre project. Stay tuned… View this post on Instagram Big A** Stadium Tour Part Two Tour Dates Sat May 16 – Albuquerque, NM – Boots In The Park Festival* Sun May 31 – Panama City Beach, FL – Gulf Coast Jam* Sun Jun 07 – Myrtle Beach, SC – Carolina Country Music Fest* Tue Jun 09 – Charlotte, NC – Bank of America Stadium Fri Jun 12 – Indianapolis, IN – Lucas Oil Stadium Tue Jun 16 – Toronto, ON – Rogers Stadium Sat Jun 20 – Wildwood, NJ – Barefoot Country Music Festival* Mon Jun 22 – East Hartford, CT – Pratt & Whitney Stadium at Rentschler Field Thu Jun 25 – Cleveland, OH – Huntington Bank Field Sat Jun 27 – Milwaukee, WI – Summerfest* Tue Jun 30 – Nashville, TN – Nissan Stadium^ Sat Jul 11 – Fayetteville, AR – Donald W. Reynolds Razorback Stadium Wed Jul 15 – Kansas City, MO – Kauffman Stadium Fri Jul 17 – Ames, IA – Jack Trice Stadium Tue Jul 21 – Missoula, MT – Washington-Grizzly Stadium Fri Jul 24 – Edmonton, AB – Commonwealth Stadium Tue Jul 28 – Salt Lake City, UT – Rice-Eccles Stadium *Festival appearance ^ Without Jelly Roll  The post Is Post Malone’s Upcoming Double Album Going To Be Country? All Signs Point To Yes first appeared on Whiskey Riff.

ACM Awards 2003: Alan Jackson Cracks Up As The Chicks Are Booed While Toby Keith Wins Entertainer Of The Year
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ACM Awards 2003: Alan Jackson Cracks Up As The Chicks Are Booed While Toby Keith Wins Entertainer Of The Year

Happy ACM Awards week to all who celebrate. The 61st annual Academy of Country Music Awards are coming up on Sunday, May 17 on Amazon Prime, and this year they’re moving back to Las Vegas for the first time since 2022 after being held in Frisco, Texas the past few years. Now, our feelings on these awards shows is pretty well known: They’re not really reflective of the state of country music because they’re just a popularity contest for the major labels. There’s behind-the-scenes politicking and vote swapping that takes place to determine the winners, and the results never really match what’s actually happening in country music. (For example, Morgan Wallen has won a grand total of one Entertainer of the Year award, despite being the biggest artist in country music for the past five years, artists like Turnpike Troubadours, Tyler Childers and Zach Bryan never get mentioned despite being much bigger names and outstreaming/outselling many of the nominees…I could go on and on). And honestly, for at least the past decade or so, these awards shows have just become kind of snoozefests. Back in the mid-2010s the awards shows leaned heavy into the pop collabs and celebrity crossovers in an attempt to boost ratings. It never worked, and it seems like they’ve started to move away from that in favor of featuring artists who actually identify as country, which is nice. But there’s never really any drama, any controversy, or anything particularly noteworthy from these awards shows any more. Everybody’s just one big happy family. That wasn’t the case back in 2003 though. If you’re not old enough to remember what was happening at the time, let me set the scene for you. At the time, we were just two years out from the horrific September 11 terrorist attacks. Country music as a whole had taken a patriotic turn, with songs like “Courtesy of the Red, White and Blue” by Toby Keith and “Where Were You (When the World Stopped Turning)” by Alan Jackson becoming massive hits. We were also two years into the war in Afghanistan, and at the time of the ACM Awards, two months into the invasion of