SciFi and Fantasy
SciFi and Fantasy

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Evil Dead Burn Is an Extreme, Gruesome, Darkly Fun Addition to the Series
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Evil Dead Burn Is an Extreme, Gruesome, Darkly Fun Addition to the Series

Movies & TV Evil Dead Burn Evil Dead Burn Is an Extreme, Gruesome, Darkly Fun Addition to the Series It turns out there are a LOT of uses for fountain pens. By Leah Schnelbach | Published on July 10, 2026 Credit: Warner Bros. Pictures Comment 0 Share New Share Credit: Warner Bros. Pictures One of the most delightful things aspects of the Evil Dead franchise is how flexible it has turned out to be. It can be a classic teens in a haunted cabin in the woods movie, a slapstick comedy, a medieval Ray Harryhausen homage, a gritty look at addiction and recovery, a gory exploration of familial bonds—or, as in Evil Dead Burn, a slightly French extremity-tinged film about the complications of marrying into a troubled family. After restaurateur Will Price (George Pullar) dies in a car accident, his wife Alice (Souheila Yacoub) reluctantly joins the rest of his family for a funeral and memorial weekend at the family home, which has been handed off to Will’s younger brother, Joe (Hunter Doohan). Alice is close with Joe and his girlfriend, Thya (Luciane Buchanan), but her relationships with mother-in-law Susan (Tandi Wright) and father-in-law Edgar (Erroll Shand) are much more fraught. And Will’s grandmother, Polly (Maude Davey) seems to be in a stage of dementia where she only remembers the past, and has permanently confused Susan for her deceased sister, Bonnie. Susan is brittle and furious in a way that goes beyond her overpowering grief. She’s entirely martyred herself to the needs of her family, even saying she’s “nothing” without them, and obviously expects Alice to follow in her footsteps of caretaking, even in Will’s absence. Edgar is gruff, glaring, and starts off looking like some sort of paramilitary man who’s been dropped in by helicopter to merc everyone else in the movie. Polly openly hates and mistrusts everyone except Will. Both parents are angry with Joe for letting the house fall into disrepair, and needle him repeatedly about the writing career that still hasn’t gotten off the ground. Thya seems to be treated a little bit better than Alice, simply because Susan and Edgar are openly pissed that their son married a French girl. Susan plans to make Alice, her son’s widow, sleep on a shitty camp bed in the attic despite all the bedrooms downstairs, just to drive home that she still isn’t welcome. What I’m saying is that by the time everyone’s around a table having a post-funeral lunch, snarling at each other, insulting each other, berating Alice for saying that she might not want to keep running Will’s restaurant, this movie is already a full-blown horror. But of course there’s eerie Kandarian stuff in the attic, and of course Grandpa, long deceased, was up to some interesting work in the occult field. It also turns out some demons have already been targeting this family and are working their way in to destroy them. If you’ve seen the trailer, it’s one snippet of one scene from about halfway through Evil Dead Burn, and it’s a great taste of what the final two-third of the movie brings. Once the demons show up, the filmmakers barely give you a moment to breathe. The violence and gore are over-the-top, operatic, absolutely un-survivable by actual human beings. If you enjoy watching all the ways a human body can be ripped apart, you’ll probably dig this film. But there is more going on here than just splatter. The performances are all incredible horror movie performances, but I want to take a moment to especially highlight Souheila Yacoub’s work, as she embodies sorrow, regret, rage, numbness, bitterness, shock. She has to run through an entire grieving process, fend off her terrible in-laws, and be realistically terrified of demons, and I didn’t doubt her for a second. Especially rich is her relationship with Susan, and Tandi Wright is so good, all wounded, accusing eyes and long-suffering sighs. She even manages some stellar passive-aggression after the demon invasion is in full swing.   Director Sébastien Vaniček’s precious film, Infested, commented on xenophobia in Parisian culture via a terrifying spider invasion. Here he and co-screenwriter Florent Bernard aren’t doing a one-to-one “the demons equal grief” thing, but more fitting a story about an imploding family into the Evil Dead mythos. An absentee dad, a sister who falls terminally ill, a mother in the throes of dementia, the daughter who takes care of everyone—all of that is real, and difficult, but when the dad is absentee because he’s been researching demons that are real, it adds a whole new dimension. Bringing us into the story at the point where all the family trauma has been visited upon the next generation allows them to drop us into all the story just as the resentment and anger would have boiled over anyway, and then bringing the demons in to feast, is an inspired way to use supernatural horror to talk about