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Bruce Springsteen’s Land of Hope and Dreams No Longer Welcomes All
The first time I heard Bruce Springsteen play “Land of Hope and Dreams” during his reunion tour of 1999, I nearly wept. Summoning the spirit of Woody Guthrie’s Bound for Glory and The Impressions’ gospel-tinged “People Get Ready,” the soul-soaring number evoked America as a train, with “this train” welcoming “saints and sinners,” “losers and winners,” “whores and thieves,” “losers and kings.”
All aboard.
Nearly 30 years “down the tracks,” Springsteen has launched his “Land of Hope and Dreams Tour.” Except now, instead of “all aboard,” it’s “No MAGA is welcome.”
On what he has openly dubbed a “very political” tour, Springsteen unleashes a nightly diatribe against what he calls the “corrupt, incompetent, racist, reckless and treasonous” president, while touting “No Kings.” (As if any tyrannical king would allow a mere musician to call him corrupt and treasonous without being hauled to the tower.)
Lost in the huffing is the reality that President Donald Trump was elected by a majority of the American people. Elected by people who see him as a champion against the entrenched powers and global elites who have spent decades running them into the ground. Elected, in fact, by the very people Springsteen has made a king’s ransom writing about.
The people—white, black, yellow, and brown—proud to live in this “American Land,” who wave the American flag … not the communist flags, rainbow flags, and the flags of Hamas seen at No Kings.
The blue-collar workers in “Youngstown” whose factories and mills got shut down … that Trump is busting tail to reopen. Trump did not “forget their name.”
The oil workers from “Seeds” whose jobs were “gone, gone, gone” … but are now booming, booming, booming thanks to “Drill, baby, drill.”
The “Born in the U.S.A.” veterans who’d been abandoned by the nation … but are now a priority rather than sex change operations for soldiers.
Those from his “City in Ruins” … whose streets are safer, whose businesses are less burdened, whose children are being rescued from trans ideology and falling test scores.
You could say he’s thrown Mary and Wendy and Madam Marie, even Rosalita, over for the likes of Jane Fonda and Alexandria Ocasio-Cortez.
No, the type of people Springsteen wrote about are no longer welcome in Springsteen’s world—certainly not at his concert tour, even if they could afford the astronomical prices. Like pal former President Barack Obama scoffing at those who cling to their guns and religion, he holds them out to be simpletons manipulated and duped by the evil Orange Man.
Take “Streets of Minneapolis” … Please.
It’s no secret Springsteen is a leftist. He railed against nuclear power in the ’70s, Ronald Reagan in the ’80s, performed benefits for radical leftist groups in the ’90s, and spent the Biden years doing podcasts and cruising around in yachts with Obama while “This Hard Land” crumbled and Americans suffered.
But what makes his current actions so disappointing is his refusal to play straight. Take, for example, his recent protest song “Streets of Minneapolis.”
The song is a condemnation of Immigration and Customs Enforcement (ICE) and a deification of Renée Good—the woman who gunned her car at an ICE agent and lost her life. He wrote and recorded the song immediately after hearing about the incident.
Except Springsteen didn’t rush to write a “Streets of Chicago” about the innocent 18-year-old Sheridan Gorman, recently executed in the Windy City by an illegal immigrant—precisely the kind of illegal immigrant ICE is trying to remove from our country. No “Streets of Fort Myers” for the mother of two bludgeoned to death with a hammer by an illegal immigrant from Haiti on April 3.
The Boss’s “War” With Himself
Another example: Springsteen’s opening-night concert in Minneapolis began with Barrett Strong’s Vietnam-era anthem “War.” This led to a tirade about the “illegal” and “unconstitutional” war against Iran. Factually untrue—but more to the point, where is Springsteen’s “Streets of Tehran”?
He’s hot and bothered about Good and Alex Pretti, both of whom interfered with and accosted ICE agents, who arguably acted in self-defense, but not a single chord or word for the 30,000 protesters slaughtered like sheep in Iran? Or the surviving protesters who—thanks to Trump—may actually soon hear the “Chimes of Freedom”? (Another cover on the set list.)
For that matter, Springsteen wasn’t out there singing “War” when his BFF Obama was bombing Libya for months on end. Or orchestrating an overthrow of the Ukraine government, which helped lead to the bloody endless war they’re in today. Or mucking up the Middle East, giving rise to ISIS.
Principle seems to have no role in Springsteen’s public politics. More disappointing, his hypocritical dismissal of a majority of Americans breaks the unspoken promise Springsteen made from the start of his career to “Be True” to his loyal audience. Count me among them.
As he sings in “The Promise”: “When the promise is broken, and the truth makes no difference, something in your heart grows cold.”
Still, Springsteen built up a Jersey-sized cache of goodwill over his half-century in the spotlight. And while he’s burning through that goodwill like drag racers burn rubber on “the fire roads and the interstate,” one can hope The Boss puts aside the TDS and meet us again in this Land of Hope and Dreams.
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