Iraq. It may not seem like it now with the benefit of hindsight, but at the time the majority of Americans (and Congress) supported the Iraq war. Obviously that changed over time, but my point is that at the time, patriotism was still at an all-time high. That’s why there was so much outrage when the Dixie Chicks – now known as just The Chicks – decided to take a shot at then-President George W. Bush back on March 10 2003, just two months before ACM Awards and just days before the US invasion of Iraq. During a concert in London, lead singer Natalie Maines told the crowd that she was “ashamed that the President of the United States is from Texas.” And the backlash was swift and severe. Radio stations pulled their music and blacklisted The Chicks from their playlists, fans burned their albums in protest, and members of the band even received death threats over the comments from Maines. And this all came while The Chicks were also embroiled in another very public feud with one of country music’s biggest – and most patriotic – stars, Toby Keith. The feud started after Maines had blasted “Courtesy of the Red, White and Blue,” calling it “ignorant” during an interview with the Los Angeles Daily News: “I hate it. It’s ignorant, and it makes country music sound ignorant. It targets an entire culture – and not just the bad people who did bad things. You’ve got to have some tact. Anybody can write, ‘We’ll put a boot in your a**.’ But a lot of people agree with it. The kinds of songs I prefer on the subject are like Bruce Springsteen’s new songs.” Toby responded in his typical, outspoken fashion: By comparing her opinion to that of a homeless guy. “She’s not a songwriter, so we can’t discuss the mechanics of the song. Why don’t you just go down on Second Avenue and pick one of those homeless guys and ask him what he thinks about it? To me it’s the same.” Well the feud heated up after that, when Toby began displaying a doctored image of Maines and Saddam Hussein on the screen behind him during his shows (yes, this really happened). And that brings us to the 2003 ACM Awards. The Chicks were nominated for three awards that year, including Entertainer of the Year – alongside Toby Keith. But they weren’t in attendance at the show: They instead chose to perform in front of a more friendly crowd, and their performance on the ACM Awards was broadcast live from one of their shows in Austin, Texas. Maines also used the performance to make another statement, wearing a shirt that said “F U T K,” which obviously was yet another shot at Toby Keith. (She claimed at the time that it stood for “Friends United in Truth and Kindness,” and later admitted that she didn’t think anybody would understand the shirt). And it’s probably a good thing they weren’t in Vegas for the awards. The night featured tributes to our soldiers and patriotic performances like Darryl Worley’s “Have You Forgotten.” So needless to say the Chicks didn’t exactly receive a warm reception at the ACM Awards. Actually, that’s an understatement: It was downright hostile. Every time The Chicks were mentioned, boos rained down from the crowd. And when the nominees for Entertainer of the Year were announced, presenter Vince Gill jokingly mumbled their name to avoid the reaction from the crowd. Sure enough, the audience erupted in boos, while nice-guy Vince made a futile plea for forgiveness. But when the camera quickly cut to the next nominee, Alan Jackson, he seemed to be enjoying the moment as he wiped the tears of laughter from his eyes. And the