reactormag.com
Murderbot Is Glitching in “Escape Velocity”
Movies & TV
Murderbot
Murderbot Is Glitching in “Escape Velocity”
Have you ever imagined what Murderbot would look like if it were to appear in*Sanctuary Moon? Well…
By Alex Brown
|
Published on May 30, 2025
Image: Apple TV+
Comment
0
Share New
Share
Image: Apple TV+
Best episode yet! I was breathless through the entire 22 minutes. The Rise and Fall of Sanctuary Moon part? I literally squealed with glee. My only complaint is that it’s too damn short. I need a whole episode of Murderbot self-inserting into Sanctuary Moon fanfic.
Spoilers ahoy.
The episode opens with a flashback to Security Unit 238776431 being built at the Threshold Pass Fabrication Center in the Corporation Rim. We see how SecUnits are made, which is in this charmingly antiquated fashion. The Company indentures people into their factories and they apparently make all the parts by hand and then piece the constructs together. I guess when you have an endless supply of free labor, there’s no reason to automate anything. There are thousands, potentially millions of people with decades of indenture to work off. Might as well let them build SecUnit arms one at a time. Seeing all the glitches and protocol breaks, it’s a surprise more SecUnits haven’t gone rogue.
If anything, this whole episode is one big glitch. Murderbot survived the attack by the blue SecUnit, but only barely. It comes to being dragged through the DeltFall habitat. Due to injuries sustained in the fight in the previous episode, its memory is dumping The Rise and Fall of Sanctuary Moon episodes into its consciousness. This leads to my favorite scene thus far: Murderbot acting like it’s in the show. It’s what finally sold me on Alexander Skarsgård as Murderbot. I’ve more or less enjoyed his take on the character thus far, but this right here, was perfection. The sheer, unadulterated joy he expresses as Sanctuary Moon!Murderbot, with its glorious bouffant of a wig and its garish yellow jumpsuit, is just delightful. And recasting Mensah as the Captain! And her hair! I am obsessed. Truly obsessed. Whoever came up with the idea for that scene deserves a special Emmy just for them.
Pin-Lee, Ratthi, and Arada are back at the ship, having been ditched by Mensah. She decides to rescue SecUnit, against the wishes of the rest of her crew. Poor Murderbot gets downloaded with malware through a combat override module, then can’t remember it was infected, but it still knows something is wrong. Mensah kills the blue SecUnit with a mining drill, then drags the glitching Murderbot out of the habitat. But hold on, that evil blue SecUnit isn’t actually dead! (This is some real soap opera plot twisting and, as someone raised on a steady diet of All My Children and One Life to Live, I’m hella into it.) Ratthi tries to be the hero and fails spectacularly by getting knocked out by the recoil of his energy blaster. The honor of permanently and totally killing the blue SecUnit goes to Arada and Pin-Lee who quash it like a bug with the hopper landing gear. It sounds intense, but the script once again expertly balances darkness and levity.
Murderbot isn’t in the clear, though. It now knows it’s going to kill the humans thanks to the malware the evil blue SecUnit installed on it. We’ve seen Murderbot fantasizing about killing the humans or abandoning them and running off on its own. We’ve seen Murderbot freak out about interacting with humans and wanting to be left alone. Now it has the chance to get everything it claims it’s been wanting. But instead of letting itself kill everyone, it sacrifices itself. It spares the humans by shooting itself in the gut. Oh yeah, our little killing machine is a living, breathing (wait, does it breathe?), caring companion, whether it likes it or not.
Image: Apple TV+
One of the things I think a lot about in terms of AI is how so often people most excited about it talk about the tech as if it were a slave at the mercy of their every whim. All these ads talking about an AI app like it’s a personal assistant, all these tech bros talking about how they’re going to make a computer who can take care of their children and do all their thinking for them, all these weirdos eagerly anticipating everyone getting their own sexbot. What they want is a sentient construct without the ability to refuse. They want something that is basically a human but one they have an excuse not to care about.
