News Murder She Wrote Jamie Lee Curtis to Star in Murder, She Wrote Movie Pitch Perfect filmmaker Jason Moore is set to direct By Vanessa Armstrong | Published on January 21, 2026 Screenshot: CBS Comment 0 Share New Share Screenshot: CBS Knock knock, Jessica Fletcher is calling. Today, we’ve got news that Murder She Wrote, the long-running television series from the ‘80s and ‘90s, is coming back as a feature film. We also got even better news that none other than Jamie Lee Curtis will be starring as Jessica Fletcher, the author originally played by Angela Lansbury who solves the disturbing number of murders that occur in her small town. According to Deadline, Jason Moore, whose previous credits include Pitch Perfect and Shotgun Wedding, is on board to direct. The project appears to be moving steadily ahead—there’s already a script from Lauren Schuker Blum and Rebecca Angelo, and Lord Miller (the production company of Phil Lord and Chris Miller) is producing through their deal with Universal Pictures. There’s no news yet on what the story will entail. Here are some plot points, however, that seem likely: Jessica (Curtis) will be living in the quaint fictional town of Cabot Cove, Maine; a murder will happen, and Jessica will ultimately solve it. The project is still in the pre-production phase—it’s not clear when it will go into production given Moore has other projects on his plate, including directing a revival of Avenue Q in the West End this April. We’ll continue sleuthing to find out. [end-mark] The post Jamie Lee Curtis to Star in <i>Murder, She Wrote</i> Movie appeared first on Reactor.

Excerpts gothic fantasy Read an Excerpt From Weavingshaw by Heba Al-Wasity A young woman who can see the dead strikes a deal with the Saint of Silence, a dangerous purveyor of dark secrets, to save her brother’s life. By Heba Al-Wasity | Published on January 21, 2026 Comment 0 Share New Share We’re thrilled to share an excerpt from Weavingshaw by Heba Al-Wasity, a debut gothic fantasy out from Del Rey on February 24. Three years ago, Leena Al-Sayer awoke with a terrible power.She can see the dead.Since then, she has hidden herself away from the world, knowing that if she ever reveals her curse she will be locked up in an asylum.When her beloved brother, Rami, falls fatally ill, Leena is faced with a terrible choice: Let him die or buy the expensive medicine that will save his life by bartering the only valuable thing she has—her secret.The Saint of Silence, a ruthless merchant who trades in confessions and is shrouded in unearthly rumors of cruelty and power, accepts her bargain, for a deadly price. Leena must find the ghost of Percival Avon, the last lord of Weavingshaw—or lose her freedom to the Saint forever.As Leena’s search takes her and the Saint to Weavingshaw, she finds the estate and the surrounding moors to be living things—hungry for blood and sacrifice. Fighting against Weavingshaw’s might, Leena must also fight her growing pull toward the enigmatic Saint himself, whose connection to Percival Avon remains a mystery.As the house begins to entomb them, time is running out on their desperate hunt for answers.For Leena has come to see that here in Weavingshaw, the dead are not hushed—and some secrets are better left buried with them. 1 The Saint of Silence “Tell me how to seek the Saint.” The old woman stared at the girl for a long moment, eyes narrowed, shriveled lips pursed. Without lowering her gaze, she inhaled a slow drag from her pipe. “Got a confession, Leena?” Leena shrank back, although the emaciated form of the old woman posed no threat to her. “Margery…” Leena began, then paused, her conviction dimming. “I only mean to seek him out.” Faster than she thought the old woman could move, Margery dug her yellowed nails into the soft flesh of Leena’s forearm. “No one—and I mean no one—goes to see the Saint without a reason,” Margery snarled. “Are you looking for a bit of coin, girlie? Some pretty baubles?” Her grip bruised. “Do not seek him.” Leena didn’t respond as, not for the first time, something else had caught her attention. Her gaze flickered to a point past Margery’s shoulder, and she stared at it for a second too long. When Margery turned to look, there was nothing there but peeling papered walls. “What are you staring at, girlie?” Margery demanded. Leena startled before shaking her head. Leena’s eyes roved the interior of Margery’s home, directly abutting her own. Each house was an exact replica of the other—squat and terraced with sparse windows and a barely functioning fireplace, their only source of water an outside pump. The old woman had lived here for as long as Leena could remember, the only resident in these clustered spaces of cramped houses who was not an Algaraan refugee. Unlike Leena, whose own parents had fled the Algaraan civil war more than twenty years ago before settling uneasily into Morland, Margery was salt-of-the-earth and