SciFi and Fantasy
SciFi and Fantasy

SciFi and Fantasy

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Tales From the Crypt Will Finally Start Streaming on Shudder in May
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Tales From the Crypt Will Finally Start Streaming on Shudder in May

News Tales From The Crypt Tales From the Crypt Will Finally Start Streaming on Shudder in May It’s not clear how they did it, but Shudder has finally revived the long-lost piece of horror history By Matthew Byrd | Published on April 10, 2026 Photo: Universal Pictures Comment 0 Share New Share Photo: Universal Pictures That scream of joy you recently heard probably came from horror fans who learned that Shudder is bringing HBO’s beloved horror anthology series Tales From the Crypt to streaming for the first time ever. As announced by Shudder during the Overlook Film Festival, Tales From the Crypt‘s first season will be added to the streaming service starting on May 1. From there, subsequent seasons will be added to Shudder every Friday until the show’s seventh and final season is uploaded on June 12. So you’ll have to wait a bit until you can finally stream the entire series through a major service, though that wait pales in comparison to the years fans spent waiting for some way to watch the show outside of the series’ ancient DVD sets and the occasional YouTube upload (as well as two movies of wildly varying quality). So why has Tales From the Crypt never been available on streaming? According to John Kassir, who voiced Tales From the Crypt‘s host the Crypt Keeper on the HBO series, the rights to the Tales from the Crypt comics the television series was based on reverted to EC Comics Publisher William Gaines’ family after Gaines passed away. At that point, the rights to the series, the existing episodes, and the Crypt Keeper character himself were effectively split between multiple parties that included the Gaines estate and the show’s original producers. To hear Kassir tell it, nobody was really willing to budge and make the moves required to bring all of those pieces back together. TNT did try to revive the series with M. Night Shyamalan several years ago, but the project fell apart when the legal issues that have long plagued this series resurfaced once more. Those same issues have seemingly prevented HBO from ever simply adding the series to one of is streaming services despite being the show’s original home for seven seasons. As for how Shudder was finally able to secure the full streaming rights to the series… well, that’s a great question. One would have assumed that Tales From the Crypt would stream on HBO Max if it was going to stream anywhere, but it seems that Shudder and their parent company AMC have finally found a way to untangle the legal mess that has prevented Tales From the Crypt from making the leap to streaming (or even updated physical media releases and syndication specials) for decades. On that note, Shudder has confirmed that every Tales From the Crypt episode will be presented in its uncensored, original form, but they have not stated whether or not they will be remastering the series or upgrading it in any other technical ways. Assuming they will not, then the episodes will likely look and sound similar to the versions of them you can find on the show’s out-of-print DVD collections. That’s not a deal breaker necessarily (the grimy look arguably fits the series quite nicely), but it would be incredible if they are able to offer at least slight updates and upgrades to the 37-year-old series at some point. And if you’ve never seen Tales From the Crypt (an increasingly likely possibility given the aforementioned legal issues), then let’s just say you’re in for a truly bizarre time. When it debuted on HBO in 1989, Tales From the Crypt immediately drew acclaim and controversy for its violent, sexual, and often simply shocking updates to the also controversial Tales From the Crypt comics of the 1950s. Tonally, imagine Creepshow (also inspired by the EC Comics of that era) but with more gore, nudity, and macabre silliness. Though arguably quite tame compared to what HBO would eventually air, Tales From the Crypt offered an early glimpse at the extent of the network’s “not TV” approach that still has the power to outrage to this day. Look past the series’ more superficial shock value moments, though, and you’ll find arguably the best TV horror anthology outside of Rod Serling’s The Twilight Zone. In its heyday, Tales From the Crypt featured the likes of Arnold Schwarzenegger, Benicio del Toro, Brad Pitt, Robert Zemeckis, Catherine O’Hara, Demi Moore, Tim Curry, Kyle MacLachlan, Bob Hoskins, Michael J. Fox, and many, many, more major names as both guest actors and directors. Some of the most talented industry figures of the late ’80s and early ’90s used the series’ “almost no rules” approach as a playground that allowed them to unleash their wildest visions onto an unsuspecting world. And while many of those names raced to outdo each other in terms of wonderful campy absurdity, Tales From the Crypt occasionally offered something so much more substantial. For instance, the Robert Zemeckis-directed episode “Yellow” is one of the greatest and most powerful World War I stories in television history. That is to say that fans of campy, gory horror filled with sex, puns, the biggest stars, and more than the occasional moment of genuine brilliance should check out Tales From the Crypt when it is added to Shudder next month.[end-mark] The post <i>Tales From the Crypt</i> Will Finally Start Streaming on Shudder in May appeared first on Reactor.