The Murderbot Diaries were written well before the generative AI snake oil hysteria, but Martha Wells explores similar themes. The humans fabricating Security Units are trapped in an exploitative labor system, but unlike Security Units, they’re only indentured. The only thing they’re more powerful than are constructs. They don’t see constructs as potential allies in the fight to overthrow the Corporate Rim. They see them as machines, as things that can only do what they’re told. They delight in forcing a Security Unit to hold its hand out while they burn it, or fabricate shoddy equipment because the constructs themselves don’t matter. Until they do. Obviously generative AI and AI aren’t sentient (no matter what venture capitalists, overpaid consultants, and news magazine op-ed writers will have you believe), but the desire to lord over others and to boss around something that can’t say no is just under the surface of a lot of the hype.
On a less heady topic, it is so nice to have a normal, middle aged woman be a hero for once. Mensah isn’t a buff bad-ass, a strategic genius, or a decisive leader. She’s a scientist in a leadership role that requires of her more than she ever thought she would have to give. She has panic attacks and cares deeply about her team, even the ones who don’t want to be part of it. She takes on the blue SecUnit not because she thinks she can fight it—we just saw Murderbot lose to it twice in direct hand-to-hand combat—but because she couldn’t live with herself if she left behind one of her own. She doesn’t see Murderbot as a human or a robot but as something in between, and she doesn’t even know it hacked its governor module. She thinks it’s a normal SecUnit, a little glitchy perhaps, possibly even a corporate spy, but still normal. It’s pretty remarkable. Murderbot doesn’t know how lucky it was that Mensah picked it for this mission. Noma Dumezweni is perfectly cast as Mensah. She plays her with just the right amount of frustrated mom energy.
Sabrina Wu and Akshay Khanna go all out in this episode as Pin-Lee and Ratthi. Wu plays Pin-Lee with such gusto. They’re erratic and high-strung, then dip down into this mischievous calmness. Ratthi constantly stumbles into toxic masculinity then immediately backs out again with a litany of apologies, and Khanna does an excellent job keeping him on this side of charming instead of being obnoxious, insincere, or obsequious. In the previous episode, Pin-Lee accused Ratthi of auto grinding to get a high score in the videogame KillJoyBloodLustTechRiot, and after his performance in this ep, yeah, I believe it. The character development on the show is so much deeper than in the novella, for obvious reasons. I’m really enjoying the choices the actors are making with these characters. They feel like they fit the medium of a television adaptation while also honoring the vibes of the books.
This is the episode where I decided I loved this show. It’s been fun so far, but this was top tier. Fingers crossed we ride this high through the rest of the season.
Image: Apple TV+
Final Thoughts
Episode 4 covers the last half of chapter 4 in All Systems Red.
Who is Donna Komparzits and what is in the classified blue room that she needs to report to?
So, do we think the reason Murderbot was able to hack its governor module was because of a glitch in its fabrication? If so, are other SecUnits also trying to hack their governor modules? Is the going rogue all the time thing just a joke or…
The names of the actors on Sanctuary Moon are absolutely incredible. It was hard to tell on the distorted screen, but I think these are the names (correct me in the comments if I get someone wrong): Captain Hossein is played by ElonieJef Chem, Navigation Officer Hardööp-Sklanch is played by Breiller MocJac, Lieutenant Kulleroo is played by Arletty, NavBot 337 Alt 66 is played by Pordron Bretney III Roche, and a “subcontracted actor” Kon Rennell plays Colony Solicitor Vagus.
Director Toa Fraser and Director of Photography Daniel Grant are back at it with more fantastic shots. Especially loved the rotating shot of Murderbot on the ground after falling off the table. And how they have the camera glide at unusual angles to demonstrate Murderbot’s disorientation.
Murderbot singing the theme song to Sanctuary Moon was so silly, and I mean that as a compliment.
It’s so interesting that Murderbot casts itself not as a construct like the NavBot but as one of the human crew. Despite insisting both last episode and this that it absolutely was not part of any crew.
Quotes
“Yeah, take some pride in your work. You wouldn’t wanna fuck up and produce a chronically anxious, depressed Murderbot.” How very Marvin the Paranoid Android.
“Humans. On some level, they must know how weird they are.”
“You don’t mean that. It is a very cool rule.”
Pin-Lee: “You’re being very macho, it’s disgusting.” Ratthi: “You’re both wonderful people. I mean that.”
[end-mark]
The post <i>Murderbot</i> Is Glitching in “Escape Velocity” appeared first on Reactor.