Why ‘Clovis’ Might Be The Most Important Project Of Charley Crockett’s Career
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Why ‘Clovis’ Might Be The Most Important Project Of Charley Crockett’s Career

The surprise album that Charley Crockett dropped could be the most impressive and important work of his entire career. Is Clovis a record? Or is it a statement? This is one of those situations where two things can be true. The 14-track album features a number of originals co-written by Charley and his frequent collaborator, Shooter Jennings. It also features a Johnny Cash cover, “Don’t Take Your Guns to Town,” and boasts a handful of other co-writers. And Clovis comes just a few weeks after Crockett closed out his Sagebrush Trilogy with the release of Age of the Ram, which the country star also worked with Shooter Jennings on. Though it’s important to note that this latest release comes through a label called $10 Cowboy (presumably Crockett’s own). It’s a departure from from Island Records (UMG), where his last three albums – Lonesome Drifter, A Dollar A Day, and Age of the Ram – were released. Shortly after the release of Age of the Ram, Charley confirmed that he and Shooter had already finished his next project, saying: “In a country music scene full of frauds they been dying to get me hung. Ain’t never been more proud of a record than ‘Age Of The Ram.’ 3 albums in 12 months. Me and Shooter Jennings sure figured out how to tie one on. Guess I might as well tell y’all, the next one’s already done. I know cowboys who pay to stay off the bull I’m riding. To the folks who get what I’m putting down, thanks for listening. I can’t do it without you.” That was a pleasant surprise to hear, but I don’t think anyone realized Crockett – who is known to drop multiple albums every year – would release “the next one” only three weeks after the conclusion of his Sagebrush Trilogy. But that’s exactly what he did with Clovis, and in a new video from Crockett, it’s clear that doing so was a bit of a professional, musical-middle-finger to the label he used to belong to: “I paid for it. I think I spent about $300,000 on it. And I cut it at Clovis, New Mexico at the old Norman Petty studio where Buddy Holly started out, and Waylon Jennings had his first recording… just released the full record. Completely independent of the label system I’ve been tied up in for 10 years. Every time I find I signed a deal I don’t like, and I go to these f***ing business people, and I tell them, ‘I don’t like the deal, I don’t think it’s fair.’ They say, ‘Tough luck kid, shouldn’t have f***ing signed it.’ As soon as I hold them to that same standard, I’m the f***ing bad guy.” pic.twitter.com/4LaVnMBtv3 — Charley Crockett (@CharleyCrockett) May 1, 2026 Charley Crockett is always going to tell it like it is. And when you take a look at the entirety of Clovis, it’s clear that’s exactly what he’s doing, and that the new album exists to spite the experience he’s had depending on labels. I mean… feel free to call any of these connections a stretch, but the first track of the album being “The Hallelujah Trail” after parting from a record label can’t be a coincidence, right? The characters within the story the song – Cuatro and Cholla – might even represent Charley and Shooter themselves: “Cuatro, and Cholla, the best of friends Cuatro died but then he came back again A fabled story, away out west He rides forever, no fear of death Out here on the Hallelujah Stick it to ya, outlaw trail! Lonesome land, old west o’ Caddo Comanche comes to wish you well!” Then you move on to “One Eyed Jack,” which talks of back stabbing, and having everything stacked up against you. Like in the video above, it feels like this track is a direct metaphor to dealing with his former record label: “You’re a one eyed jack, yeah everybody knows I done seen your other side, Lord, I done seen it up close You must be crazy if you think I don’t see The way you settin’ all up against me You’re a one eyed jack, a fair weather friend A knife in the back, the way it always ends” Crockett’s Johnny Cash cover, “Don’t Take Your Guns to Town,” tells the story of a man named Billy who gets shot down. His previous Age of the Ram project was fully encompassed by a fictional outlaw named Billy McLane. That right there seems like an intentional cover choice. And in “I Ain’t Riding Anymore,” Crockett sings of being tired of the chess game that is the music industry, and continuing on his music career for himself and himself only. That same sentiment in echoed in “Waylon Rides Again,” which doesn’t need much of an explanation. Chains are actually used as a musical instrument in that one, and the final song of the album is Charley Crockett riding off into the indie sunset with lines like this: “I’ll admit there’s somethin’, out in Tennessee. But on my life, it ain’t ever done much for me. They all know, ain’t no use to pretend.” Though that’s the perfect exclamation point for Clovis, one of the best lines in the new album finds a home in “Honky Tonk Philosophy.” If there was a set of lyrics that seemed to capture Crockett’s current mood the best, it just might be blink-and-you’ll-miss-it line proclaiming that he’s done being anyone else but himself: “There was a time when I missed my self, but that was when I was someone else.” Now that he’s broken from the chains of his record label, and appears to be going full-on indie, there’s no guide rails. Charley Crockett can do whatever he wants, when he wants to… and he’s already tapped into that power by releasing Clovis, and arguably overshadowing Age of the Ram by doing so. Personally, I think Clovis fits in better as the third installment of the Sagebrush Trilogy anyways. I know that his last record release through Island Records (UMG) focused in on a fictional outlaw that’s on the run, and that undoubtedly fit the mold of the story that Lonesome Drifter and A Dollar A Day set out to tell. But Clovis is Crockett stepping into the outlaw role himself, standing up against the record labels and announcing to the world that he’s riding again. That’s why Clovis – both right now and with hindsight down the road – might be the most important work of Charley Crockett’s impressive career. Spotify Apple Music The post Why ‘Clovis’ Might Be The Most Important Project Of Charley Crockett’s Career first appeared on Whiskey Riff.