Morish through and through. Leena did not think the old woman had ventured once out of Golborne, Morland’s capital city, or even farther than the limit of her own house these days, her fluid-swollen legs barely carrying her past her front step. Despite Margery’s lack of mobility, Leena never dared question how she seemed to procure a steady stream of Tar. Whenever Leena knocked on the old woman’s door, it was always the same picture: Margery hunched over a hookah, her eyes red from the cloying Tar smoke, her blue-veined hands shaking for the next addictive puff. “Rami is unwell. He is going to…” Leena trailed off. “I need to see the Saint.” “Your brother?” It took all of Leena’s strength to force her voice to remain steady, even as terror slithered down her body at the mere utterance of the illness. “He has Sweeper’s Cough.” Margery withdrew, leaving half-moon welts on Leena’s skin. “I had it once and barely survived it.” Buy the Book Weavingshaw Heba Al-Wasity Buy Book Weavingshaw Heba Al-Wasity Buy this book from: AmazonBarnes and NobleiBooksIndieBoundTarget Leena knew this, or else she would never have dared enter Margery’s house and invite the sickness into her home. Sweeper’s Cough could only be had once and never again—as long as one survived it. Baba had once said Leena had caught it as a young girl in the refugee camps, and she had been so unwell that the camp overseer had told her mother to start sewing a white burial shroud. “So, you see, my worry is justified.” Leena pulled at a stray thread unraveling from the hemline of her skirt. “I must go see the Saint of Silence.” “No—even that is not enough.” Margery swallowed harshly. “What secrets can a green girl like you have? The Saint of Silence does not accept schoolroom scandals.” Once again, Leena’s eyes flickered to the nothingness behind Margery’s shoulder. “Have you not heard the stories that swirl around the Saint?” Margery demanded again, and Leena stiffened. Of course she had heard the rumors; everyone had. He was the first of his kind to pay for secrets; the more shameful the divulgence, the higher the price. But even the most trivial of confessions, seemingly useless to anyone, received some coin. So at first, the rest of the cityfolk—Leena included—thought it was an act of charity: another so-called philanthropist who had made his wealth in the factories, or abroad in the wars, and decided to give back. A do-gooder who had arrived suddenly in this soot-ridden city eight years ago and would disappear just as abruptly. Although his name was St. Silas, he was often referred to as the Saint of Silence instead—a play on his surname, after the country’s oldest Saint, whose crumbled statues still littered the outside of cathedrals and cemeteries. A Saint who had once granted blessings in exchange for sins back when Golborne was a mere settlement, not a thriving metropolis built of smoke and greed. No one prayed to any of the Saints anymore. People wanted bread, not sacraments. But if this new Saint of Silence, like his former namesake, was willing to offer coins for a few measly secrets—the fool—why stop him? It soon became apparent that it was not charity. And that he was no fool. Rumors began to spring up. Those who confessed to him came back changed, as if despair and terror had carved a home between their eyes. Others—those St. Silas claimed had lied in their confessions—had their tongues cut out. Ribs cracked. A bloodied X sliced through their mouth, the vermilion border of the lips gouged and carved: the scar of the Saint. Some never came back at all. Leena knew all this, but her heart was already so engulfed with death and loss she could not bear burying a brother. She knew this—and she chose to seek the Saint of Silence anyway. Margery saw the change in her face: the subtle lift of her chin, the determination that drew her dark brows in. The old woman lowered her voice. “Do you remember what he did to Mr. Jamil?” Leena’s thoughts recoiled at the memory of the man who had once lived a couple of doors down from them. He had also been a refugee, escaping Algaraa at the same time as Leena’s parents did. She remembered Baba’s distrust of Mr. Jamil; it was widely known in their small district that Mr. Jamil had been an informant for the Malik’s police back home. Gossip swirled that he’d been the one to turn in his own nephew for hiding illegal pamphlets belonging to the Liberation Party. The nephew had been taken, then found a few weeks later, tortured into madness. Leena had heard that the Malik had sent Mr. Jamil a slaughtered sheep for his acts of loyalty—a rarity as hunger swept through the country. When the war broke out in Algaraa and the Liberation Party rose, Mr. Jamil had fled to Morland in fear of being captured and punished by the rebels for his terrible acts of service to the Malik. Baba, ever the revolutionist, had warned Leena and Rami to stay away from Mr. Jamil, stating that