Apple TV’s The Husbands Casts Some Great Husbands for Juno Temple
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Apple TV’s The Husbands Casts Some Great Husbands for Juno Temple

News The Husbands Apple TV’s The Husbands Casts Some Great Husbands for Juno Temple Apple TV’s adaptation of the Holly Gramazio book has found its supporting men By Molly Templeton | Published on April 10, 2026 Screenshot: Sony Pictures Entertainment Comment 0 Share New Share Screenshot: Sony Pictures Entertainment In The Husbands, Apple TV’s adaptation of Holly Gramazio’s bestselling book, a woman named Lauren (Juno Temple) comes home one night and finds a husband waiting for her. She has never seen the man before, but no worries; he is quickly replaced by another husband. There are quite a few husbands in the mix, and now said husbands have been cast with a stellar lineup of actors. Deadline has the news that Joe Alwyn, Richard Gadd, Kingsley Ben-Adir, Joel Kinnaman, Daniel Ings, Fehinti Balogun, and Bob Morley are all set to appear as Temple’s spouses. Alwyn was recently in Hamnet; Richard Gadd created and starred in the award-winning Baby Reindeer; Kingsley Ben-Adir was in Secret Invasion (and also one of Barbie’s Kens); Joel Kinnaman starred in Altered Carbon and For All Mankind; Daniel Ings is in A Knight of the Seven Kingdoms; Fehinti Balogun was in A Gentleman in Moscow; and Bob Morley, of course, was The 100’s Bellamy Blake. The Husbands has also cast some actors in non-husbandly roles, though they have not specified what those roles are. The show will also feature Tom Basden, Joe Wilkinson, Gemma Whelan, Rebekah Murrell, and Captain Nemo himself, Shazad Latif. The Husbands comes from lead writer Miriam Battye (Succession) and lead director Adam Randall (Slow Horses). It’s not yet known when its eight-episode first season will premiere.[end-mark] The post Apple TV’s <i>The Husbands</i> Casts Some Great Husbands for Juno Temple appeared first on Reactor.

What to Watch and Read This Weekend: Spaces, Both Liminal and Outer
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What to Watch and Read This Weekend: Spaces, Both Liminal and Outer

News What to Watch What to Watch and Read This Weekend: Spaces, Both Liminal and Outer Plus: Somehow, Darth Maul returned By Molly Templeton | Published on April 10, 2026 Photos: A24 and Sony Pictures Classics Comment 0 Share New Share Photos: A24 and Sony Pictures Classics Here on the West Coast, we are so deeply into spring that yesterday I looked outside and momentarily thought it was snowing. The small white flakes swirling around the sky were in fact the petals of the many, many, many blooming trees—beautiful tree pals that are in a constant battle with my sinuses. May you always have allergy pills on hand, friends; may your eyes not water and your face not itch. If your eyes are watering, how will you read the absolute bumper crop of books out this week? I am eyeing L.D. Lewis’s Year of the Mer and S.L. Huang’s The Language of Liars especially. But if you have not yet picked up a round of brand-new books, there are plentiful other things to read and watch, either in the sun or while hiding from the pollen! We’re spending some time in space again this week; can’t imagine why that would be. Keep your feet on the ground and your eyes on the sky; call your reps and hug your buds. Backrooms Inspires a Writer To Coin a Term That Seems Like It Should Have Been There All Along I don’t know that I’m the audience for the movie Backrooms. I’m a horror baby. I’m totally oblivious to the previous existence of “Backrooms” because I view much of YouTube with a great deal of suspicion. But I love this piece at The MIT Press Reader that places the “Backrooms” phenomenon in a whole lineage of weird-ass manmade spaces. Shira Chess writes, “There’s a surprisingly deep history behind ‘Backrooms.’ It’s one that touches on everything from Gothic literature to internet folklore to video game culture to ’80s nostalgia. But above all, ‘Backrooms’ captures a feeling — and one that I would argue has become a defining condition of life under Corporate America: dread.” Chess goes on to talk at length about liminal aesthetics, which I think expand beyond the 2010s internet she talks about—vintage airport terminals and empty bowling alleys also feel entirely of the circa-2000 emo scene I loved so intensely!—and goes on to talk about the “Institutional Gothic,” which is a term that made immediate sense to me. “Where the traditional Gothic is dark and looming with ornate architecture, the Institutional Gothic occurs in winding or otherwise empty office spaces, consumed by machine-made mundanity and the unforgiving gaze of noisy overhead fluorescent lighting,” Hess writes. Did you read Eat the Ones You Love? Watch Severance? Institutional Gothic! I’m so here for this. Anyway, I’m going to shut up. But you should read the whole piece.  