night’s top prize went to none other than Toby Keith, whose name Vince joked was “on somebody’s shirt tonight,” referencing the “FUTK” shirt worn by Maines. Toby wasn’t at the show to accept the award, so the biggest drama of the night came from two artists who weren’t even in the building. But looking back at the moment now, it’s hard to imagine something like this erupting at an awards show these days. Rather than leaning into the feud like the show did back then, it seems like they all do their best to stay away from controversy. Maybe they just need another feud to help their ratings out. 61st Annual ACM Awards Nominees Entertainer of the Year Luke Combs Jelly Roll Cody Johnson Megan Moroney Chris Stapleton Morgan Wallen Lainey Wilson Female Artist of the Year Kelsea Ballerini Miranda Lambert Ella Langley Megan Moroney Lainey Wilson Male Artist of the Year Luke Combs Riley Green Cody Johnson Chris Stapleton Zach Top Group of the Year 49 Winchester Flatland Cavalry Old Dominion Rascal Flatts The Red Clay Strays Duo of the Year Brooks & Dunn Brothers Osborne Dan + Shay Muscadine Bloodline Thelma & James Album of the Year [Awarded to artist(s)/producer(s)/record Company–label(s)] Ain’t In It For My Health – Zach Top; Producer: Carson Chamberlain; Record Company-Label: Leo33 Cherry Valley – Carter Faith; Producer: Tofer Brown; Record Company-Label: Gatsby Records / MCA Don’t Mind If I Do (Deluxe) – Riley Green; Producers: Dann Huff, Michael Knox; Record Company-Label: Nashville Harbor Records & Entertainment I’m The Problem – Morgan Wallen; Producers: Joey Moi, Charlie Handsome, Jacob Durrett; Record Company-Label: Big Loud Records Parker McCollum – Parker McCollum; Producers: Frank Liddell, Eric Masse; Record Company-Label: MCA Song of the Year “A Song To Sing” – Miranda Lambert & Chris Stapleton; Songwriters: Chris Stapleton, Miranda Lambert, Jenee Fleenor, Jesse Frasure “Am I Okay?” – Megan Moroney; Songwriters: Megan Moroney, Luke Laird, Jessie Jo Dillon “Choosin’ Texas” – Ella Langley; Songwriters: Ella Langley, Luke Dick, Miranda Lambert, Joybeth Taylor “I Never Lie” – Zach Top; Songwriters: Zach Top, Carson Chamberlain, Tim Nichols “Somewhere Over Laredo – Lainey Wilson; Songwriters: Lainey Wilson, Trannie Anderson, Dallas Wilson, Andy Albert, Harold Arlen & Yip Harburg Single of the Year “6 Months Later” – Megan Moroney “Choosin’ Texas” – Ella Langley “I Never Lie” – Zach Top “Somewhere Over Laredo” – Lainey Wilson “The Fall” – Cody Johnson Visual Media of the Year “6 Months Later” – Megan Moroney “A Song To Sing” – Miranda Lambert & Chris Stapleton “Cuckoo” -Stephen Wilson, Jr. (Winner) “Somewhere Over Laredo” – Lainey Wilson “The Fall” – Cody Johnson Music Event of the Year “A Song To Sing” – Miranda Lambert & Chris Stapleton “Amen” – Shaboozey & Jelly Roll “Don’t Mind If I Do” – Riley Green feat. Ella Langley “Trailblazer” – Reba McEntire, Miranda Lambert, Lainey Wilson “You Had To Be There” – Megan Moroney & Kenny Chesney Songwriter of the Year Jessie Jo Dillon (Winner) Ashley Gorley Charlie Handsome Chase McGill Blake Pendergrass Artist-Songwriter of the Year Luke Combs Riley Green Ella Langley Megan Moroney Morgan Wallen New Male Artist of the Year Gavin Adcock Vincent Mason Shaboozey Hudson Westbrook Tucker Wetmore (Winner) New Female Artist of the Year Avery Anna Mackenzie Carpenter Dasha Caroline Jones Emily Ann RobertsThe post ACM Awards 2003: Alan Jackson Cracks Up As The Chicks Are Booed While Toby Keith Wins Entertainer Of The Year first appeared on Whiskey Riff.

