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The Patriot Post Feed
The Patriot Post Feed
1 w

Samuel Alito: The Originalist We Take for Granted
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patriotpost.us

Samuel Alito: The Originalist We Take for Granted

Through the thick and thin of public opinion, George W. Bush's "do-over" nominee to the Supreme Court has proven to be a rock-ribbed champion of the Constitution and its original meaning.
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The Patriot Post Feed
The Patriot Post Feed
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Monday: Below the Fold
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Monday: Below the Fold

"Maryland Man" must be released, NYC's alarming primary is tomorrow, Trump admin funds $10M study on East Palestine train derailment, church mass shooting thwarted, and more.
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The Patriot Post Feed
The Patriot Post Feed
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Anything But USA
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Anything But USA

Anything But USA
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Sons Of Liberty Media
Sons Of Liberty Media
1 w

Iran Turns To Russia For Help As The U.S. Braces For “Asymmetric Terror Warfare” In The Middle East And On U.S. Soil
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Iran Turns To Russia For Help As The U.S. Braces For “Asymmetric Terror Warfare” In The Middle East And On U.S. Soil

Did anyone out there actually believe that Iran would roll over and surrender once we bombed their nuclear facilities?  Needless to say, that was never going to happen.  The guys running Iran are lunatics that would rather die than surrender.  They are “Twelvers” that are eagerly anticipating the arrival of “the Mahdi”, and since he …
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Bannon's War Room on Rumble
Bannon's War Room on Rumble
1 w Politics

rumbleRumble
“It’s How They Drag Us In.” Jack Posobiec On The Boots On The Ground Push In Middle East Conflict
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Country Roundup
Country Roundup
1 w

Bones Owens Announces Self-Produced Record ‘Best Western,’ Releases Rocking Lead Single “Old Time Low”
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Bones Owens Announces Self-Produced Record ‘Best Western,’ Releases Rocking Lead Single “Old Time Low”

