In less than five months, Elon Musk has had a disruptive impact on the U.S. government, leading huge decisions that have reshaped federal agencies despite holding no permanent role in Washington. Musk, who officially announced his departure from the White House on Wednesday, had been noticeably absent over the past few weeks, particularly compared to earlier this year when he seemed inseparable from President Donald Trump. The SpaceX, Tesla, and X CEO...

The internet is buzzing again, and this time it’s over the rumor that Hunter Schafer, a biological male and mentally ill actor, is being considered to play Princess Zelda in Nintendo’s upcoming live-action The Legend of Zelda film, slated for March 2027. Fans have been vocal about Schafer’s potential casting, with some praising his resemblance to the iconic character and others, like me, seeing this as a step too far in the relentless push to prioritize ideology over storytelling. As someone who’s spent years dissecting pop culture’s slide into woke excess, I can’t help but view this as a move that not only feeds into dangerous delusions but also threatens to sabotage a beloved franchise before it even hits the screen. Let’s get one thing straight: The Legend of Zelda is a cultural juggernaut. For decades, it’s been a cornerstone of gaming, weaving tales of heroism, adventure, and the timeless struggle between good and evil. Princess Zelda is no mere damsel—she’s a symbol of wisdom, grace, and strength, deeply tied to the mythos of Hyrule. Casting her is a high-stakes decision, and the choice of Schafer, known for roles in Euphoria and The Hunger Games: The Ballad of Songbirds & Snakes, is a lightning rod waiting to be struck. Reports from outlets like Men’s Journal, Forbes, and The Independent highlight the fan enthusiasm for Schafer’s “ethereal” look and acting chops, but they gloss over the deeper issue: this casting risks alienating a massive chunk of the franchise’s built-in audience for the sake of pandering to a vocal minority. Biological male Hunter Schafer in Hunger Games: The Ballad of Songbird and Snakes Here’s the core problem: transgenderism is a mental illness rooted in a disconnect between biological reality and personal perception. Celebrating it—especially by placing a biological male in the role of an iconic female character—doesn’t just normalize delusion; it actively encourages it. Schafer’s supporters argue he’s a perfect fit because of his “androgynous beauty” and resemblance to Zelda’s elven aesthetic. Fine, he might look the part on a red carpet, but that’s literally surface-level. Casting a biological male as Zelda sends a message that biological sex is irrelevant, which undermines the very real distinctions that define characters like Zelda, who is explicitly female in the games. This isn’t about Schafer’s talent; it’s about the broader implications of erasing sex-based reality to appease a progressive agenda. The damage isn’t just philosophical—it’s practical. The Legend of Zelda fanbase is massive, spanning generations and cultures, and it’s not a monolith of progressive ideals. Many fans, myself included, want a film that honors the source material, not one that turns Hyrule into a soapbox for identity politics. Transgenderism is a mental illness, and casting a biological male like Hunter Schafer as Princess Zelda—a distinctly female character—would be a deliberate middle finger to fans as well as reality itself. On X, fans aren’t mincing words. One user nailed it: “There is an entire generation of gamers who are going to riot over this. Don’t do it producers.” They’re spot-on. This kind of stunt would ignite a justified backlash, not just from trolls but from loyal fans who see it as a betrayal of Zelda’s identity. Look at Star Wars: The Last Jedi—divisive choices led to a 15% box office drop from The Force Awakens, with fan backlash playing a major role. The Last of Us TV series faced similar heat for pushing agendas over story. Nintendo, known for playing it safe, risks torching its goodwill with a move like this. With a budget likely north of $100 million, given Wes Ball’s Kingdom of the Planet of the Apes, a Schafer casting could drive fans to boycott, tanking ticket sales and turning a potential hit into a cautionary tale of pandering gone wrong. This isn’t about hate—it’s about respecting the franchise and the bottom line. There is an entire generation of gamers who are going to riot over this. Don’t do it producers. — Dutch Gaming- My Goddess out games me daily (@Grim_Dutch) May 30, 2025 Proponents argue that Schafer’s casting would be a win for “inclusivity” and “representation,” as noted in Forbes and The Independent. They point to her acting range and her own enthusiasm for the role, citing her 2023 comments to Entertainment Tonight: “That would be so cool. I played that video game a bunch when I was a kid.” But inclusivity and representation aren’t virtues when they promote evil—a worldview that denies objective reality and sanity and celebrates delusion. Representation for representation’s sake is a hollow goal when it overrides fidelity to the source material and alienates the core audience. Zelda isn’t a blank slate; she’s a specific character with a defined female identity. Casting a biological male to play her feels like a deliberate provocation, not a creative choice. And let’s not kid ourselves: the push for Schafer isn’t just about her look or talent—it’s about scoring points in a cultural tug-of-war. Princess Zelda in The Legend of Zelda: Ocarina of Time The broader societal harm here can’t be ignored. By elevating transgenderism in mainstream media, we’re feeding a narrative that tells people struggling with gender dysphoria that their feelings trump reality. This doesn’t help them; it entrenches their mental illness, delaying the kind of honest reckoning needed to confront their delusions. Schafer himself has been open about his transition, as noted in a 2025 The Biography Bytes piece, where he expressed frustration with a U.S. passport listing his gender as male. That frustration stems from a refusal to accept biological reality, and casting him as Zelda only amplifies a dangerous message that biology is negotiable. This ripples out to impressionable audiences, muddying the cultural waters and normalizing a disorder at the expense of truth. Nintendo and Sony have a chance to make something special with this film, directed by Wes Ball and backed by Shigeru Miyamoto’s vision. But if they go down the path of casting Schafer, they’re rolling the dice on a franchise that doesn’t need to be a cultural battleground. There are plenty of talented actresses who could embody Zelda without sparking this kind of controversy—actresses who align with the character’s established identity and the expectations of the fanbase. The Men’s Journal piece mentions the fan fervor for Schafer, but fervor from a loud corner of the internet doesn’t equal universal support. Nintendo would be wise to listen to the broader audience, not just the Liberal echo chamber. This isn’t about hate. It’s about honesty. Casting Hunter Schafer as Princess Zelda might check boxes for Hollywood’s diversity quota, but it risks turning a beloved story into a political statement. That’s not Worth it—not for the fans, not for the franchise, and not for a society already grappling with the consequences of blurring truth for ideology’s sake. Let’s keep Hyrule a place of adventure, not a stage for culture wars.The post Dude Looks Like A Lady— Rumors Abound That Hunter Schafer Will Play Zelda first appeared on Worth it or Woke.

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by Donald Jeffries, ”I Protest”: Recently, I watched a documentary on Larry Nassar. He was the team doctor for the U.S. Women’s national gymnastics team from 1996-2014. In January, 2018, Nassar was convicted of possessing child pornography and ten counts of sexual assault. He was sentenced to an astounding 100-235 years in prison. Nassar had […]