real life. I do also want to make it clear, however, that this movie is a meat grinder. (Often a really blackly hilarious one.) A funeral is played for laughs. No pet or exposed limb or ear is safe. Basically every sharp or heavy object in the house gains Chekhovian significance at some point. (What the cheese grater was to Rise, an open dishwasher is to Burn. Delightful!) Weed-whackers, power drills, and serrated turkey carving knives, and, in one long set piece, pretty much the entire interior of a car, are all used to excellent effect. Fountain pens are used as weapons multiple times. There’s a surprising amount of supernaturally significant saliva. There is a gross, bloody, viscous kiss in this film that goes on for at least 30 seconds longer than it needs to—or at least, that’s what my audience’s reaction seemed to indicate. The film walks a fine line where most of the older members of the Price family are terrible, so it’s kind of fun to watch them get tortured, but also Alice, Joe, and Thya are decidedly not terrible, so I was still invested in them in a way that I’m really not with Evil Dead 2 or Army of Darkness. Evil Dead Burn links back to the Evil Dead Rise in the opening scene and in the de rigueur after-credits sequence, but aside from that it’s a standalone story taking place in the same universe as the others. The more you know about the franchise, the more fun it’ll be (there’s one particular moment with Alice and the Necronomicon that made me hoot with delight), but it also works on its own if you’re completely new to the films. This is also a dark story, much more in line with the tragedy of 2013’s Evil Dead reboot, I think, than the campy antics of Rise. But as I said up top, I’m incredibly impressed that these movies can encompass what ends up being a story of finding strength and moving on even when everything around you is telling you to give up and let the demons win. I’m not sure the deeper story always completely works, but I’m excited that Vaniček and Bernard took a big emotional swing with their Evil Dead movie, along with the big Grand Guignol one, and I’m excited to see where they, and the franchise, go next.[end-mark] The post <em>Evil Dead Burn</em> Is an Extreme, Gruesome, Darkly Fun Addition to the Series appeared first on Reactor.

What to Watch and Read This Weekend: Against My Better Judgment, Silo
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What to Watch and Read This Weekend: Against My Better Judgment, Silo

News What to Watch What to Watch and Read This Weekend: Against My Better Judgment, Silo Plus: Come for the Hugo finalists, stay for the divisive reviews By Molly Templeton | Published on July 10, 2026 Photo: Apple TV Comment 0 Share New Share Photo: Apple TV I am constitutionally incapable of thinking about the month of July without getting The Decemberists’ “July, July!” stuck in my head. I am not even that huge of a Decemberists fan! It’s just stuck there! Perhaps this explains something about my mental state as we sit, here, halfway through the year already. I just can’t seem to accept that we’re that much closer to having to read the word Dunesday over and over again as the Dune Part 3/Avengers: Doomsday shared release date draws nearer. But there are so many things to read and watch before then. If you have not yet hung out in Widow’s Bay, now—now that the first season has not only wrapped up, but also earned a pile of Emmy nominations—is the time. Please: You need to meet Patricia. Patricia is the greatest character to turn up on TV in a hot minute, and what’s more, she’s only one of several incredible women on that show. Justice and fame for Dale Dickey, I say. Whether you are a go-out-and-greet-the-sun person or a stay-in-and-watch-TV person, I hope you have a lovely weekend. Hug your friends, call your reps, and don’t forget to hydrate, okay? Against My Better Judgment, I Am Watching Silo It’s very funny to me that Silo, a show about people living in an underground silo while the surface of the planet is uninhabitable, returned the day before July 4th. Some people these days seem to think bunkers-while-the-world-burns is a great idea! (I disagree.) It just seems timely in a very weird way. The show itself continues to be weirdly watchable while also nonsense. I quite liked the first season; the second season kept making Juliette go horror-swimming; the third has found a new horror for her: Medically induced amnesia. I hate amnesia plots, wherein we must re-do and re-learn things we have already learnt and done; they feel like the worst hamster wheels. And yet! I will keep enjoying Jessica Henwick in the show’s their-past-our-present-ish timeline! I will keep living for every glimpse of the legendary Harriet Walter! I will keep respecting Alexandria Riley’s Lady Macbeth Sims even though I kind of loathe her! What is it with this show? Silo is on Apple TV. Short Stories and Novelettes for All! Whether you’re a Hugo voter or not, you can, should you choose, read all of the short stories and novelettes that are finalists for this year’s awards in said categories. That’s right: They’re all online. And