Darth No Longer: Maul: Shadow Lord I keep forgetting there’s a new Star Wars movie next month. In May! Which is only a few weeks away! This seems, you know, a little worrying! But first there’s a new Star Wars cartoon, which—to be honest—I might be more excited about. Maul: Shadow Lord premiered this week, and I haven’t watched it yet, because Monday is a weird day on which to debut a show. But it’s basically more Clone Wars, sorta, except not; it’s about no-longer-Darth Maul, who has really been through a lot (spider legs! Crime syndicates!) and is really mad about stuff. Justifiably. To be honest I have sort of lost track of Maul in the convoluted Star Wars timeline, but the idea that he’s now going to team up with a Jedi Padawan … it appeals to me. I’m here for it. It is my strongly held contention that Rebels is the best Star Wars, so I get excited about these animated shows, you know? This one, like all the others, is on Disney+. Moon. Moooon. Moooooooon. Moonmoonmoonmoonmoon If you would like to go to fictional space, but aren’t feeling Maul; if you have the moon on the mind, what with the regular stream of incredible images from Artemis II; if you just feel the need for some excellent original science fiction: Duncan Jones’s Moon is currently on Hulu. It stars the incredible Sam Rockwell, returning to space long after Galaxy Quest, as a man working alone on the moon. He works three-year terms, which is something of a red flag, as that is a very long time to be alone, with only a robot for company. I haven’t watched Moon in a very long time, and only remember the vague shape of it; if you have never seen it, do try not to get spoiled. It’s a strange, eerie, excellent film, made in that era when you could make strange, eerie, excellent independent films for a mere $10 million bucks. Is this a pile of money? Yes. Is this a small fraction of the budget of any number of bloated franchises? Bigger yes! Imagine how many Moons you could make on a Marvel budget. Space is the Place (to Read About) I’m probably not alone in that while I read a lot of science fiction, I don’t read a lot of science. Which is probably silly! There are so many good science books lately! One of those looks to be Chanda Prescod-Weinstein’s The Edge of Space-Time: Particles, Poetry, and the Cosmic Dream Boogie. (This is Prescod-Weinstein’s follow-up to The Disordered Cosmos, which also looked great.) According to Time, this new book “distills the knowns and unknowns of our universe in a heady brew of astronomical observation, complex calculus, personal anecdote, and political polemic.” Chapter one is called “How to Live Safely in a Science Factual Universe,” which means I already love this book; I will love any book that references Charles Yu’s excellent How to Live Safely in a Science Fictional Universe. According to the cover copy, the book references popular culture “from Langston Hughes, Queen Latifah, and Lewis Carroll, to Big K.R.I.T., Sun Ra, and Star Trek.” You can read a Star Trek-related excerpt at Popular Science.[end-mark] The post What to Watch and Read This Weekend: Spaces, Both Liminal and Outer appeared first on Reactor.

Netflix Cancels Adaptations of Brian Jacques’ Redwall Book Series
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Netflix Cancels Adaptations of Brian Jacques’ Redwall Book Series

News Redwall Netflix Cancels Adaptations of Brian Jacques’ Redwall Book Series The streamer had plans to make a feature film and limited series based on the 22 books By Vanessa Armstrong | Published on April 9, 2026 Comment 0 Share New Share I missed the news in 2021 announcing that Netflix had picked up the rights to adapt Bryan Jacques’ 22 Redwall books into an animated film followed by a television series. Today’s news that those projects are officially dead, however, still hit hard when I realized what could have been. According to Rick Ellis at Forbes, the project has been in rough waters for some time. Patrick McHale (Guillermo del Toro’s Pinocchio), whom the streamer hired back in 2021 to write the script for the feature, left in 2023. We haven’t heard much more since then, though the Forbes article notes that Netflix still has a placeholder page up for the film, and lists it as starring Marion Day, Adrian Egan, and David Hemblen, which suggests that the project was relatively far along before it was axed and rights reverted to Penguin Random House. The Redwall middle-grade series, for those who have yet to have the pleasure of reading it, features anthropomorphized animals like mice, badgers, and otters living in a medieval-esque setting. One protagonist, for example, is Martin the Warrior, a brave mouse who is a great mentor and always there for his friends. The books are, in a few words, fucking awesome, if my memory of reading them at eight years old holds true. Options expiring on novels is, of course, not an irregular occurrence. But it seemed like Netflix had done a nontrivial amount of work on the Redwall projects, and the IP is a strong one that seems ripe for adaptation, especially in this day when adaptations reign supreme. Here’s to hoping the rights get picked up once again, though of course we still have the books, which I can’t wait to reread with my kid. [end-mark] The post Netflix Cancels Adaptations of Brian Jacques’ Redwall Book Series appeared first on Reactor.

