In any other time, Timothée Chalamet would be the toast of Hollywood. Young, handsome and versatile, few actors take their craft as seriously as Chalamet. So why is he suddenly considered a cartoonish villain within the halls of Tinsel Town? At a time when the industry still relies on 60-something stars named Cruise, Pitt, Depp and Reeves to fill seats, shouldn’t Hollywood be rallying around a much younger star? Instead, we’ve spent weeks dissecting an offhand comment he made during a podcast chat and wondered if his “swagger” alienated too many Oscar voters. Is this any way to treat a generational talent? Gotham/GC Images In a just a short span, Chalamet has played a bevy of iconic roles. He gave us Paul Atreidis, the complicated hero of the “Dune” saga, a remarkable take on Bob Dylan via “A Complete Unknown” and even a young Willy Wonka. He’s earned three Oscar nominations to date, cementing his status among his peers. And these weren’t emotional picks by any stretch. He earned them. His sublime turn in last year’s “Marty Supreme” had him earmarked for Oscar night glory. It was his time, especially since he missed out the year prior despite a dazzling turn as a young Bob Dylan. Chalamet spent years performing like the folk-rock legend, so when the cameras started rolling, he’d be more than ready for his closeup. Cillian Murphy bested Chalamet for his work in “Oppenheimer” all the same. It happens, but the young star never stopped hustling. He trained obsessively once more for “Marty Supreme,” the tale of a ping-pong prodigy whose moral lapses threatened his dreams of global domination. XNY/Star Max/GC Images Not only was he preparing years before the film hit theaters, he had to ape the precise ping-pong style of the 1950s. Tricking audiences that he was an elite ping-pong champion wasn’t enough.  That’s hardly new for Chalamet, who happily rolls up his sleeves for the right role. He learned Italian for his 2017 film, “Call Me by Your Name,” which landed him his first Oscar nomination. His latest extreme challenge didn’t grant him the ultimate acting prize. His fading can’t-miss status collapsed over the last few months, paving the way for the talented Michael B. Jordan to take Best Actor honors for “Sinners.” That came as no surprise to Oscar observers. They watched Chalamet’s can’t-miss status crumble in real time. First, he was working too hard to promote the film, appearing in public at pop-up events and flexing his Instagram account to drum up interest for the film. Why wouldn’t Hollywood crave such a creative approach to marketing? Will Heath/NBC via Getty Images Did anyone think a ‘50s era look at ping pong would draw huge crowds all by itself? Chalamet’s energy and enthusiasm helped make the film a hit, outgrossing the year’s eventual Best Picture winner, “One Battle After Another,” in American theaters — $95 million to $72 million, respectively. Later, some pundits were turned off by his swagger. He simply wanted that golden statuette too much. What if he earned it fair and square? Since when is swagger a negative trait in a movie star? Since now, apparently. The post-Oscars recap of Chalamet’s loss is even more dispiriting. The Hollywood Reporter essentially asked the actor to disappear for a while so we’d “miss” him, at least until the third “Dune” saga hits theaters in December. Emma McIntyre/Getty Images Over-exposure is a real concern for some stars, but Chalamet doesn’t work nearly as often as some of his high-profile peers. Heck, there’s a running joke about the ubiquitous Pedro Pascal, but Chalamet’s resume is far less busy than the “Mandalorian” star. Chalamet makes one sizable film a year, with the occasional supporting turn to flesh out his resume. The craziest attack on the star came late in the recent Oscar campaign. The actor told fellow star Matthew McConaughey that he hoped film wouldn’t drop off the cultural scene like ballet and opera have in recent years. “I don’t want to be working in ballet, or opera, or things where it’s like, ‘Hey, keep this thing alive, even though like no one cares about this anymore.’ All respect to all the ballet and opera people out there.” That set off a firestorm, even though there’s some truth to his comments. How many people can rattle off the biggest opera or ballet stars in the world, as opposed to the biggest TV or film actors? The critique got blasted far and wide, making its presence felt during the 98th Oscars ceremony hosted by Conan O’Brien. “Security is extremely tight tonight. I’m told there’s concerns about attacks from both the opera and ballet communities.” The camera quickly panned to Chalamet, who grinned sheepishly at the bit. Kevin Winter/Getty Images That imbroglio may not have hurt him in the Oscar voting tally as much as some suspected. Many votes had already been cast at that point. Still, the fallout was considerable, and some voters likely would have held it against him if possible. The notion that they would let such a silly spectacle warp their perspectives is a tragic glimpse at award season decline, not anything about Chalamet’s talent. We need younger stars to step in while the old guard recedes for character parts and retirement. Chalamet offers exactly that, but is Hollywood ready to embrace him? * * * Christian Toto is an award-winning journalist, movie critic, and editor of HollywoodInToto.com. He previously served as associate editor with Breitbart News’ Big Hollywood. Follow him at HollywoodInToto.com. The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.