because I think we should probably all read more short fiction, I rounded up all the links for you. Voilà:  Best Short Story Finalists “10 Visions of the Future; or, Self-Care for the End of Days” by Samantha Mills (Uncanny Magazine, Issue 63) “In My Country” by Thomas Ha (Clarkesworld, Issue 223) “Laser Eyes Ain’t Everything” by Effie Seiberg (Diabolical Plots, May 16, 2025) “Missing Helen” by Tia Tashiro (Clarkesworld, Issue 226) “Six People to Revise You” by J.R. Dawson (Uncanny Magazine, Issue 62) “Wire Mother” by Isabel J. Kim (Clarkesworld, Issue 229) Best Novelette Finalists “Kaiju Agonistes” by Scott Lynch (Uncanny Magazine, Issue 62) “Never Eaten Vegetables” by H.H. Pak (Clarkesworld, Issue 220) “Rapport: Friendship, Solidarity, Communion, Empathy” by Martha Wells (Reactor, July 10, 2025) “The Girl That My Mother Is Leaving Me For” by Cameron Reed (Reactor, April 2, 2025) “The Millay Illusion” by Sarah Pinsker (Uncanny Magazine, Issue 67) “When He Calls Your Name” by Catherynne M. Valente (Uncanny Magazine, Issue 65) If you read this and have strong opinions, well, it’s not too late to register and vote for the Hugo winners! The deadline for voting is August 8, and I have a lot of reading to do. Sometimes Depressing Longreads Are Good Things This is actually what I read over the holiday weekend: A fantastic n+1 piece by Bathsheba Demuth about history, amnesia, the Trump family, and this country’s weird relationship with Greenland. Sorry to cough up a cliche, but these are not things I learned in history class. It’s also, as so many histories on this continent are, about the people already living in the places that colonizers consider theirs for the taking. I am terrible at describing anything to do with history, so I’m going to shut up and just repeat: this is really worth reading. Let People Not Like Things Occasionally, in bookish spaces, a debate crops up about negative reviews: do we need them, what are they for, how should they work, a whole bunch of questions to which my own personal answers remain the same. Yes, people should write negative reviews, though I understand why writers (and outlets) often prefer to focus on the positive. There are so many books; there is so little time. But! Every so often you come across a banger. In the latest Strange Horizons, Hugo-winning writer Abigail Nussbaum tackled Daniel Kraus’ Angel Down, which just won the Pulitzer Prize (a win claimed and enjoyed by both the SFF and horror communities). Nussbaum was not impressed. For several reasons, I have not read this book (see above re: so many books; a general disinclination toward stories involving WWII and/or angels), and so I’m not making any claims here about the “correctness” of Nussbaum’s take (there’s no such thing; all criticism is subjective). I’m just appreciating the art of the review itself.[end-mark] The post What to Watch and Read This Weekend: Against My Better Judgment, <i>Silo</i> appeared first on Reactor.

All Five Hunger Games Movies Will Be in Theaters in September
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All Five Hunger Games Movies Will Be in Theaters in September

News The Hunger Games All Five Hunger Games Movies Will Be in Theaters in September I volunteer to be seated By Vanessa Armstrong | Published on July 9, 2026 Screenshot: Lionsgate Comment 0 Share New Share Screenshot: Lionsgate Have plans for early September? If you’re a Hunger Games fan, you sure do! Today, Fathom Entertainment and Lionsgate announced that all five Hunger Games films will show in theaters before the premiere of the newest movie, The Hunger Games: Sunrise on the Reaping, on November 20, 2026. “We’re kicking off the countdown to the 50th Hunger Games by inviting audiences back to the theaters to see these epic films on the big screen,” Kevin Grayson, President, Worldwide Distribution for the Lionsgate Motion Picture Group said in a statement. “Sunrise on the Reaping is the most highly anticipated Hunger Games film yet, and to get ready, we’re proud to partner with Fathom to give audiences the opportunity to experience all five original films together in theaters.” The five films heading to theaters (all of which, of course, are adaptations of Suzane Collins’ novels) are: The Hunger Games, The Hunger Games: Catching Fire, The Hunger Games: Mockingjay — Part 1, The Hunger Games: Mockingjay — Part 2, and The Hunger Games: The Ballad of Songbirds & Snakes.  The five movies will play in theaters from September 3 to 7, 2026. Where they’ll be playing depends on your location, but Fathom already has a website set up where you can get details. One thing to note is that it looks like one movie will be screening each day, in order of their theatrical release, NOT the in-universe timeline. That means that September 3 will see The Hunger Games in theaters, and the final day, September 7, will have The Ballad of Songbirds & Snakes. Fathom also released a short trailer to celebrate the event, which they are dubbing The Hunger Games: All Five Films. Happy watching! [end-mark] The post All Five Hunger Games Movies Will Be in Theaters in September appeared first on Reactor.