All you Southern rock fans, listen up. If you’re a fan of Whiskey Myers, Blackberry Smoke, Fox ‘N Vead, Rob Leines, or Treaty Oak Revival, here’s an artist you need to add to your list: Bones Owens. Bones, whose name is Caleb Owens but got the nickname from his grandfather, is no stranger to the country and music scene. After years of touring with other artists like YellaWolf, Jelly Roll, and more, he chose to chase his dreams, kicking off his solo career in 2014 and releasing his debut record three years later in 2017. “Seven or eight years ago, I started focusing in on creating my own thing.” Growing up in the Midwest on a corn and soybean farm in rural north-central Missouri, which Bones notes is in the “smack dab in the middle of nowhere, honestly,” shaped a lot of his sound, he tells Whiskey Riff. While he has written songs alongside some of country music’s big names, like Koe Wetzel, he’s never fallen into the trap of Nashville since relocating there 20 years ago. He doesn’t feel the need to appease the sound that other artists in Music City are leaning into.  “I think that factors into it. I live in Nashville, I’ve lived here for a long time, but I don’t necessarily feel that influenced by a lot of music that’s coming out of Nashville. But that’s probably obvious, maybe, to some people who are listening to my music.” Bones Owen is in a lane of his own, blending some of the classic country elements his grandfather exposed him to with the classic rock bands his dad enjoyed. The combination of the two creates a gritty, garage-style sound with a slight twang that he’s honed in on since his debut, Make Me No King, and has grown and refined through his latest album, Love Out Of Lemons. “There are little nods occasionally to the classic country records that I was introduced to by both of my grandpas. I mean, I’m a nostalgic person, and I grew up in the ’90s when alternative, real alternative music was huge. So, I felt like my music is kind of all, interestingly, a product of the music my grandfathers, the music of my dad, and the music that I really grew up on. It’s some hybrid of kind of those three generations of influence.” Check it out: “Get It On” Bones Owens Announces Forthcoming Record Now, Bones is entering a new chapter of music. He still considers it to fall more in the rock than country category, but still leans into elements of alternative music, giving a slight nod to artists like The Strokes or The Black Keys based on the sound. “Even when I’m influenced by something, it’s not really going to sound like that. I’m not trying to duplicate anything that’s been done. But it’s always going to be my own take on it.” That statement rings true on the lead single “Old Time Low,” from his newly announced record Best Western, which is slated for a September 19th release. View this post on Instagram A post shared by BONES OWENS (@bonesowens) “Old Time Low” is a strong lead single for Best Western, showcasing the softer side of Bones Owens, which he notes will be a common thread throughout the album. He shared that this record feels the “southern blues feels less up front” on this album and that he moved away from the “big riff heavy” sound. “This is a little departure from that. I’m excited to see what people think about it. I’m happy with it.”  Bones approached the creation of this record differently than in the past; he didn’t want to dig through his archives or listen to old demos. He wanted the album to be all fresh new songs, and it was his goal to write enough songs that he liked in the three months coming off a tour with Blackberry Smoke before his studio time was booked to do that task. “I didn’t make it too hard on myself, but just hard enough to get through it. It’s all brand new songs, all stuff I’ve written in the past half of the year. It just feels fresh to me.”  The album’s title came about as he began to write for Best Western while staying at Best Western in Georgia, while working on a film project. The location featured a half-modern, half-motel layout. The nostalgia of a roadside motel got the creative juices flowing, and he began to geotag all his ideas as “Best Western 1,” “Best Western 2,” etc. He read me an excerpt he wrote about Best Western’s theme and how these roadside motels represent the gritty way of life, which Bones notes he’s always been drawn to. “Roadside motels are largely a thing of the past. You stayed at them when you were on the move between places. ‘Best Western’ harkens back to a time gone by, giving nods to things that have come before and also appears during a time in my life and career that feels in between places. Roadside motels today feel seedy, a place the majority of society shies away from. A world for hustlers, addicts, and those on the fringe of society. One of the final vestiges of the Wild West.” Bones produced it himself for the first time, recording the album at Paul Moak’s The Smoakstack in the heart of Nashville’s Berry Hill district. He impressively played nearly all the instruments in the studio as well. “I’m just kind of nuts like that, I guess.” Bones shared that he creates many of his albums alone, noting that only three tracks on the 15-track record are co-written with other people. He shared that he does a lot of the creative heavy lifting for his records at his home, where he also cuts the demos, often getting attached to the sound that he curates on the demos. Because he knows how he wants the melody and instrumentals to sound, he felt like he could do it all, following in the footsteps of Dave Grohl, who had also played all the instruments on the Foo Fighters’ first album. However, Bones admits that he needed help with the percussion of it all. “That’s the thing I can’t do. I can’t play drums worth s**t. No one wants to hear that. So, I brought my buddy Julian [Dorio], who used to play live with me. He’s played on most of my records. He tours now, not with me but Stephen Wilson Jr. So he’s staying busy doing that, but timing worked out cool for him to come in and play drums on this record.”  Bones Owens’ footprint is in this record through every aspect, making it uniquely his and highlighting him as a dynamic artist. Living For The Live Show While Bones loves that fans are getting to stream “Old Time Low” and will soon have more new songs to listen to, the live performances truly bring him joy. “The main response that I obviously kind of hope for is that it sounds like something you’ll go see in person, you know, and come experience a show. That’s kind of the main reason for making the records. It’s cool that records live forever, and that’s kind of exciting and scary at the same time, but really, I live for the live show part of it. And so I think the records to me are kind of a tool to get people to come out to the show.” Speaking of shows, Bones has a busy tour schedule for the summer, including returning to the famed festival Under The Big Sky in Whitefish, Montana, which Bones raved about during our conversation. “It’s a beautiful backdrop for a festival.”  Bones played at Under The Big Sky during their inaugural year and praised Outrider Presents for having a smooth experience for artists and guests during the first year, which we all know is impressive. “They’ve got a cool little supportive community up there. They are going out of their way to bring good music to kind of the middle of nowhere… It’s just a beautiful area. It’s a killer lineup this year, as always.”  Bones shared that any festivalgoers who might stop by his set should be prepared for him to be loud and to have a rocking time. “Bring earplugs. It’s going to be loud, and I’m not going to turn it down. I do, maybe to a fault, especially if I have an outdoor stage like that, I pride myself on being as loud as I can. I don’t know how to prepare anyone for it, except it may or may not be the most rock and roll set on the festival for the year.”  That sounds like my kind of scene. Bones also shared that he and the band are beginning to practice the new tunes and plan on performing a few of the songs from Best Western on stage. “Maybe even a little teaser of a song or two that hasn’t come out yet.”  If you’re headed to Whitefish later this summer, Bones Owens needs to be on your list of artists to see. I can’t wait to see what’s in store for the rest of Best Western.The post Bones Owens Announces Self-Produced Record ‘Best Western,’ Releases Rocking Lead Single “Old Time Low” first appeared on Whiskey Riff.
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Country Roundup
Country Roundup
1 w