Read an Excerpt From Make Me Better by Sarah Gailey
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Read an Excerpt From Make Me Better by Sarah Gailey

Excerpts Horror Read an Excerpt From Make Me Better by Sarah Gailey An eerily seductive look at the desire for community connection and self-improvement—and the darkest places inside us all… By Sarah Gailey | Published on April 9, 2026 Comment 0 Share New Share We’re thrilled to share an excerpt from Make Me Better by Sarah Gailey, a new horror novel publishing with Tor Books on May 12th. Celia is so tired of being alone. All she wants is to have a family—to belong to someone. That’s why she’s going to Kindred Cove for the annual Salt Festival held by the secluded community that lives there. They promise that healing is possible. They promise that transformation is inevitable. There is no grief at Kindred Cove, because there is no suffering. Nothing is ever lost.Celia knows that, at that mysterious island surrounded by that impossible, ever-growing reef—she will find herself.She’s ready to be healed. She’s ready to be transformed.She’s ready to believe. Salt Festival day one | afternoon Celia’s hands trembled at the sight of the crowd amassing on the shore of the island. The people seeped out through the trees and sluiced down toward the waterline. The little water shuttle beneath Celia felt like a tin can cut in half. There were two hundred of them up there, maybe two hundred and fifty. The passengers on the shuttle tried as hard as they could to look toward the island without seeing each other. Some of the children of the island hoisted tall branches with bright scraps of fluttery cloth tied to the ends. Unsmiling adults touched the children on the shoulders without looking down at them. Behind the gathering crowd, near the trees, a high banner read Welcome Salt Festival Visitors in uneven letters. She was nearly there. As the shuttle approached the land, a man stepped out of the crowd on the shore. His skin had a leathery quality that spoke to frequent sun. His bright, penetrating eyes were pinned to Celia. She felt like a spider in the shadow of a housecat. But then his gaze shifted to the woman next to her, and Celia found herself able to draw breath again. “Welcome to Kindred Cove.” The man sounded neither hostile nor friendly, as though they were expected but not invited. He doesn’t want us here, Celia thought. Then she checked herself: That was negative thinking, toxic thinking, making assumptions and ascribing intent. She reminded herself not to let her anxiety control her. She fixed her eyes on the banner and made herself focus on the first word: welcome. “Where should I tie up now the dock’s gone?” The stringy kid who had piloted the water shuttle across the lake was chewing his gum at a volume that could not be accidental. He wore a sweat-stained white polo shirt with Vetiver Tours embroidered over the breast pocket. A small goiter on his neck moved in time with the rhythmic working of his jaw. He couldn’t have been older than fourteen. Celia couldn’t remember if that was too young for a goiter. She couldn’t remember what caused them—something that was supposed to be in tap water, she thought, or in table salt. Too much of it, or not enough. She wondered what the kid wasn’t getting in his diet, and immediately felt overwhelmed by the idea of trying to find a way to fix it. She looked away from him, and the feeling of overwhelm faded. She was embarrassed at her own relief. “You can tie up in a minute,” the man on the shore said. He wasn’t looking at the kid either. “Before we welcome you onto our shore, I want to be sure everyone’s in the right place.” “I made ‘em check in, just like you said,” the kid replied. “They all—” “I want to make sure,” the man continued, louder now, more theatrical, “that everyone here is ready to step into an experience that will change their lives. The next four days will transform you forever. The Salt Festival is about connection, purification, cleansing, and community. It’s about releasing yourself from the anchors that hold you back from the life you could be living. But more than any of that—it’s about celebration.” His face opened into a wide, warm smile. Celia wanted to learn how to smile like that. “It’s about celebration,” he repeated. “Are you ready to celebrate with us?” A lukewarm shout rose up from the group on the boat. There were twenty of them, packed onto the tiny shuttle too tightly for anyone to yell without it landing in someone else’s ear. Celia worried that the man on the shore would do one of those you can do better than that routines, trying to get them to shout louder. She hated those— hated the faux-chastising tone, hated knowing that it didn’t matter how loud the first yell was because whoever was running things was always going to ask for a second one anyway. She hated the hard seed inside of her that choked off her ability to perform bright wet excitement on demand. But he didn’t try to extract another display of enthusiasm from the visitors. Instead he strode forward into the water, his movements quick and efficient, his response so immediate that Celia tipped backward. The tall, tobacco-smelling guy standing just behind her caught her by the shoulders with a murmured whoa there. Buy the Book Make Me Better Sarah Gailey Buy Book Make Me Better Sarah Gailey Buy this book from: AmazonBarnes and NobleiBooksIndieBoundTarget Even though the sun-worn man was moving farther into the lake, coming at her fast, he didn’t sink any deeper than his knees. He raised an