Who’s Who in The Odyssey Cast: Every Actor and the Mythological Character They Play
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Who’s Who in The Odyssey Cast: Every Actor and the Mythological Character They Play

News The Odyssey Who’s Who in The Odyssey Cast: Every Actor and the Mythological Character They Play A cast guide for everyone who kind of remembers reading The Odyssey in school but also not really By Matthew Byrd | Published on July 9, 2026 Image: Universal Pictures Comment 0 Share New Share Image: Universal Pictures Christopher Nolan’s The Odyssey is, mercifully, not quite the mystery it once was. As we near the film’s July 17 release date, we actually know quite a bit about its premise, formats, and general, sometimes controversial, adaptation and design choices. Perhaps most importantly, we finally know the film’s (mostly) full cast. Nolan has made a habit of stacking his movies with actors that could easily lead most other productions, and The Odyssey most certainly continues that trend. In fact, between the truly stacked cast and the collection of characters you may or may not remember from The Odyssey (if they were indeed in the original story at all), it’s a little confusing to keep up with who is who in this movie. Of course, that’s probably why you’re here. So, here’s a breakdown of The Odyssey‘s cast with a little information about the characters themselves (pictures also available where possible/helpful). Matt Damon – Odysseus  Image: Universal Pictures After appearing in Interstellar and Oppenheimer in memorable supporting roles, Matt Damon finally gets to lead a Christopher Nolan movie as the king of Ithaca himself, Odysseus.  The central figure of Homer’s story, Odysseus is simply trying to return home after helping the Greeks win the Trojan War (thanks in no small part to his idea for a giant wooden horse that is not quite what it seems). The Odyssey is ultimately the story of Odysseus’ decade-long journey back to his wife, child, and throne. Renowned for his intelligence and strategic thinking, Odysseus must rely on his craftiness to overcome the many gods and monsters that turn a weeks-long voyage into a 10-year epic. A complex literary figure, tales of Odysseus have survived throughout the years partially due to the character’s versatility as a storytelling device. He can be kind and cruel, noble or savage. He’s human, warts and all, rather than a blunt instrument of towering, mythical strength.  Fun Fact: You’re not alone if you grew up referring to Odysseus as Ulysses. The latter is the Latin translation of the former, which became increasingly popular over the centuries due to various translations and the cultural impact of author James Joyce’s 1922 novel, Ulysses, which emphasized the character’s association with a long journey. Anne Hathaway – Penelope Image: Universal Pictures Hathaway re-teams with Nolan after working with the director on The Dark Knight Rises and Interstellar. Her appearance further solidifies 2026 as the year of Anne Hathaway, thanks to the actresses’ roles in this film, Mother Mary, The Devil Wears Prada 2, The End of Oak Street, and Verity.  Penelope is the wife of Odysseus who was famously beset by over 100 suitors during her husband’s absence. Her role in this story is historically defined by her attempts to ward off said suitors, largely by weaving a burial shroud she never seems to finish. Her efforts are stymied by gods and men, leading to her concocting a final challenge with a bow that demonstrates her own wit and resourcefulness.  Fun Fact: The phrase “Penelopean” is used to describe an often deliberate effort that makes little progress and is defined by repetitive actions. You may also know it as a day job.  Tom Holland – Telemachus Image: Universal Pictures Tom Holland has hardly been able to contain his excitement over finally being cast in a Christopher Nolan film. The only person more excited than Holland may be Nolan himself, who calls the Spider-Man actor one of the great performers of his generation.  Holland will play the son of Odysseus and Penelope, Telemachus. A major character in the original text, Telemachus’s journey is a coming-of-age parallel to Odysseus’ story. His struggles with his mother’s suitors force him to voyage away from his once-happy home in order to learn the truth about his father and a lot more about himself.  