Country Roundup
Country Roundup

Country Roundup

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'Lioness' Season 3: Everything We Know
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'Lioness' Season 3: Everything We Know

The new season is just around the corner. Continue reading…

Joe Nichols: We Created a Generation of Auto-Tune Impersonators
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Joe Nichols: We Created a Generation of Auto-Tune Impersonators

Joe Nichols' take on auto-tun and AI in music is somewhat surprising. Continue reading…

Morgan Wallen Debuts Brand New Single “Been By Now” For Baltimore Crowd
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Morgan Wallen Debuts Brand New Single “Been By Now” For Baltimore Crowd

The next era of Morgan Wallen is here. Last night, the country music superstar debuted a brand new song titled “Been By Now” for fans in Baltimore, Maryland. Set for an official release on July 24th, the song is our first taste of what presumably will be Morgan’s next album, and the sold-out crowd at M&T Bank Stadium got the exclusive first listen. Written by Wallen alongside Charlie Handsome, John Byron, Blake Pendergrass, Rocky Block and Taylor Phillips, Morgan introduced the new song by saying “I just had a few weeks off the tour so you all know me, I can’t help but work a little bit. I’ve been in the studio working on whatever’s next. I don’t exactly know what is gonna be next yet, but I do know that this song that I’m about to play right now is gonna be my very next single and it comes out on July 24th. It’s called ‘Been By Now’.” Check it out: @kays_concerts i’m so lucky to have been there. #morganwallen #baltimore #fyp #concert ♬ original sound – kayla Still The Problem Tour July 18 || Baltimore, Md. || M&T Bank Stadium w/ Ella Langley, Gavin Adcock, Jason Scott & The High Heat July 24 || Ann Arbor, Mich. || Michigan Stadium w/ Thomas Rhett, Hudson Westbrook, Blake Whiten July 25 || Ann Arbor, Mich. || Michigan Stadium w/ HARDY, Hudson Westbrook, Blake Whiten July 31 || Philadelphia, Penn. || Lincoln Financial Field w/ ​​Brooks & Dunn, Hudson Westbrook, Blake Whiten August 1 || Philadelphia, Penn. || Lincoln Financial Field w/ Ella Langley, Hudson Westbrook, Blake Whiten As always, a portion of every ticket sold benefits the Morgan Wallen Foundation, which supports youth programs in the areas of sports and music. So far, the foundation has contributed over $1 million worth of instruments to schools in need across U.S. touring cities.The post Morgan Wallen Debuts Brand New Single “Been By Now” For Baltimore Crowd first appeared on Whiskey Riff.

Newcomer Tucker Knisell Delivers Ode To West Virginian Roots In Stellar New Song, “Mutts”
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Newcomer Tucker Knisell Delivers Ode To West Virginian Roots In Stellar New Song, “Mutts”

Remember the name Tucker Knisell. There’s no denying that the independent country scene has gotten jam-packed over the past decade. Whether it’s giants such as Tyler Childers, Sturgill Simpson and Turnpike Troubadours becoming torchbearers for the genre or budding talent such as Colby Acuff and Drayton Farley, it’s been harder than ever before to truly keep track of who’s who in the genre. With that being said, however, there are also a plethora of artists out there who are seemingly chasing trends, trying to go viral on TikTok and rehashing the same tired sound — all falling short of whichever sound they’re trying to replicate. If you’re looking for an artist who’s undoubtedly true to their roots and paving their own path in the industry, look no further than one of today’s newest and most promising artists: Tucker Knisell. In case you’re not familiar with Knisell, he’s been cutting his teeth for quite a while in the ever-growing Appalachian scene in West Virginia. Back in 2022, the now 26-year-old singer/songwriter would catch fire with his debut single, “Wrist Tattoo,” which not only garnered him some virality online but also caught the ear of none other than Zach Bryan, who co-signed the beautiful ballad on his Instagram story. In the years following, Knisell has been putting his head down and grinding out barrooms all across West Virginia, also dropping stellar singles such as “You & Caroline,” “Rhubarb” and a live album, Out of Tune & Out of Time, which showcased an underrated aspect of the rising star’s talent: his killer stage presence. Recently, the Morgantown native has formed a relationship with Grammy-winning producer, Adam Odor, who has worked with the likes of Colter Wall, Cross Canadian Ragweed, Silverada, The Chicks and more — someone Knisell credits as a major influence on the sound he’s been curating recently. “I think my writing [and music] is a lot more mature and that’s a product, I think, of working with Adam. He pushed me a lot in the studio. He’s a great arranger and creative, and that shows.” With Odor as a heavy hitter in his circle, Knisell is readying the next step of his career with the release of today’s new single, “Mutts,” which will serve as the lead single of his upcoming debut album. View this post on Instagram Upon your first listen to “Mutts,” the first thing that jumps out at you is just how seasoned Knisell’s songwriting ability is. In an age where songwriting is as popular as ever, a clever line or two is seemingly worth a dime a dozen. With the West Virginian, however, he takes a simple love song and elevates it tenfold, packing the heartfelt acoustic track with stellar imagery, a clever nod to his home in Morgantown and the passage of time in a jam-packed 2:58. As for the inception of “Mutts,” Knisell wanted to pen an ode to one of Morgantown’s most popular bars, Mutts Place. Without the risk of being too cliché, however, he decided to make it the center point of a love song, forgoing the typical “I love this bar” stereotype that surrounds plenty of odes to a singer’s favorite bars. “I had the idea of writing a song about the place, but I couldn’t figure out a way to write it. I just didn’t want it to be another one of those ‘I love this bar,’ laundry list type of songs. I was just trying to paint the scene of the place and tell a side story — just have the bar be a vessel for it.” What results is one of the most earnest love songs I’ve heard in quite some time. Though Knisell can absolutely rip on guitar, he decided to let his songwriting shine here. The first verse immediately transfers you to a cold, fall night outside of your favorite bar with your lover. Here, Knisell paints a beautifully simplistic scene of a drunken walk back home, underscored by flickering streetlights. “A dirty sidewalk, standing drunk I’m holding your right hand In between you and the road Because I am your man” From there, the first chorus showcases the “Wrist Tattoo” singer’s ability to play with metaphor and simile. Likening himself to a candle, he notes he’ll burn to lift his woman up, also adding a stellar line, “Darlin, that ain’t thunder; that’s my heart beneath the floor.” The second verse comes with a changing of the seasons, with Knisell delivering a few standout lines. From simple moments like framing her face with his hand to seeing the mayapple flowers bloom through the weeds, he packs the track with attention to detail that many forget in this day and age. Of course, this verse leads into the crux of the song (and the hook), which sees him delivering the unconventional but undoubtedly romantic lyric that reassures his lover that they have it all as long as they have each other. “All the songs we sang from here to Tennessee  We may be mutts, but we ain’t strays as long as you got me Kissed you at a bar in the evening outside standing on the porch Darling, that ain’t thunder, that’s my heart beneath the floor” Ultimately, “Mutts” is just scratching the surface of what Knisell has to offer as an artist. As we all know by now, a love song is worth a dime a dozen. With that being said, however, the West Virginian delivers a heartfelt ballad that is sure to resonate with many who are looking for a lyrics-first, earnest look at a relationship. Simply put, “Mutts” doesn’t just deserve your attention, it demands it. “Mutts” The post Newcomer Tucker Knisell Delivers Ode To West Virginian Roots In Stellar New Song, “Mutts” first appeared on Whiskey Riff.