arm and yelled the name Caleb, and a second man jogged out of the crowd to join him. This second man, this Caleb, had short brown hair and deep brown skin, and wide wet eyes fringed with thick dark lashes. He didn’t look at the shuttle at all, just kept his eyes on the water, picking his steps carefully. Celia realized they were both walking on some kind of structure just below the surface. It was a structure that led straight to the shuttle. “Want me to swim down to one of the cleats, William?” Caleb’s voice came out in a soft baritone. Celia repeated the name William to herself, as the man who seemed to be some kind of leader here made his way to the shuttle. “No,” he said decisively, not looking back at Caleb. “We’ll anchor to the black gum there.” He made a gesture at the teenager who had piloted the boat across the lake. “Toss me your bow line.” The kid looked back through the tight cluster of people on the shuttle. He let out a heavy sigh. “Okay. Can y’all try to make room for me to get through, or.” There didn’t seem to be anything lined up to come after the ‘or’. Celia followed the path of the kid’s gaze and realized it led right to her. Her heart stuttered in her chest. She looked down and saw a coil of rope hanging off a cleat on the edge of the boat, right where she was standing. She pointed at the rope, looked from the kid to the man from the shore. William, she reminded herself. “Is it this?” “That’s the one I need,” he answered. “I’ve got it.” She wasn’t sure who she was telling. Celia grabbed the coil. It was heavier than she’d expected, the wet rope scratchy in her palms. She tossed it clumsily to William, who caught it with ease. He gave an experimental tug and then pointed again. “There should be another one on the other side.” Someone she couldn’t see got that one too, and then William and Caleb were pulling the shuttle toward the shore, a rope over each of their shoulders, their torsos canted forward as they sloshed through the water. Celia was uncannily reminded of pulling her car forward onto the track of a carwash, then putting it into neutral—drifting into the hellish pummeling of the mitter curtains with no control over her own movement. Still, she liked the way it had felt to throw William the rope. The practicality of it, the way she’d gotten to be helpful. Things were moving forward because of her. That had to be good. The boat was heavy, and their progress was slow enough for her to scan the crowd on the shore a few more times. Everyone watched the boat. She would have expected the people waiting for them to get bored, split into smaller groups, talk amongst themselves. The few children she could see should have been restless by now. A crowd of that size, in Celia’s experience, couldn’t be silent—they necessarily rustled, coughed, breathed, fidgeted. But all she could hear was the splash of the men’s legs in the water, the restless shifting of the people on the boat with her, and her own heartbeat. “Cleansing,” the woman next to Celia muttered under her breath. “I’m so fucking sure.” Celia glanced down at her. “What did you say?” “Hm?” The woman blinked up at her placidly. Her face was seamed with creases, her eyes enormous behind thick-lensed glasses. She spoke in a high, querulous voice that sounded nothing like the voice she’d used when she was muttering to herself. “What’s that, dear?” “Nothing. Never mind.” Celia pressed her lips together and looked away. Wasn’t her business. She just needed to get to the island. She just needed this week to work. This place would fix her. It would pull that hardness out of her. It had to. William was moving parallel to the shore, his movements growing clumsier as he waded toward a slim black gum tree a couple of feet above the waterline. There was another boat—threadbare compared to the shuttle—in the shadow of the trees. Once they got close to it, he started to tie a series of knots in the rope she’d thrown him. She watched the deft movements of his hands as though she might learn to tie knots the way he tied them. As though she’d ever be the one doing it. This would, she decided, be the beginning. She would take everything in while she was here. Everything. She would do the work. She would get better. “You’re going to have to get a little wet,” William said, stepping away from his knots, nearly losing his footing in the slippery silt. He sloshed his way closer to the shuttle, grabbed the low side of it. The water slapped against the side of the boat like a hundred tiny hands trying to find their way in. “You’ll have an easier time wading from here than trying to feel your way along the dock. It’s been tricky to navigate since it got submerged, and I don’t want any of you falling off the side.” “Is it safe to touch the water?” That was the older woman next to Celia again. She asked the question in that trembling voice again, the one that made her sound ancient and fragile. William looked down at his own feet, then back up at the group on the shuttle. “You’re asking now?” “I just thought—with the mine collapse, and all that—” “Of course it’s safe,” Celia said. She tried to keep her voice light. “We’ve come this far. Might as well go the rest of the way, right?” She reached down and rolled up her yoga pants—the lightning motif ones from last December, which she hadn’t been able to sell and ended up buying from herself to keep her numbers up—then slipped off her shoes. She felt more than saw the shuffle of the other visitors as they copied her, taking off their shoes and preparing to enter the water. “You can bring