Fun Fact: The first four books of The Odyssey are often referred to as the “Telemachy” since they almost entirely focus on the story of Telemachus. Robert Pattinson – Antinous Image: Universal Pictures Robert Pattinson continues his incredible post-Twilight career surge by appearing in The Odyssey as the “leader” of Penelope’s army of suitors, Antinous. Antinous is, to use the parlance of our times, a lot. His lust and greed compel him to openly defy all traditions of hospitality in favor of tearing through Odysseus’s wealth and resources in the narrow-minded pursuit of Penelope’s favor. He is also determined to thwart Telemachus’ efforts to find his father at any cost.  Fun Fact: Antinous of Ithaca is sometimes confused with the real-life Greek figure Antinous who was famous for his beauty and became the eventual companion of the Roman emperor Hadrian. Following Antinous’ death, Hadrian founded a powerful cult in his name.  Lupita Nyong’o – Helen of Troy and Clytemnestra Image: Universal Pictures Not since Us have we been gifted with the joy of watching two Lupita Nyong’o performances, but Christopher Nolan is nothing if not generous when it comes to casting.  Helen of Troy you likely know as perhaps the most famous figure of beauty in all of mythology. Though a much larger figure in The Iliad, Helen of Troy plays a role in Telemachus’ journey helps demonstrate what has happened to her character since The Trojan War.  Clytemnestra, meanwhile, is the wife of Agamemnon and Helen of Troy’s sister. Despite what the dual-casting may suggest, her role is actually more of a spiritual mirror to Penelope’s story. Unlike Penelope, Clytemnestra has…moved on from Agamemnon’s absence and begins to take matters into her own hands in an effort to solidify her new life.  Fun Fact: Some stories suggest that these two are actually half-sisters as their mother, Leda, was impregnated by both Zeus and her husband Tyndareus around the same time. Helen of Troy is believed to be Zeus’ child while Clytemnestra was born from Tyndareus. The details of the Zeus-Leda relationship are… less than fun. Zendaya – Athena Image: Universal Pictures The also-always-in-demand Zendaya joins the Nolan brigade as the goddess Athena: one of Odysseus’ only divine allies throughout The Odyssey.  As a goddess of wisdom and warfare, Athena recognizes a kind of spiritual connection to Odysseus’ plight that inspires her to aid him as best as she is able against some fairly powerful odds. She often appears in disguise to render aid and even assists Telemachus on his own journey of discovery. Tom Holland and Zendaya together? Can you imagine? Fun Fact: Athena was born from Zeus’ forehead after Zeus ate Athena’s mother, Metis, upon learning that the child of Metis would grow to be more powerful than him. Zeus had his head cut open to address a headache, and fully-formed Athena clad in armor popped out. Despite the rocky start, they eventually got along quite well.  Benny Safdie – Agamemnon Image: Universal Pictures Writer/Director Benny Safdie previously appeared in Oppenheimer (as well as Super Mario Bros. Galaxy, a story for another day) and teams up with Nolan again to portray the legendary warrior Agamemnon. Agamemnon’s role in The Odyssey is actually relatively minor, though he serves as another important parallel to our major characters. Specifically, Agamemnon’s relationship with his wife and ultimate fate demonstrates a possible, far darker end for Odysseus himself. His role in Nolan’s The Odyssey looks to be slightly expanded.  Fun Fact: Agamemnon’s great-grandfather Tantalus seemingly cursed the House of Atreus when he tried to feed his son Pelops to the gods in order to test them. Jon Bernthal – Menelaus Image: Universal Pictures Jon Bernthal just feels like a natural fit for The Odyssey and the cast of a Christopher Nolan movie. The actor has this gravely gravitas that makes him both a standout addition to any ensemble and a pretty perfect choice to play Menelaus. Menelaus is the king of Sparta and Helen of Troy’s husband. Though a major figure in Greek mythology, Menelaus is a supporting figure in The Odyssey best known for helping Telemachus discover the truth about his father. Depending on how deep the movie goes, you may hear a little more about Menelaus’ own long journey home.  Fun Fact: King Menelaus is sometimes portrayed with bright red hair (a sign of fiery courage), but early photos suggest that Bernthal will be bald.  Charlize Theron – Calypso Image: Universal Pictures One of the greatest actors of her generation, The Odyssey finally gives Charlize Theron the chance to take the role she was born to play: an epically alluring entity.  Calypso is a nymph who traps Odysseus on the island Ogygia for seven long years. She desires to keep Odysseus as a lover in exchange for immortality, which causes Odysseus to have a bit of a breakdown and triggers an argument among the gods over the traveler’s captivity. Her relationship with Odysseus has long been one of The Odyssey’s most compelling plot points as the interpretations of its nature have shifted wildly over the years.  