those who turned on their countrymen on their own soil would not think twice of doing so in a foreign land. Baba was not wrong. Leena never forgot the way Mr. Jamil had looked after visiting the Saint of Silence nearly four years ago. They had found him in the morning, a crumpled mess on the stoop. The intersecting X on his mouth shone with blood, his broken body racked with shudders. I didn’t lie, he sobbed as Baba and a few other men carried him into his house. I swear I didn’t lie to the Saint. He took to the bottle not long afterward. Hard drink. In one of his drunken stupors, he admitted to Baba that he’d thought no harm would come from telling the Saint of Silence small falsehoods about the neighbors to fill his gnawing hunger. By that point, the alcohol had made Mr. Jamil’s belly protrude and the whites of his eyes turn a deep yellow. He was dead by the spring. “I do,” Leena said steadily, but her head throbbed. “Have you ever sought the Saint of Silence?” Margery toyed with the pipe between her fingers. Finally, she nodded. “It wasn’t an act of release for me, though; it was reckoning. It felt like death…” She trailed off, a vague look in her rheumy eyes. “The nightmares that came afterward—he never even touched me—but the very act of confession… like being gutted… left to rot…” The old woman took a long, desperate drag on the pipe, her eyelids fluttering from the effect of the drug. “Some say his mother’s a demon.” “Demon? ” Leena lifted her brows. Spirituality had faded in Morland with the first cropping of factories, leaving sparsely filled church pews in its staid and ghostly cathedrals, but some still clung firmly to their belief in Saints, demons, and curses. Algaraans feared evil under a different name. Leena had grown up with stories of jinns, and even now her bedroom was filled with old charms shaped like eyes to ward them away. There was not a lot of time in Leena’s life to debate the existence of jinns, demons, or even Saints, but all she knew was that none of them had helped her survive. A faint humorous glint crossed Leena’s eyes. “Is he a Saint or a demon? He cannot be both.” Margery’s lips thinned. “Do not make a mockery of things you do not understand.” With shaky hands, she pulled an idol necklace from her bodice, her lips muttering a whispered prayer to cast off wickedness. Leena peeked at the small wooden figurine of a woman holding an olive branch. She could not remember which Saint the imagery corresponded with, but the way Margery gripped the effigy made it clear that it brought her some measure of comfort. Leena never assumed Margery was religious; fewer people nowadays believed in the old relics. Still, she bowed her head, apologizing for causing the old woman offense. “Do. Not. Seek. Him,” Margery rasped again, interrupting her apologies. “I don’t have a choice—” “You always have a choice. Do not choose wrong.” This time it was Leena who grabbed the old woman’s arm, the papery skin fragile in her grip. “I will find him, with or without your help. So spare me and give me some guidance. I cannot waste any more time.” Margery regarded Leena for a long moment: the brown Algaraan features, the firm eyebrows, the gaunt cheeks, the dark eyes that could not conceal a single emotion. “Your face reveals too much,” Margery whispered, almost to herself. “A lie would look foreign on you. Do not attempt it.” “I won’t.” The old woman brought a trembling hand to her forehead. “He’s in the Northern Quarters…” Her thin chest rattled with emotion as she detailed the exact directions. She huffed another puff of smoke, a tinge of pink appearing on her wrinkled cheeks, before she continued in a hazy voice. “What isn’t learned in the cradle…” “… will be learned too late. Thank you.” Leena rose to leave, but the old woman’s voice stopped her. “Do not lie to him, Leena,” Margery warned again. Once more, Leena’s gaze focused on the corner of the room. Once more, Margery turned to look. Nothing. “Mrs. Khalid next door tells me that you’re mad, girlie,” Margery said, peering closely at her. “You have already lost one promising employment due to your… eccentricities. How much further will you allow yourself to fall?” Leena had been a lady’s companion, back when her future still had promise. She had fled that life when her circumstances changed and she realized she could not swallow her new oddities. If the aristos had noticed her strange behavior, they might lock her in the asylum. Now, rather than an esteemed lady’s companion, she was the gossip of old crones, the shame of their street, a warning to all immigrant parents about the dangers of overeducating a girl. Leena’s eyes blazed. “Until there is no distance left to fall.” Excerpted from Weavingshaw by Heba Al-Wasity. Copyright © 2026 by Heba Al-Wasity. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. The post Read an Excerpt From <i>Weavingshaw</i> by Heba Al-Wasity appeared first on Reactor.