your shoes to shore with you,” William said, reaching up to unlatch the gate in the rail on the sides of the boat. “You’ll see where to drop them.” He offered his hand to each passenger that stepped off the boat, half-lifted the old woman down into the water. When it was Celia’s turn, he kept her hand for a few seconds, holding her in place. She couldn’t step down into the water unless he either bent his arm or let go of her, and he wasn’t doing either. He just studied her face. “I’m glad you came,” he said at last. She pulled her hand back sharply. “What?” “I’m glad you came,” he repeated. “I can tell just by looking at you—you need it. You’ll benefit so much from what we do here.” “Oh. Well.” She felt a flush rising up over her neck. How had he seen inside her? Was it that obvious to everyone? “Yes, I do. Need it, I mean. I need to be here. Thank you.” She took his hand and legged her way carefully over the side of the boat. The water, when she stepped down into it, was colder than she expected it to be. It sank immediately into her flesh and yanked the warmth out of her. Normally, such a shock of cold would make her recoil—but now, she was gripped by a powerful urge to dive in. To follow the path of her own body heat and find out where it had gone. Celia shivered, shaking off the sudden impulse. Reminded herself of what was in the lake, and how little she wanted to encounter it. William saw her shiver. He winked. “The water’s only cold compared to how hot you were from the trip here. I promise it’s warmer when you’re walking in from the land side of things.” She followed William and the rest of the visitor group followed her. The silt was spongy beneath her feet, the saltwater of Lake Vetiver splashing with every step she took. Caleb worked at the knots on the rope that tethered the shuttle to the island. By the time they were on dry land, Celia’s rolled-up yoga pants were soaked to the knee, and the boat was ready to depart. The shuttle engine stuttered to life. It was loud and then it was gone. “No way back,” someone whispered, eliciting a giggle from whoever heard them. “Do you think we’ll get to see the miracle tide?” Celia didn’t turn to see who’d spoken. She didn’t want a way back. She only wanted a way forward. The visitors stopped in front of the crowd of people on the shoreline. There were two tarps laid out, one with a pair of shoes in the middle and one that was held down by a duffel bag. A man in wire-rimmed glasses dropped his shoes and backpack next to the ones on the tarps. Celia followed suit. She stayed near the back of her group, watching the other visitors. A few couples, a few people older than her, a knot of very young women wearing matching crystal necklaces, a lost-looking pair of men with identical noses who she guessed were brothers. The old woman who’d been next to her on the boat. Celia wondered why the others were here. She wondered if all of them were broken, too—if all of them had the same ache in their chests as she did. It felt as though someone had used a corkscrew to drill a slow hole in her breastbone. The hole never went away. The temptation to jam her finger into it and touch her own beating heart was with her every second of every day. This will work, she reminded herself. This will fix it. This will fix me. William clapped his hands once, sharply, looking over the visitors with an appraising eye. “So,” he said. “You’re here as our guests. What you might not realize is that you’re the only new faces we’ll see for the entire year. This festival—the Salt Festival,” he added with a gesture toward the drooping banner, “is the one time each year that we welcome visitors. The other eleven months, nobody comes or goes without special permission.” Celia took a deep breath in through her nose, let it out through her mouth. She focused on gratitude for the opportunity this festival represented. “While you’re here,” he continued, “you’ll be living by the guidelines of our intentional community.” One of the women in the crystal necklaces raised her hand. He ignored her. “I know you don’t know the rules yet, don’t worry about that. We’ll help you. Each of you will be assigned a buddy to help you learn the ropes. Your buddy will also answer any questions you might have.” With this, he aimed a pointed look at the woman who had her arm in the air, staring her down until she lowered it. Then he held a hand out, and a woman from the island stepped forward to hand him a clipboard. She was half a head taller than William. A threadbare linen shirt, unbuttoned to the middle of her sternum, hung loose across her tentpole frame. She was pale, as if she didn’t spend much time in the sun, but her nose and chest bore a stark scattering of dark freckles. Soft, bruise like shadows drifted under her eyes and kissed the tops of her cheekbones. As Celia watched, the woman pushed her wild thicket of dark hair away from her face with one sweep of her long, slender fingers. She scanned the crowd and she must have seen something that amused her, because her wide, full mouth twitched like she was holding in a laugh. William was still talking. Celia tore her eyes away from the woman, who she figured must be some kind of assistant to him. She told herself that she wouldn’t get distracted while she was here. She reminded herself that she needed to focus. “These assignments are not negotiable. You and your buddy will stick together at all times. Is that understood?” The visitors all nodded their agreement. Celia curled her toes in the dust. She had expected something of a charm