Dolly Parton Announces Las Vegas Residency, ‘Dolly Parton: Live In Las Vegas’ – “Grab Your Rhinestones, Vegas Is Calling!”
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Dolly Parton Announces Las Vegas Residency, ‘Dolly Parton: Live In Las Vegas’ – “Grab Your Rhinestones, Vegas Is Calling!”

The “Backwoods Barbie” is headed to Las Vegas! Dolly Parton is slated to take the stage in Las Vegas later this year, announcing a six-show residency at The Colosseum in Caesar’s Palace. This morning, Parton took to her social media channels to share the exciting news: “Grab your rhinestones, Vegas is calling! I’m taking over The Colosseum at Caesars Palace with Dolly: Live in Las Vegas, a limited-run engagement from December 4-13. Tickets go on sale this Wednesday, June 25th, at 10 am PT!” Grab your rhinestones, Vegas is calling! I’m taking over The Colosseum at Caesars Palace with Dolly: Live in Las Vegas, a limited-run engagement from December 4-13. Tickets go on sale this Wednesday, June 25th at 10 am PT! https://t.co/fR2lVaG9B0 pic.twitter.com/6R0UE9mFIG — Dolly Parton (@DollyParton) June 23, 2025 Shows will take place on December 4,6,7,10,12, and 13th. While no more information about special or fan club presales has been announced, it is promised that VIP ticket packages will be available for fans wanting to go the extra mile. The announcement teased that “offers may include a personal photo op with Dolly herself, an onstage tour, access to Dolly’s Rhinestone Lounge, a deluxe gift set and more.” This short and sweet residency announcement is a massive move for Parton, who has not been on a tour since her Pure & Simple tour, which concluded in 2016. While she’s performed a few shows here and there, this will be her first string of shows put together since then. This will also be the first tour that Parton will embark on since the death of her husband, Carl Dean. While many fans expected her to mourn for a long time, given how long they were together, Parton shared that Carl would have wanted her to keep working, so she’s honoring him by maintaining business as usual. “He would expect me to be workin’ today, so I expect to be workin’… Of course, I will always love him, and I’ll miss him.” Dolly: Live in Las Vegas is being marketed as a “hit-driven concert event,” so fans don’t have to worry about not hearing the classics like “Jolene” or “9 to 5.” “To say I’m excited would be an understatement. I haven’t worked Vegas in years, and I’ve always loved singing there. I’m looking so forward to the shows in The Colosseum at Caesars and I hope you are as well. See you there.” This is not Parton’s first residency in Sin City. She had a massive run at Las Vegas’ Mirage from 1990 to 1993. During that time, the Tennessee native performed nearly 50 shows. Tickets for these six shows will sell out quickly, so be sure you’re locked in and ready to snag them when the presale begins on June 25th at 10 am PT. Dolly Parton live is not something you’ll want to miss, and given the limited number of shows she performs as is, this series of performances is sure to be extraordinary.  Before you go, fire up Dolly Parton’s most recent collaboration with Mötley Crüe. The post Dolly Parton Announces Las Vegas Residency, ‘Dolly Parton: Live In Las Vegas’ – “Grab Your Rhinestones, Vegas Is Calling!” first appeared on Whiskey Riff.
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Conservative Voices
Conservative Voices
1 w

Trump hints at regime change in Iran as US braces for retaliation: 'MIGA!'
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Trump hints at regime change in Iran as US braces for retaliation: 'MIGA!'