Formerly Known As Boy Named Banjo, Breakfield’s Self-Titled Album Makes A Convincing Case For The Band’s New Era
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Formerly Known As Boy Named Banjo, Breakfield’s Self-Titled Album Makes A Convincing Case For The Band’s New Era

Rebranding is one of the biggest gambles a band can take. Years of name recognition and building an identity are suddenly up for debate, and if the music doesn’t justify the change, fans aren’t likely to let them forget it. After 15 years as Boy Named Banjo, the band formed by childhood friends made the difficult decision about a year ago to change their name to Breakfield. Named after a country road in the town of Sewanee, TN where the band members spent their college years and really cut their teeth playing in front of crowds, the name choice was an intentional one, meant to keep the band tied to their roots while ushering in a new era sonically for the Nashville-based bluegrass-turned-Americana quartet. Signed with Rounder Records, they released their first single “Canyon Walls” under the new moniker back in October, and after building suspense with the release of a handful of singles thereafter, they released their full self-titled record Breakfield a month ago. Any sort of name change or rebrand is major leap for an established act, and one that inevitably will come with backlash from the existing fans partial to the original name. If a band is going to do it, though, it’s important that they follow it up with some of their best music yet to ensure the listeners that nothing has changed but the name. In recent years, both Read Southall Band and Mike and the Moonpies have undergone similar rebrands, changing their names to Southall and Silverada respectively. Both bands immediately followed the rebrand with a killer self-titled record, and as soon as fans realized the music was only getting better, the concerns over the name seemed to vanish. With how strong the new album is, Breakfield should have no issues following suit. Comprised of 11 tracks that further explore the band’s sonic capabilities and feature some of their best songwriting to date, Breakfield examines the restless and uncertain nature of a career in music, juxtaposed with the hope that comes with ushering in a new era for the band. In its current form, Breakfield’s lineup is Barton Davies on banjo/vocals, Ford Garrard thumping the base, William Reames on guitar/harmonica/vocals, and Sam McCullough holding it down on drums. Together, these guys have tapped in to a unique sound through years of honing their craft, and this album is proof that their hard work is paying off. Teaming up with producer Sadler Vaden, who is best known for playing guitar in Jason Isbell’s band the 400 Unit and producing albums for Morgan Wade and Drayton Farley, it’s also clear the band surrounded themselves with exceptionally talented collaborators to bring the project to life. Reames and Davies had their songwriting fingerprints on each track, but Katie Pruitt, Ben Chapman, and Meg McRee, among many others, contributed as co-writers as well. Of course a stacked list of collaborators only matters if the songs live up to the hype. Luckily they do. I could sit here and elaborate on how special this album is, but the proof is in the music. Give Breakfield’s recently released self-tiled record a listen for yourself here with a few of my early favorites: “Rivers Run” “Darker Out Tonight” “Live by Me” “Who Am I” The post Formerly Known As Boy Named Banjo, Breakfield’s Self-Titled Album Makes A Convincing Case For The Band’s New Era first appeared on Whiskey Riff.