Coheed And Cambria: Blind Slide Sonny “‘Blind Side Sonny’ is a song about revenge,” offered vocalist Claudio Sanchez. “What may seem like an innocent choice to someone could be the breeding ground of another’s malicious misunderstanding. Perception can be your worst enemy.” Soilwork: Spirit Of No Return “‘Spirit Of No Rrturn” is a fierce reminder of the past, but also an introduction of the new Soilwork era, where we’ve taken the thrashier early days and dressed it in a new heavier suit,” stated Soliwork frontman Björn “Speed” Strid.  Lacuna Coil: Oxygen The band will release their tenth studio album, “Sleepless Empire” on February 14th. “‘Oxygen’ is a powerful exploration of emotional struggle and inner conflict,” explained singer Cristina Scabbia (pictured above). The lyrics convey a sense of drowning in a toxic environment, both literally (in the video) and metaphorically, where attempts at salvation, represented by ‘oxygen’ are somehow futile.” ### The post New Music: Coheed And Cambria, Soilwork & Lacuna Coil appeared first on RockinTown.

For a time, the mightiest Blues shouter in the U.K. was a teenage Steve Winwood, the singer for the Spencer Davis Group (“Gimme Some Lovin’“). He also played organ, piano and guitar. When the Spencer Davis Group’s limited scope became too confining Winwood served notice. Eric Clapton and Winwood talked about forming a group but Winwood had just started another project. Working with guitarist Dave Mason, drummer Jim Capaldi and Chris Wood on sax and flute, Winwood launched Traffic. But Mason seemed to be the odd man out with Traffic often operating as a trio. (Clapton didn’t suffer. He started Cream.) Traffic’s late ’60’s acoustic-oriented Rock was masterfully displayed on the group’s first three albums (“Mr. Fantasy,” “Traffic” and “Last Exit”). The songwriting was sharp (“Dear Mr. Fantasy,” “Pearly Queen” and “Shanghai Noodle Factory“) with top drawer musicianship. Glad After brilliant but unappreciated albums, Winwood finally hooked up with Clapton for a brief and unsatisfying stint with Blind Faith. Following Blind Faith, Winwood began work on a solo album but decided to re-formed Traffic instead with Capaldi and Wood. The trio produced the excellent “John Barleycorn Must Die” featuring the opening instrumental track, “Glad.” The group began adding members. By the time of the live “Welcome To The Canteen” album Traffic had Blind Faith vet Rick Grech on bass and percussionist Reebop Kwaku Baah, to name a few. They released strong albums that managed to sell even without any hit singles. “The Low Spark Of High Heeled Boys” (the title taken from a comment made by actor J. Michael Pollard), “Shoot Out At The Fantasy Factory” and “When The Eagle Flies” (pictured), brought Traffic a measure of commercial acceptance. The group then splintered with members working on other projects. ### The post Traffic appeared first on RockinTown.

I took on a new patient yesterday, and this is an mRNA Vaccine injury case you may all want to know about because 3.75 years later, he is still producing spike protein. Previously healthy 48-year-old male with no comorbidities gets The Thing In Early 2021, and over the next… — ?Dr. Tim Goyetche ND? (@WitchDrTim) […]

by Didi Rankovic, Reclaim The Net: The World Bank (WB) has issued a policy note revealing that it wants to see the development of what it calls electronic signature (including using biometric authentication) frameworks which include legal recognition and trust. The purpose of these “key enablers” where it concerns digital transactions, is to facilitate “the […]

by Dr. Joseph Mercola, Mercola: Story at-a-glance A controlled study found cellphone radiation causes acute cell death and disrupted cell division in cheek cells, with a 57% increase in cell death indicators after high exposure Long-term cellphone use (over 1,000 cumulative hours) increases tumor risk by 60%, with risks rising after 10+ years of use […]

from GoldSilver (w/ Mike Maloney): TRUTH LIVES on at https://sgtreport.tv/

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