Fun Fact: Later retellings of Odysseus’ story suggest that he and Calypso actually had children together. Nausithous and Nausinous are most often described as the offspring of that captivity, though some stories suggest they had a third son. John Leguizamo – Eumaeus Image: Universal Pictures Eumaeus is a swineherd who tends to Odysseus’ livestock. He is sometimes described as one of the most loyal characters in literature, though he is also a doulos (slave) to the household, which admittedly complicates things through modern eyes just a bit. Regardless, Eumaeus is indeed defined by his remarkable loyalty to Odysseus and his family. He is unwavering in his belief that Odysseus will return and demonstrates that his kindness extends to those in need rather than those in power.  Fun Fact: Leguizamo had to endure four hours of daily “old man” makeup to transform into Eumaeus. It’s one of the more intense design decisions in a movie filled with far larger SFX set pieces.  Himesh Patel – Eurylochus Image: Universal Pictures There’s never a bad reason to cast Himesh Patel, though the rising star is particularly well-cast as Odysseus’ less-than-loyal second-in-command, Eurylochus. Eurylochus’ mistrust of Odysseus’ leadership leads to an almost comical series of disasters that result in the crew just missing their return home, mutiny, and, ultimately, the deaths of many at the hand of vengeful gods. He’s a bit of a stinker so far as such things go, and he serves as a warning for the disloyal everywhere.  Fun Fact: Eurylochus is actually something of a nepo hire as he is married to Odysseus’s younger sister, Ctimene. Elliot Page – Sinon Image: Universal Pictures The announcement that Elliot Page will play Sinon in Nolan’s The Odyssey prompted some to ask “Wait, who is Sinon?” After all, the character does not overtly appear in the original version of the story.  However, later legends reveal that Sinon was the soldier who feigns a feud with Odysseus in order to convince the soldiers of Troy to accept the gift of the Trojan Horse. Based on what we know, that’s likely the version of the character we’ll see in Nolan’s The Odyssey, though it’s not clear if the character’s role will be further expanded from there.  Fun Fact: Sinon role was popuarlized in Virgil’s Aeneid, which grew the legend of the character as a false traitor who helps infiltrates Troy.  Mia Goth – Melantho One of the servants of Odysseus’ household, Melantho is a relatively minor character in The Odyssey whose affections for the suitor Eurymachus causes her to commit betrayal. Interestingly, Eurymachus hasn’t been officially cast in The Odyssey, so it’s not clear how Melantho’s role will be affected.  Ideally, the re-imagined Melantho will get a little more to do and give the incredible Mia Goth the chance to showcase her considerable skills.  Fun Fact: Penelope actually helped raise Melantho, making her eventual betrayal that much more heartbreaking. Travis Scott – The Bard Travis Scott is playing a bard who regales soldiers with tales of historically heroic deeds in The Odyssey, though there is some debate as to whether or not his character is an entirely new creation or an expansion of an existing character. There are actually a couple of bards in The Odyssey (Demodocus and Phemius), but it’s not been confirmed that Scott is playing either of those roles. If he is portraying an existing bard, Demodocus is the better bet. Generally speaking though, it’s believed he is meant to represent the poetic storytelling style of the time.  Fun Fact: Nolan cast Scott partially because of his belief that there is a strong historical relationship between oral poetry storytelling and modern rap.  Bill Irwin – Polyphemus the Cyclops You won’t actually see much of Bill Irwin in The Odyssey, as his performance as the Cyclops involved a mix of voice work, puppetry, and CGI. Still, it’s pretty great casting for one of the story’s most memorable characters.  While Polyphemus the Cyclops is sometimes best remembered as a terrifying behemoth, it’s far more significant that he’s actually the son of Poseidon. The assault on Polyphemus triggers the wrath of Poseidon which, historically, is something you want to avoid. Fun Fact: Virgil’s epic poem the Aeneid tells the tale of a hero named Aeneas who encounters one of Odysseus’ crewmembers on the island of Sicily and learns that the sailor has been trying to avoid the blinded, enraged giant.  