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Texas Supreme Court Upholds Gender-Affirming Care Ban

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The Supreme Court on Friday dramatically clawed back power from federal regulators by overturning decades of precedent that had been set in the 1984 Chevron v. Natural Resources Defense Council case. In a 6-3 decision that again split along ideological lines, the high court ripped up the Chevron precedent, which called for judicial deference to agencies in situations where the law is unclear. As a result, it will become much easier for the court system to overrule regulations and for...

On Friday, the Supreme Court overturned a long-standing legal doctrine in the US, making a transformative ruling that could hamper federal agencies’ ability to regulate all kinds of industry. Six Republican-appointed justices voted to overturn the doctrine, called Chevron deference, a decision that could affect everything from pollution limits to consumer protections in the US.  Chevron deference allows courts to defer to federal agencies when there are disputes over how to interpret...

The Supreme Court on Friday disrupted the balance of power in Washington, D.C., by overturning a 40-year-old precedent protecting federal agencies’ work. The precedent, called the Chevron doctrine, instructed judges across the country to defer to federal agencies’ interpretation of the laws passed by Congress even when the agencies’ rules had no clear basis in the written text. Friday’s ruling puts the onus on Congress to pass clearer, more specific policies, and gives individual...

The cinematic retelling of Jesus’s story has a profound power to touch both believers and non-believers alike. Films like Cecil B. DeMille’s “The King of Kings” (1927) offered grand, sweeping visuals that brought the biblical narrative to life, creating an emotional connection that transcends religious boundaries. Franco Zeffirelli’s “Jesus of Nazareth” (1977) meticulously portrays Jesus’s life with depth and nuance, inviting viewers from all walks of life to engage with his teachings, humanity, and divinity. Mel Gibson’s “The Passion of the Christ” (2004) presents a visceral, intense depiction of Jesus’s suffering, compelling audiences to confront the raw emotions of his sacrifice. These films, with their powerful storytelling and visual impact, have the ability to evoke deep reflection, empathy, and inspiration, resonating universally regardless of faith. Unlike these, however, A Deaf Missions Film aims to connect with a specific demographic: the 96% to 98% of deaf Americans who are also non-believers.   Jesus: A Deaf Missions Film The greatest story ever told has returned to the silver screen, but this time with a unique distinction. A Deaf Missions Film presents Jesus’s Ministry and Passion entirely in American Sign Language (ASL), making it the only religious film—and the only film of any kind—to do so. Created by deaf people for deaf people, it is truly a film of a mission with a mission.   Jesus: A Deaf Missions Film Review Making a quality movie with quality people on both sides of the camera is already a daunting enough task. One need only look at the sad state of American cinema to see how shallow the talent pool has become. Combine that with finding an entire cast that is fluent in American Sign Language, and you would need a miracle to demonstrate even base-level competence. Fortunately, this film surpasses that lowly metric, and Jesus: A Deaf Missions Film exceeds expectations. Bolstered by chronicling the most important event in human history since the creation of the universe, the cast and crew’s obvious love for the source material, and their clear devotion to the cause of bringing the Word to the hearing impaired, Jesus brings its own special beauty to Christ’s story, despite any weaknesses that it might have. The performances range from a handful of not-so-greats to a majority of not-too-bads, with Ryan Schlecht playing Caiaphas arguably giving the film’s best performance. Schlecht’s focus is fairly strong throughout, and the role of Caiaphas naturally lends itself to film-friendly theatrics. Playing Jesus, Gideon Firl infuses our savior with a refreshing sweetness not generally portrayed in other big-screen adaptations of our Savior, the one exception perhaps being the chair scene in Mel Gibson’s The Passion of The Christ. Jesus’ production value outstrips what was no doubt a very modest budget. Costumes seem appropriate, if maybe a little too new-looking, and locations and sets are perfectly adequate.  The filmmakers took advantage of some computer-enhanced establishing shots that do a fine job conveying the land’s scope and its important locales, even if their artificial nature is apparent. Unlike The Greatest Story Ever Told or King of Kings, which tells of Jesus’ life from beginning to end to beginning, or The Passion, which focuses on Jesus’ final days on Earth, Jesus: A Deaf Missions Film focuses mainly on Jesus’ ministry, playing all of the hits from healing the sick to raising the dead. It’s an understandable choice given the filmmakers’ goal of spreading the Word to a niche market that hasn’t been exposed to it. Still, it lacks an emotional throughline that a more focused story would have conveyed and subsequently feels like a series of short plays rather than one long narrative. That said, those well-versed in the source material will appreciate the various tales, and each one is so significant to the rest of history, Western civilization, and our own personal stories that I have no doubt many and more deaf viewers will be moved to partner with Christ while hearing believers like myself will find themselves moved by the love and sacrifice made on our unworthy behalfs.   WOKE ELEMENTS Prove To Me That You’re No Fool, Walk Across My Swimming Pool No The post Jesus A Deaf Missions Film first appeared on Worth It or Woke.

On December 10, Royal Caribbean’s Serenade of the Seas set sail on the Ultimate World Cruise—a 274-day global trek that visits 11 world wonders and over 60 countries. This incredible trip covers the Americas, Asia Pacific, Middle East, Mediterranean and Europe with a ticket price that ranges from $53,999 to $117,599 per passenger.Aboard the Serenade to the Seas is popular TikToker Marc Sebastian, who has been sharing his experience on the platform.In a recent video with over 4.3 million views, he revealed what he’s learned over his first few weeks aboard the ship; the biggest was the one word you’re not allowed to say: Titanic.“Who knew that? I didn’t,” Sebastian said. “I brought it up to an entire room of people having lunch that our ship is only 100 feet longer than the Titanic — when I tell you that utensils dropped. Waiters gasped. It’s dead silent.” @marcsebastianf someone get whoopi on the line girl i have some goss for her #ultimateworldcruise #worldcruise #serenadeoftheseas #cruisetok #cruise #9monthcruise #titanic After the unexpected reaction, his cruise friend told him, “You’re not allowed to talk about the Titanic.” It makes sense. Who wants to be reminded of the tragedy that killed around 1,500 people while sinking one of the most impressive engineering feats of the era? "When I went on a cruise, my mom told me saying Titanic was equivalent to screaming ‘bomb’ at an airport," Mikayla wrote in the comments.Later in the video, Sebastian admits he was surprised to learn that cruise ships have godmothers and that the pools are filled with seawater.This article originally appeared on 1.25.24