Books Short Fiction Spotlight Must Read Short Speculative Fiction: December 2025 Ten excellent works of short fiction you may have missed in 2025 By Alex Brown | Published on January 21, 2026 Comment 0 Share New Share It may be 2026, but I’m not done with last year yet. While doing all my short fiction reading from December, I didn’t intend to but ended up picking ten science fiction, fantasy, and horror stories that mostly include authors I’ve never featured in this spotlight before. There are a couple repeat guests, but it’s been a few years at least since I last had them on. I hope you’re as excited to meet (or re-meet) these authors as I was. “Drink Poetry, Devour the Sun” by Jonathan Helland Written in the form of electronic messages between two people, this piece ends up in a surprising place. Andy is on sabbatical and raising his preschool-age daughter. She keeps saying strange things while playing with her toys or at daycare, things that are impossible for her to know. The longer this goes on, the more disconcerting her statements become. Andy reaches out to Carol, who gives him a clue as to what the claims might mean. The truth is even worse. If you’re a mythology nerd like I am, you will probably be able to guess where this story is going, but trust me, it’s worth the ride. (Trollbreath Magazine—Winter 2025; issue 6) “Mbali and the Lantern Men” by K.A. Mulenga “The first time Mbali swallowed a star, she was five years old. It shimmered above her, small and flickering like an ember dropped from the sky. She thought it was candy. When she opened her mouth, it tumbled down her throat, leaving a trail of silver in its wake.” Mbali drinks the stars in the sky, but this isn’t a horror story. Ultimately, it’s about finding the best in yourself and not letting anyone dim or smother that. I love how this story is written, too. It feels like a folktale. (F(r)iction—Winter 2025; issue 25) “One Hand Washes the Other” by Karl El-Koura Pietr thinks he’s being held hostage by his two crewmates who have been turned into pod people by an alien hivemind. But what if he’s wrong? Or worse, what if he’s right? El-Koura stages a sci-fi drama that puts trust at the forefront. It’s a fun slice of space opera that feels like an excerpt from a novel. Sadly, this the last ever issue of On Spec. The Canadian magazine was founded in 1989 and has been publishing incredible speculative fiction ever since. It’s won numerous awards over the years, and on a personal note, it is one of those titles I always get really excited to see in my inbox. Fare thee well, On Spec. (On Spec—issue 134) “ReproTech RealWomb User Manual” by Xauri’EL Zwaan This is a very weird story, both in content and in structure, so I’m not going to tell you anything except go read it. And kinda disconcerting. It’s a little cyberpunk, a little satire, and a whole lot great. (Baffling—December 2025; issue 22) “Tapetum Lucidum” by U.M. Agoawike What a gorgeously written story. I also don’t want to tell you too much about this piece since it’s so short and the twist in the plot is a gut punch. It’s about children who play in the Darkwood by a cottage and the awful thing that happens to them out there. It’s written from the perspective of one of those children after it happens. It flows like a nightmare or a particularly dark fairy tale, one of those that the Grimm Brothers might have found too unsettling to include. (Augur—#8.3) “The Matriarch” by Malena Salazar Maciá “He told you he didn’t like your hair.” In our narrator’s culture, hair is how memories and traditions are passed down the generations. Not that her husband cares. He is from the capital where, from his perspective, they are civilized and don’t have all that wild, untamed hair. She gives into his demands, and it still isn’t enough for him. After reading this story, I thought about the comments white people used to make to me as a child about how my hair was “crazy,” as well as how during slavery Black people would weave patterns and seeds into their hair to guide them when they escaped. I thought about “Kill the Indian, save the man” campaigns meant to forcibly assimilate Indigenous people out of their “savage” ways, and how one of those weapons was cutting off their hair at the boarding schools. And yet, despite all that, our people are still here, still resisting, still holding onto our cultures. (Fantasy Magazine—Winter 2025; issue 99) “The North” by Subodhana Wijeyeratne Our narrator is from a land that was terrorized by Northern raiders generations ago. Their culture still tells the stories of those years as if they survived the worst humanity had to offer. Now our narrator is joining a sailing party headed North in search of a passage to the other side of the world, as well as sea creatures they plan to hunt and sell. They find the creatures and the Northerners, but things don’t go the way our narrator expects. Wijeyeratne weaves in commentary on capitalism, resource exploitation, and dehumanization. It’s a world that feels just close enough to ours to make the analogy hit hard. (khōréō—volume 5, issue 4) “The Red River Summers” by Inda Lauryn Madear escapes slavery and makes it as far north as the Territory of Wisconsin. There she gets a little revenge on some white people before she settles into their cabin and builds herself a life. Most people leave her alone, what with the threat of her witchcraft, but not the Indigenous people of the region. The story takes place around the time of Mahkatêwe-meshi-kêhkêhkwa, aka Black Hawk, the Sauk warrior who led a war against the United States in 1832. Lauryn blends real history and fantasy in compelling ways. The characters don’t get a happy ending—if you know anything about this historical era, then Black Hawk’s fate won’t surprise you—but the journey is powerful. (Magazine of Fantasy & Science Fiction—Summer 2025) “The Short History of a Long-Forgotten, Ill-Fated Telenovela” by Dante Luiz The cast and crew of the telenovela Senhora must be cursed. It ran only for a season in the early 1970s, but had an outsized impact on the television industry. It’s the only thing that explains why they all keep dying in painful ways. We follow a few of these victims through their involvement in the production of Senhora and after, peeking into their lives and the cruelties they meted out to others before their bill came due. It’s a creepy story with a lot of smart things to say about fame. (Nightmare—December 2025; issue 159) “Who Are You Wearing?” by Russell Nichols The gig economy gets dark. Well, darker. You are a divorced parent trying to do your best for your 9-year-old daughter. You work random jobs wearing an exo suit called a Hardiman, anything from a courier to a raccoon evictor to hauling heavy objects. The work sucks, but you put up with it because what other choice do you have? A sharp story that isn’t all that far-fetched, exo aside. (Uncanny—December 2025; issue 67)[end-mark] The post Must Read Short Speculative Fiction: December 2025 appeared first on Reactor.