Samantha Morton – Circe You may know Samantha Morton from her roles in Minority Report or The Walking Dead, but she’s long been an undersung secret weapon on the indie scene capable of unleashing incredible performances out of apparent nowhere.  Circe is certainly one of Morton’s most substantial roles yet and an incredibly promising turn for the actor. She is a goddess who tricks Odysseus’ men and transforms them into pigs. A series of events and threats turns her into one of Odysseus’ unlikely allies, and one of the hero’s greatest temptations that delays his long journey home.  Fun Fact: Madeline Miller’s excellent 2018 novel Circe presents a re-imagined version of the Circe legend that expands upon the character’s sometimes subtextual portrayal as a figure caught between worlds and conflicts. Is this a book recommendation described as a fun fact? Why, yes it is. Logan Marshall-Green – Melanthius The casting of Logan Marshall-Green (who offered scene-stealing performances in The Invitation and Upgrade) as Melanthius at least suggests that Nolan’s The Odyssey is not going to entirely shy away from the most brutal elements of the story.  As one of Odysseus’ less-loyal servants, Melanthius almost gleefully betrays his former master in favor of siding with the suitors. While it’s doubtful that some of the more gruesome things that happen to Melanthius will be portrayed in The Odyssey, it’s safe to say that the betrayal does not sit well with Odysseus. Fun Fact: Logan Marshall-Green replaced Cosmo Jarvis in this role after the latter had to drop out due to scheduling conflicts.  Ryan Hurst – Mentor Ryan Hurst (who eternally looks like he belongs in every ancient epic of war) plays Mentor in The Odyssey, which probably sounds like a fairly generic role if you don’t quite recall the original text.  Mentor is actually a fairly fascinating character in his own right. He’s one of Odysseus’ most loyal friends and helped watch over his family after he heads off to war. Perhaps more importantly, Athena assumes the form of Mentor to convince Telemachus to search for his father.  Fun Fact: Yes, the meaning of the modern word “mentor” can be traced back to this character’s name in The Odyssey and his habit of offering wisdom and guidance to young Telemachus.[end-mark] The post Who’s Who in <i>The Odyssey</i> Cast: Every Actor and the Mythological Character They Play appeared first on Reactor.

Buddy Trailer Teases a Kids’ TV Nightmare From Too Many Cooks Creator Casper Kelly
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Buddy Trailer Teases a Kids’ TV Nightmare From Too Many Cooks Creator Casper Kelly

News Buddy Buddy Trailer Teases a Kids’ TV Nightmare From Too Many Cooks Creator Casper Kelly What’s beneath that orange unicorn suit? Is it even a suit??? By Vanessa Armstrong | Published on July 9, 2026 Courtesy of Roadside Attractions Comment 0 Share New Share Courtesy of Roadside Attractions Gather round kids, it’s Buddy, a kid TV show character clearly modeled after my own Odyssey (sorry, Christopher Nolan): surviving a visit to Chuck E. Cheese and/or—my personal hell—a Funbox birthday party. Buddy might look like a cheery orange unicorn, but it turns out he might be a supernatural serial killer, based on today’s delightful teaser trailer. If the hoof fits! Here’s the official synopsis, to give you more of what we’re dealing with here: Remember BUDDY—the bright orange unicorn and star of that classic childrens’ television show who brought joy and life lessons into your living room? Inside the colorful world of It’s Buddy!, a group of children spend their days singing, dancing, and helping Buddy spread happiness. But when one child refuses to play along, Buddy is not pleased and cracks begin to appear in this seemingly perfect world. Today’s teaser is very much that: mostly cathode-tube scenes from It’s Buddy, with the kids on the show slowly turning their frowns upside down and crying in fear. We also get a quick shot of Cristin Milioti looking appropriately horrified. Plot details aren’t revealed, but I think the teaser tells us all we really need to know. Buddy is directed by Casper Kelly (V/H/S/Halloween, Star Trek: Short Treks, Too Many Cooks, Your Pretty Face Is Going to Hell), who also co-wrote the script with Jamie King. In addition to Milioti, it stars Delaney Quinn, Patton Oswalt, Michael Shannon, Topher Grace, and Keegan-Michael Key. Roadside Attractions will premiere the film in theaters on August 28, 2026. In the meantime, get to know Buddy by watching the teaser below. [end-mark] The post <i>Buddy</i> Trailer Teases a Kids’ TV Nightmare From <i>Too Many Cooks</i> Creator Casper Kelly appeared first on Reactor.