Matthew Malone digs in; doll's head and rifle percussion caps were found in that unit (Picket photos)

Metro Nashville Historical Commission archaeologist Adam Fracchia and three volunteers worked in two excavation units within the remains of the fort, which was largely built in 1862 by free Blacks and “contrabands” – formerly enslaved people who fled to Nashville during the Civil War.

For all its public appeal, archaeology is especially tedious work. Everything must be recorded and sifted carefully. Some days you come up empty.

But not on this recent Friday.

Liana Blackburn sifts the Tennessee clay as Patrick O'Sullivan works in Unit 6 (Picket photo)

In the few hours that I drifted between the two open pits, the team collected several rifle percussion caps, shards of glass, bricks, cow bones, charred wood from fires and the head of a tiny doll – all likely tied to the time of the fort, which troops left in 1867.

“This is a very exciting day,” said Fracchia, who has been doing archaeological work at the city’s 64-acre historic park for a couple years. “It is unusual to get that many deposits.”

Federal army used string of forts to hold Nashville

Nashville was the first Confederate state capital to fall to the Union, and it didn’t take long for the army to build defensive fortifications to protect access to railroads and the Cumberland River.

Fort Negley during the war (Library of Congress) and Matthew Malone and Adam Fracchia, background (Picket photo)

Later in the war, regiments with the U.S. Colored Troops were among those occupying Negley, which fired on Confederates during the Battle of Nashville in December 1864. It was spared a direct assault; U.S. Colored Troops did fight elsewhere in Nashville during the battle.

Fracchia on most Fridays welcomes the public to take part in the excavations at Fort Negley, which was picked over by relic hunters for a long time. Signs warn visitors it is unlawful to bring metal detectors, dig or remove artifacts.

Still, compelling artifacts such as those uncovered when I was there are still to be found by archaeologists. Fracchia spoke about them with a few visitors who meandered into the project area from time to time.

Park upgrades will honor Black laborers, USCT soldiers

Fort Negley has recently begun the first phase of a major upgrade to the park, which is largely surrounded by highways and commercial development that have largely supplanted the African-American  Bass Street neighborhood. A key aim is honoring the Black laborers who built the fort.

Fracchia and volunteers have been working only in areas that would be disturbed by new walkways and interpretive signs.

The first phase includes an archaeological investigation at the site of the historic Bass Street community along with a public history component, as well as a large-scale mural designed and installed by a local artist, the city says.

Many of the USCT veterans and Black civilian workers settled in the area following the war. The latter were forced to work at Fort Negley, and many died during construction.

Davidson County historian and Tennessee State University professor Learotha Williams said in a February social media post:

African-Americans pressed into building Nashville forts for Union (Annals of the Army of the Cumberland)

Many artifacts seem to be evidence of camp life

On the day I was in town, O’Sullivan and Blackburn worked in Unit 6, which is near what was once a large palisade wall. Much of Civil War-era Fort Negley is gone; young men with the Works Progress Administration (WPA) reconstructed the site during the Depression.

Fracchia said the team gets a mix of Civil War and postwar items and it is difficult to tell whether the items we saw that day were deposited during the fort’s construction or later in its service.

Unit 6 might have been a trash pit – inside were livestock bones signifying possible rations for Federal soldiers, bricks and broken bottles, including what may be part of a pickle jar. Fracchia said a wooden post may have been placed within that unit.

Glass jar lid, volunteer Patrick O'Sullivan with cattle rib, fragment of bottle (Picket photos)

“I’m excited to see if they are intact,” said O’Sullivan before he and Blackburn carefully dug around them.

The items were not complete – one appeared to be a lid to a jar already collected and the other was the bottom of a bottle believed to be hand-blown.

“We find these mass-produced dolls at domestic sites often,” Fracchia later told me. “I do not know why it was a Fort Negley.” (National Park Service photo, left, from Fort Stanwix)

He made a reference to it possibly being a “Frozen Charlotte,” small, usually unclothed dolls popular during the mid-19^th century until about 1920. If you want to know more about how they got their name, click here.

The short version, according to the National Park Service: The name “Frozen Charlotte” was associated with the dolls once they were gaining in popularity. It is inspired by a folk ballad about an underdressed “Young Charlotte” or “Frozen Charlotte” who froze to death while on a carriage ride to a winter’s ball.

The find was especially exciting, with Malone carefully walking it over for Blackburn and O'Sullivan to see.

Perhaps surprisingly, not many personal items have been found in recent years.

Hey, public: This is your chance to join a dig

The Metro Nashville Historical Commission works out of the restored Sunnyside Mansion in Sevier Park, a few miles southwest of Fort Negley.

Following a disastrous loss at the Battle of Franklin in November 1864, Confederate Lt. Gen. John Bell Hood moved upon Nashville, digging in below the city. Federal Maj. Gen. George Thomas attacked about two weeks later, sending Hood’s battered army off the field on Dec. 16.

One of the master plan renderings of the upgraded Fort Negley (Picket photo)

Fracchia said officials don’t have detailed descriptions of what happened on the property during the battle, but they believe Confederates must have been a significant target because of the number of bullets and holes. They eventually were forced to retreat.

The commission has found rifle pits and entrenchments on the land. 

Fracchia’s work extends other sites. The commission recently won a grant to fund a website where Nashvillians can upload photographs of artifacts they find on their property.

Adam Fracchia and Liana Blackburn show off Unit 6 to visitors (Picket photo)

On the day I was in Nashville, a woman visiting Sunnyside Mansion asked about helping with the archaeological work.

“You have to show the public this is yours,” said Fracchia.

Site grid and Liana Blackburn and Adam Fracchia (Picket photos)