offensive, but William was charmless, bordering on rude. It was nice, in a way—he wasn’t meeting her pain with too much enthusiasm, too much kindness. He started reading names aloud from the clipboard. Celia wondered if he’d split the couples or let them stay together, but she didn’t get a chance to see, because while he was still assigning the crystal girls to their chaperones, a hand landed on her shoulder. She turned to see the tall woman who had handed William his clipboard. “Hey,” she whispered. “Sorry to distract you from this part, I know it’s sooo interesting. I just need to grab a couple of things from you real quick.” She glanced down into the fraying basket in the woman’s hands. It had several cell phones and wallets in it. She spotted a few wedding rings, too, and an expensive-looking compact with a faded monogram on the lid. There were several purses slung over the woman’s shoulder, too. “Um. That’s okay,” she said. “I’ll hang on to mine.” “Nah, you don’t want to do that,” the woman said agreeably. Up close, Celia could see that the freckles extended onto her arms, too. “It’s no big deal, we’ll just keep your stuff in the office during the festival. William has a safe in there. It’s all normal, just your phone, wallet, keys, and any mirrors or photographs you might’ve brought with you.” She gave the basket a little shake. “You can also just give me your whole bag if it’s easier.” “What if I say no?” The woman gestured to the scuffed-up boat in the shadowy patch where the tree line crept down close to the water. “You can go back if you want. It’ll be a pain in the ass, but I’ll take you. But I don’t think you want that, do you? There’s something… here,” she said, lifting a hand and reaching out to touch Celia lightly on the temple. “Right around your eyes. I can see it. You belong here.” Something inside Celia surged forward at those words. Yes, it cried from inside her, yes, you can see it, please take it away. She shoved the feeling aside. “Fine,” she said, “but if I don’t get my things back at the end of the festival, I’ll—” “Oh, you should sue us,” the woman finished for Celia, easing the purse strap off her shoulder. “For every penny we’re worth.” “Celia?” William called. She looked up and realized she was the only person without a partner. William glanced at the woman with the basket and gave a nod. “I see you’ve already met your buddy for the week. You’ll be spending your days with Easy.” “Nice to meet you, buddy,” Easy said with a wink. “Want to come with me to drop this stuff off at the office?” “Don’t I need to stay and hear the rest of the orientation?” “What orientation? Here.” Easy handed Celia the basket. “Let’s make like eggs and scramble.” Celia was on the verge of objecting until she realized that the other visitors were dispersing, following their assigned chaperones into the narrow gap in the tree line under the banner. The rest of the crowd dissolved like a spoonful of sugar in water, gone before she could think to look more closely at them. She hadn’t seen any faces she recognized. “Wait, where is everyone going?” “They’re going where they go,” Easy said. “Let’s—” William strode up to them. “Waiting for something? I doubt you two have time to spend standing here staring at each other. We’ve got an hour or so of daylight left. I suggest you use it well.” “Of course,” Easy said. “I was just about to take her to the office to drop some things off.” “The office is off-limits to visitors.” William looked Celia up and down. “Do you really think that’s a good idea?” “What a question.” The temperature of Easy’s voice dropped by a few degrees. “I’m just asking,” William replied. He raised his hands in a conciliatory gesture, and Celia wondered if she’d misunderstood who was in charge here at Kindred Cove. Easy flashed William a grin. “Ah, William. You’re such a worrywart. She gave me her word that she won’t tell anyone else what she sees in there. Isn’t that right, Celia?” Celia looked at Easy, startled, only to catch a fleeting wink. “Um. Yes,” she said. “Yes, you have my word.” Easy dropped a hand onto William’s shoulder. “You see? I’ve got a good feeling about this one. We can trust her.” Celia glanced at William before she could catch herself. She wanted to see if he had a good feeling about her too. If he had any feeling about her at all. When she glanced at William, she felt panic flip inside her stomach. It was the same panic she’d felt back when her pregnancy loss support group read The Lonely City together. During the second to last meeting she attended—the meeting where she said goodbye to Adelaide—they’d discussed a passage: I felt like I was in danger of vanishing, though at the same time the feelings I had were so raw and overwhelming that I often wished I could find a way of losing myself altogether, perhaps for a few months, until the intensity diminished. If I could have put what I was feeling into words, the words would have been an infant’s wail: I don’t want to be alone. I want someone to want me. I’m lonely. I’m scared. I need to be loved, to be touched, to be held. Celia had read those final words to herself over and over again. I’m lonely. I’m scared. I need to be loved, to be touched, to be held. She’d felt rising terror at the words, but she’d been unable to look away from them. Unable to look away, because for as long as she could remember, Celia had felt there was a voice inside her screaming help me, and that her duty to the world was to hold her hand hard over the small screaming mouth so no one would ever have to hear it. And rising