“Death must be so beautiful. To lie in the soft brown earth, with the grasses waving above one’s head, and listen to silence. To have no yesterday, and no tomorrow. To forget time, to forgive life, to be at peace.” — Oscar Wilde, The Canterville Ghost     For Kitō Dōkyō (鬼頭道恭; 1840 – 1904) death and decay can be elegant. In The Decay of a Corpse in Eight Panels and Monument for the Dead, the painter delivers a story of human fragility for the ages in ink, watercolour and gouache on silk, mounted on paper.   Kusōzu (九相図): Nine Stages of Decomposition The series The Decay of a Corpse in Eight Panels and Monument for the Dead) is in the Buddhist tradition known as kusōzu (九相図 – “pictures of the nine stages”). Kusōzu (九相図) art emerged in Japan during the 13th century and was produced until the late 19th century in various formats – including handscrolls (emaki), hanging scrolls (kakejiku), and printed books. Diverging from the standard nine-stage, Dōkyō composed this work across eight panels. His story starts with a dead woman lying in a natural landscape. She is almost naked. It moves through the stages of the woman’s body decomposing into a skeleton before it’s eventually scattered to the winds. We then see a gravesite in the form of a gorintō (a five-tiered stone stupa), symbolising the memorial dedicated to the deceased. Having experienced the gruesome process of decomposition, the body of the deceased young woman ultimately returns to nature.     The setting for kusōzu is always outdoors, where a corpse would be left exposed to decay in a field, graveyard, or charnel ground. The stages included vary between sources. But that the body is of a woman is not accident. The narrative serves to remind the male monks sworn to live a life of chastity that no woman is worth deviating from the path. So the stages of bodily decay are an aid to meditation. Believers were encouraged to construct and reflect on mental images of each of the stages. Beyond quelling sexual desire, the images might also help viewers mourn and come to terms with the loss of a loved one and their own state of being.     Kitō Dōkyō Dōkyō was a Japanese painter of the late Edo (1603–1867) and Meiji (1868-1912)periods. Born in Nagoya, he  travelled to Kyoto to study Buddhist art and the techniques of the Tosa School with artist Okada Tamechika (岡田為恭; 20 October 1823 – 8 June 1864). Afterwards, he returned to Nagoya where he became known as an expert in producing Buddhist-themed artistic works.     Via: Zacke The post Kusōzu: The Decay of a Corpse in Eight Panels and Monument for the Dead appeared first on Flashbak.

The musician was best known for his highly-influential 1982 track 'Planet Rock.'

There was something quietly captivating about the love story between Farrah Fawcett and Lee Majors, a pairing that defined Hollywood romance in the 1970s. At a time when celebrity marriages often felt distant or carefully curated, they brought a sense of spontaneity, warmth, and real-life compromise that audiences connected with. Looking back now, what stands out most is not just their fame, but the small, intimate decisions that shaped their relationship. As modern couples search for balance in busy lives, the story of Farrah Fawcett and Lee Majors serves as a nostalgic reminder that simple habits often leave the deepest mark. Farrah Fawcett, Lee Majors, and Their Unconventional Rule Farrah Fawcett had a clause in her contract ensuring she could have dinner with Lee Majors / Oscar Abolafia / Everett Collection (farrahfawcett_leemajors001) Farrah once revealed a surprisingly simple approach that helped her maintain closeness in her marriage. In an interview from the late 1970s, she described how she would prepare a meal and carry it into the bedroom, creating a cozy space that blended routine with romance. Hello! Magazine notes that she often felt the urge to return to chores, but Lee encouraged her to stay present and enjoy their time together. That dynamic led to a small but meaningful change in their home. Farrah admitted that doing dishes afterward felt like “the worst thing in the world,” so she made a clear request. If they wanted uninterrupted time together, something had to give. Lee responded immediately and hired a housekeeper the very next day, allowing them to focus on each other instead of daily distractions. A Romance That Began With Doubt And Lasted Through Change SIX MILLION DOLLAR MAN: WINE WOMEN AND WAR, Farrah Fawcett (center, top), Lee Majors (center, bottom), 1973. Their love story did not begin smoothly. When Lee first reached out, Farrah found his message abrupt and off-putting. She nearly turned him down, but his sincere apology shifted her perspective and opened the door to a relationship that would soon flourish. Their marriage lasted from 1973 to 1982 and faced pressure from demanding careers, yet the affection they shared left a lasting impression. Even decades later, as Charlie’s Angels continues to be celebrated, their story remains a poignant reflection of love, compromise, and the small choices that shape a life together. Peter Oxley/X Next up: Granddaughter Of John Ritter Says She Doesn’t Want To Follow In The Family’s Footsteps The post Farrah Fawcett’s Marriage To Lee Majors Followed One Surprising Rule appeared first on DoYouRemember? - The Home of Nostalgia. Author, Ruth A

Growing up in a family shaped by Hollywood success often comes with quiet expectations. For the daughter of Jason Ritter, however, that legacy has not defined her dreams. Instead, her story reflects something far more personal—an early sense of independence that has already begun to set her apart. For fans who remember John Ritter and the generations that followed, this moment feels both surprising and refreshing. The idea that the Jason Ritter daughter might step away from acting adds a new dimension to a family long associated with the screen, reminding audiences that legacy does not always dictate direction. Jason Ritter’s Daughter Expresses A Different Dream Early On Jason Ritter/Instagram During a candid conversation on Ted Danson’s podcast, Jason shared a moment that stood out in its simplicity. His young daughter, just seven years old, asked whether it would be okay if she did not want to become an actor. It was a question that carried more weight than it seemed. Instagram According to People, his response came quickly and without hesitation. He reassured her that she would never feel pressured to follow in their footsteps, emphasizing that forcing such a path would feel wrong. The exchange revealed not just a child’s curiosity but a parent’s commitment to letting her define her own future. A Childhood Filled With Humor, Honesty, And Support             View this post on Instagram                         A post shared by Jason Ritter (@jason_ritter)   While she may not feel drawn to acting, she clearly understands parts of her parents’ world in her own way. Jason joked that she sometimes reacts bluntly to his work, even making playful comments about his on-screen roles that reflect her unfiltered honesty. Jason Ritter/Instagram At home, their bond appears grounded in warmth and everyday connection. From teasing reactions to his viral dance videos to shared family moments, her perspective remains refreshingly normal. In many ways, her choice not to follow the expected path feels less like a rejection of legacy and more like an embrace of individuality—one that her parents continue to support with openness and care.   Next up: Meghan Markle’s Kids Share Sweet Easter Memories In Rare Family Footage The post Granddaughter Of John Ritter Says She Doesn’t Want To Follow In The Family’s Footsteps appeared first on DoYouRemember? - The Home of Nostalgia. Author, Ruth A