Watch Zach Bryan Literally Scale the Stage During Insane “Revival” Encore in Cleveland
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Watch Zach Bryan Literally Scale the Stage During Insane “Revival” Encore in Cleveland

Well, we’ve seen him climb a fence pretty quick so this shouldn’t come as a surprise… Over the weekend, Zach Bryan headlined Cleveland, Ohio’s Huntington Bank Field, where he played for a sold-out crowd of thousands of screaming fans for his 2026 With Heaven On Tour. And as per usual, he closed out the show with an encore of “Revival,” which is always a highlight of his concerts. He typically brings out the openers to sing it with him too, in addition to the occasional special guest, and I think it’s a moment all of the fans look forward to when they see him live. But during the concert in Cleveland, he gave it an interesting twist… Bryan climbed up one side of the stage truss, which as a unit is typically used to support all of the lighting and infrastructure that comes along with all of the concert equipment. He also had his guitar strapped onto him, and as far as I can tell didn’t have any sort of safety harness on because it appeared to be a spur of the moment decision. It’s hard to tell how high up he really was, I’m guessing he climbed around 15 or 20 feet, but of course, this moment is even funnier when you consider the context of his aforementioned climbing fiasco when he trued to confront fellow artist Gavin Adcock. He seemed to keep his balance and the fans were into it, but I have to laugh because who knew he was such a climber. It’s becoming a pattern and I’m sure the people on his team were holding their breathe hoping he wouldn’t slip or lose his balance up there. Hopefully, they have good insurance… Somebody get this man a jungle gym… @fitkhen Most insane night!!! #zachbryan #zachbryanconcert #zachbryanmusic ♬ original sound – fitkhen Here’s the full 18-minute performance: Zach Bryan Tour Dates May 27 – San Sebastian, Spain – Donostia Arena- Ben Howard & Keenan O’Meara May 31 – Berlin, Germany – Waldbühne – Ben Howard & Keenan O’Meara June 3 – Oslo, Norway – Unity Arena – Ben Howard & Keenan O’Meara June 6 – Copenhagen, Denmark – Parken – Ben Howard & Keenan O’Meara June 9 – Eindhoven, Netherlands – Philips Stadium – Ben Howard & Keenan O’Meara June 12 – Liverpool, United Kingdom – Anfield Stadium – Dijon & Fey Fili June 14 – Edinburgh, United Kingdom – Scottish Gas Murrayfield – Dijon & Fey Fili June 16 – London, United Kingdom – Tottenham Hotspur Stadium – Dijon & Fey Fili June 17 – London, United Kingdom – Tottenham Hotspur Stadium – Dijon & Fey Fili June 20 – Cork, Ireland – Páirc Úi Chaoimh – Dijon & Fey Fili June 21 – Cork, Ireland – Páirc Úi Chaoimh – Dijon & Fey Fili June 23 – Belfast, Northern Ireland – Boucher Playing Fields – Dijon & Fey Fili June 24 – Belfast, Northern Ireland – Boucher Playing Fields – Dijon & Fey Fili July 24 – Eugene, Oregon – Autzen Stadium – MJ Lenderman & Fey Fili  July 31 – San Diego, California – Snapdragon Stadium – MJ Lenderman & Fey Fili August 1 – San Diego, California – Snapdragon Stadium – MJ Lenderman & Fey Fili August 7 – Salt Lake City, Utah – Rice-Eccles Stadium – MJ Lenderman & Fey Fili August 13 – Denver, Colorado – Empower Field at Mile High – MJ Lenderman & Fey Fili August 14 – Denver, Colorado – Empower Field at Mile High – MJ Lenderman & Fey Fili August 22 – Arlington, Texas – AT&T Stadium – MJ Lenderman & Fey Fili September 5 – Glendale, Arizona – State Farm Stadium – MJ Lenderman & Fey Fili September 18 – Dover, Delaware – The Woodlands – Kings of Leon, Fey Fili & Gabriella Rose September 19 – Dover, Delaware – The Woodlands – Alabama Shakes, Fey Fili & Gabriella Rose September 21 – Toronto, Ontario – Rogers Center – Trampled By Turtles & Gabriella Rose September 22 – Toronto, Ontario – Rogers Center – Trampled By Turtles & Gabriella Rose October 2 – Foxborough, Massachusetts – Gillette Stadium – Gregory Alan Isakov & Gabriella Rose October 3 – Foxborough, Massachusetts – Gillette Stadium – Gregory Alan Isakov & Gabriella Rose October 10 – Auburn, Alabama – Jordan-Hare Stadium – Gregory Alan Iskov & Gabriella RoseThe post Watch Zach Bryan Literally Scale the Stage During Insane “Revival” Encore in Cleveland first appeared on Whiskey Riff.