terror, because reading that passage made her feel certain that she’d failed to smother the scream tightly enough. The knowing tilt of William’s head made it seem as if he could hear it. It also made Celia think William might know how to silence that scream for good. “You can trust me,” Celia said. William nodded. Celia took the nod and tucked it into the hole in her breastbone. The scream was still there, but it was muffled just a little. She could already feel herself getting better. Celia followed Easy into the shadow of the trees that covered the tiny island of Kindred Cove. She could feel William’s eyes on the small of her back as they walked. It took all her willpower to keep from looking back. “What about our bags? Do we go back for those?” “You won’t need them, we have everything ready for you. But they’ll get delivered just in case.” “Delivered? To where?” Easy didn’t answer. She was already well-ahead on the path. She moved with a slow, loping grace, her long legs devouring the road, and Celia couldn’t keep up without jogging. Easy didn’t look back to see if Celia was following her, just kept striding up the curving dirt road, her arms swinging loose at her sides, the collection of purses slapping rhythmically against her hip. “Hey, can you wait a second?” Celia called, walking as fast as she could without breaking into a jog. “I need to—ow, fuck.” She grimaced as the ball of her foot landed on a small sharp stone. “I need to go back and grab my shoes.” “Nope,” Easy answered, not slowing down. “We don’t do that here.” “Don’t do what?” Celia slowed once they were side-by-side, although not by much. “Shoes.” She reached out a steadying hand as Celia stumbled over another rock. Celia glanced down at Easy’s feet. No shoes. She thought back to the crowd, trying to remember if any of the residents of the island had been wearing shoes—but she’d mostly been staring at their faces, trying to spot Adelaide. She remembered William and Caleb walking confidently into the water, not pausing, not slipping off sandals or sneakers. “Wearing those things separates you from the ground beneath you,” Easy continued. “They’re an artificial means of preventing yourself from having a real experience. How many times have you really let your skin come into contact with the earth?” “Lots of times,” Celia answered immediately. “I garden. I touch dirt all the time.” Easy’s laugh was surprisingly loud. A few birds startled out of a nearby hickory at the sudden sound. “That doesn’t count. You control your garden, right? You’re the one who put all the dirt there, all the plants.” She snapped a stalk off of a tall fennel plant by the side of the road, stuck it between her molars and talked around it like she was chewing on a cigar. “I bet you have a little stone path that cuts through it. I bet you treat your garden like a big potted plant that just happens to go outside. Look out,” she added suddenly, pointing into the shadows of the trees ahead. “Tom is going to try to get your ankles. He’s just playing, but his claws don’t always know that.” Celia gave the patch of shadows a wide berth. A pair of wide yellow eyes glinted out at her as she passed. “Where are all the kids?” she asked, squinting to try to see more of what she hopes is just a cat. The light was shining low through the trees, sending a cascade of dappled golden light across the path, and squinting didn’t do her much good. “What?” “The children. I saw them down at the shore, but then they just—” “Right.” Easy sounded somewhere between confused and annoyed. “We don’t invite them to spend a lot of time with visitors. It would disrupt their routine. Structure is important for a child’s growth and development. Don’t you agree? Well—I suppose you might not understand that,” she added lightly, “since you’re not a parent.” Celia reminded herself that Easy wouldn’t know how much it hurt—wouldn’t know about the wound she’d poked a questing finger into with her thoughtless words. It’s not her fault, Celia chastised herself. It’s no one’s fault but your own. “Of course. Structure, routine. You grew up here, right? You’re not one of the Salt Festival visitors that stayed?” “What do you mean? Salt Festival visitors don’t stay.” Celia paused. “I heard that at sometimes the visitors end up deciding to live here.” “Maybe you heard wrong.” Easy’s tone was cool enough to make Celia drop it. “Well, anyway. You grew up here, so you must have experienced the same structure the kids get now. Continuity is—” “It was different back then. We’ve developed a stronger rhythm for the children in the past few years.” Celia could feel Easy closing off. It made her feel a hot flash of panic. “Were you here when the mines collapsed?” “Course I was here. Worst day of my life,” Easy said. “Oh? Did anyone—I mean, did you lose someone?” Celia bit her lip. She could hear the hunger in her own voice. She wanted Easy to talk about death. To talk about how much she still ached, how open and weeping the old wound might be. Then maybe she could introduce her pain to Easy’s pain, like forcing two snappish dogs to socialize, and Easy would feel understood, and then she’d stay open and welcoming. It was wrong to want someone else’s pain this much, Celia knew it was wrong, but that didn’t mean she could stop herself. “Oh, Celia. You have so much to learn here,” Easy said, her voice loose with disappointment. “No one is ever lost.” Excerpted from Make Me Better, copyright © 2026 by Sarah Gailey. The post Read an Excerpt From <i>Make Me Better</i> by Sarah Gailey appeared first on Reactor.