He's been working in entertainment since the 1970s, often appearing as himself.

He's been working in entertainment since the 1970s, often appearing as himself.

Test your knowledge of classic 1970s television.

“It’s about that moment when you feel like you’re being pulled in different directions, a kind of metaphoric depiction of the forces acting upon us in modern life.” – Robert Longo   For his series Men in the Cities, Robert Longo set up his camera on the rooftop of his New York apartment, dressed his friends, including Cindy Sherman and Larry Gargosian, in business attire and captured their movements as he threw various objects at them. Their reactions show them in an apparent state of rapture, captured in the moment of pain, ecstasy and abandon. Taken between 1977 and 1982, Longo turned his photographs into large-scale, monochrome charcoal and graphite drawings.     “When Robert wanted to make some photographs of people in mid-air to base his drawings on, I was happy to participate. His photos were a means to an end. I don’t think he appreciated how good they were on their own.” – Cindy Sherman     “But it seemed like the uniform of white western world was a shirt and tie for a man and, you know, a skirt or a dress for a woman. So I chose these images for the drawings, but I channeled through a punk sensibility, which was, like, thinner ties, and thinner lapels, and tighter pants, and sexier, tighter dresses. So I didn’t want them to be those people. At the same time I wanted them to be white doomed people. I was very aware that I was making only white people because they—to me they were like—they were, like, buildings falling down, you know. They were, like, collapsing buildings.” – Robert Longo . “I exploded with the ‘Men in the Cities’ (1977–83) series in the late 1970s and early ’80s. They became so successful that they entered the culture in a way that caused me to lose authorship. They became iPod ads, fashion ads. I intended viewers to see ‘Men in the Cities’ as a series of images. I always wanted them to be like a guitar chord in a Sex Pistols song – an abstract symbol.” – Robert Longo     “When you draw an image… you burn it. It becomes part of every molecule in your body, and then you spit it back out to project it onto a surface. It’s a transmutation.” – Robert Longo       “When I was making drawings in the beginning [in the 1980s], all my friends were doing photographs and films and videos. I didn’t have any money, so to make a long story short I took home some backdrop paper and just started to draw. I realised I could do with drawing what I wanted to do; I didn’t have to make photographs. I took drawing to this obscene point where I wanted to compete with movies and magazines and television. It’s a weird zone because when I tell people I make charcoal drawings they think I’m making these little, tiny things, but I’m not. It’s amazing to make something out of dust.” – Robert Longo to Ropac     Screenshot Via: Smithsonian, Weng, incamera, Frieze The post Men In The City: The Photos Behind Robert Longo’s Spellbinding Art (1979-1982) appeared first on Flashbak.

For decades, Michael Jackson stood as one of the most influential entertainers in the world, shaping music, dance, and pop culture in ways that still resonate today, and now, his nephew Jaafar is teling his story. His legacy continues to inspire new generations, and now, that influence is finding new life on the big screen through a deeply personal project. The upcoming biopic generates excitement, especially with its focus on Michael Jackson. Jaafar, the late icon’s nephew, is taking on the difficult role. For fans who grew up with the King of Pop’s music, this moment feels both nostalgic and emotional. Michael Jackson’s Jaafar Performance Earns High Praise Jaafar as Michael Jackson At the film’s premiere, Marlon Jackson shared strong praise for his nephew’s portrayal. He described Jaafar’s performance as remarkable, noting that it felt so authentic that he occasionally forgot he was not watching Michael himself. Coming from someone who spent years alongside the legendary performer, the compliment carries significant weight. According to People, Marlon emphasized that Jaafar was uniquely suited for the role, calling his work “unbelievable.” The performance, particularly during scenes featuring iconic songs like “Billie Jean,” stood out as a highlight, capturing both the energy and precision that defined Michael’s stage presence. A Family Tribute to a Global Icon Michael Jackson/Instagram The film not only tells the story of Michael Jackson’s rise to fame but also reflects the family’s involvement in preserving his legacy. Several of his siblings contributed as executive producers, ensuring that the narrative stays connected to real experiences and memories. THE JACKSONS: A FAMILY DYNASTY, (aka THE JACK5ONS: A FAMILY DYNASTY), from left: Tito Jackson, Marlon Jackson, Jermaine Jackson, Jackie Jackson, (Season 1), 2009-10. photo: Richard Knapp / © A&E / Courtesy: Everett Collection The Michael Jackson Jaafar project ultimately aims to bring audiences together, much like the music once did. Marlon expressed hope that the film will create a shared experience for families, reminding viewers of the power of storytelling and the enduring impact of one of the world’s greatest performers, while also celebrating the journey of a young artist stepping into an extraordinary legacy. Next up: King Charles And Queen Camilla Prepare For Historic U.S. Visit The post Marlon Jackson Praises Jaafar’s “Unbelievable” Michael Jackson Transformation appeared first on DoYouRemember? - The Home of Nostalgia. Author, Ruth A