News The Brave and the Bold New Batman Movie in the Works With Birds of Prey Writer on Board Gadzooks! The film will focus on the Caped Crusader and Damian Wayne as Robin By Vanessa Armstrong | Published on January 21, 2026 Credit: DC Comics Comment 0 Share New Share Credit: DC Comics DC Studios is moving forward with their plans for a non-Matt Reeves Batman film. According to The Hollywood Reporter (first reported by the InSneider newsletter) Christina Hodson—whose previous credits include Birds of Prey (ed note: EEEEE!!!!), Bumblebee, and The Flash—is working on a script for The Brave and the Bold. The movie will focus on the relationship between Batman and Robin, and the Robin in this instance will be Damian Wayne, the biological son Batman didn’t know he had, who meets up with his dad after being raised by a group of assassins.   The Brave and the Bold was one of the first ten projects that DC Studios announced after James Gunn and Peter Safran took over. Andy Muschietti (IT: Welcome to Derry) has been attached to the project since it was first announced, though THR reports that he might not be the director for whenever the movie makes it to production because of scheduling issues. That timing thing is currently nebulous; it’s not clear when Hodson will have a script ready to go, but DC Studios doesn’t seem to be concerned if it’s a few years before a Caped Crusader who isn’t Robert Pattinson heads to the big screen. Pattinson is currently starring as the Bat in Matt Reeves’ The Batman: Part II. That movie takes place in a separate universe from other DC films under Gunn and Safran, and there is reportedly a concerted effort to make the DC Universe Batman give off different vibes than Pattinson’s emo Bruce Wayne. The question remains, of course, as to who will eventually play Batman and Robin in this latest iteration of the characters. Time will tell, and we’ll keep an eye out for the Bat Signal announcing further news. [end-mark] The post New Batman Movie in the Works With <i>Birds of Prey</i> Writer on Board appeared first on Reactor.

News For All Mankind The Fifth Season of For All Mankind Premieres in March Let’s go back to space! By Molly Templeton | Published on January 21, 2026 Screenshot: Apple TV Comment 0 Share New Share Screenshot: Apple TV Almost two years ago, For All Mankind was renewed for a fifth season. In that time, there’s only been a tidbit or two of news about the series and its new spinoff, Star City: For All Mankind. But the wait is almost over, alternate-history-space-program fans! Apple TV has just announced that the fifth season of For All Mankind premieres in just over two months. The announcement came in a short video featuring one of the most well-worn series storytelling cliches: “Everything that’s happened has led to this moment,” says Ed (Joel Kinnaman) in voiceover, as Alex Poletov Baldwin (Sean Kaufman) rides a space motorbike through a space desert. Here’s the synopsis for the new season: Season five of For All Mankind picks up in the years since the Goldilocks asteroid heist. Happy Valley has grown into a thriving colony with thousands of residents and a base for new missions that will take us even further into the solar system. But with the nations of Earth now demanding law and order on the Red Planet, friction continues to build between the people who live on Mars and their former home. Along with Kinnaman, the cast includes Toby Kebbell, Edi Gathegi, Cynthy Wu, Coral Peña, and Wrenn Schmidt. Several new folks are joining up as series regulars: the aforementioned Sean Kaufman (The Summer I Turned Pretty), Mireille Enos (The Killing), Costa Ronin (The Americans), Ruby Cruz (Bottoms), and Ines Asserson (Royalteen). For All Mankind was created by Ronald D. Moore, Matt Wolpert, and Ben Nedivi; Wolpert and Nedivi are the showrunners. The 10-episode fifth season premieres Friday, March 27th, with weekly episodes through May 29th.[end-mark] The post The Fifth Season of <i>For All Mankind</i> Premieres in March appeared first on Reactor.