Trump hints at regime change in Iran as US braces for retaliation: 'MIGA!'Follow NewsClips channel at Brighteon.com for more updatesSubscribe to Brighteon newsletter to get the latest news and more featured videos:https://support.brighteon.com/Subscribe.html
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Conservative Voices
Conservative Voices
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Trump Risks a Strategic Misfire in Iran
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Trump Risks a Strategic Misfire in Iran

Foreign Affairs Trump Risks a Strategic Misfire in Iran The administration can step back from escalation before it’s too late. Credit: Matan Golan/Getty Images The United States is barreling toward full-scale war with Iran. Trump’s decision to join Israel’s war against Iran by striking Iranian nuclear facilities in Natanz, Fordow, and Isfahan risks derailing any chance at a diplomatic resolution to Iran’s nuclear program and initiating region-wide war—with the United States leading the charge. Pressure on Trump for further strikes are likely to increase as a result of Iranian retaliation and efforts by hawks in Washington and Israel to push the president toward embracing regime-change in Tehran.  Further escalation should be avoided at all costs. Continuing down this path is not America First. It is America Last. Trump’s current strategy is detached from its ostensible political aims. It places the United States on the path to war, not peace. To avert another catastrophe in the Middle East, Trump should prepare for Iranian retaliation while dismissing further U.S. military action, end American support for Israel’s open-ended offensive against Iran, and pivot immediately toward trying to revive negotiations with Tehran. Prior to Israel initiating this war, the United States and Iran were engaged in negotiations attempting to resolve the nuclear issue through diplomacy. Trump withstood Israeli pressure for military strikes on Iran, instead proceeding with negotiations. But Trump caved to pressure from Israel and hawks in Washington, first greenlighting Israel’s attacks on Iran and then joining the war by authorizing strikes on three Iranian nuclear facilities. Leading up to the strikes, Trump repeatedly insisted Iran was only weeks—at most, months—away from a nuclear weapon. This is despite confirmation by U.S. intelligence that Iran is not currently developing a nuclear weapon, and their rejection of Israeli claims to the contrary leading up to Israel’s attacks. Trump said the American attacks “completely and totally obliterated” Iran’s primary enrichment sites. He also claimed these strikes were a one-and-done operation and not aimed at regime change, but then coupled this with a social media post saying, “If the current Iranian regime is unable to make Iran great again, why wouldn’t there be a regime change?” Trump threatened more strikes if Iran does not “make peace.” But Trump’s plan is unlikely to accomplish its stated aims.  Though the extent of the damage on the targeted facilities is still being assessed, it appears the strikes did not significantly damage either meaningful elements of Iran’s nuclear materials or its production infrastructure. Permanently crippling Iranian nuclear facilities is not a one-and-done operation—destroying them would require multiple waves of attack, meaning an open-ended U.S. military operation over Iranian airspace. While strikes on individual facilities can set back the program, they cannot permanently eliminate it; the program is widely dispersed across a plethora of known—and likely unknown—facilities. In fact, several reports suggest Trump gave Iran advance notice and most of the enriched uranium stockpiled at these facilities was evacuated prior to the strikes. American officials admitted after the attacks they don’t know the whereabouts of Iran’s uranium stockpiles. Additionally, the research and development advancements Iran has made since Trump scrapped the Joint Comprehensive Plan of Action (JCPOA) cannot be bombed away. If Trump’s goal was destroying Iran’s nuclear program to the point it cannot be rebuilt, these strikes did not accomplish that.  Nor are these strikes likely to force Iran back to the negotiating table or capitulate on key demands such as domestic enrichment. Even if a diplomatic offramp still exists and can be seized, Iran will almost certainly not back down from its demands in negotiations. Increased pressure from the U.S. has historically hardened Tehran’s position while undermining more moderate voices. Sensing that regime change could be on the horizon, Tehran could in fact view a nuclear weapon as a necessary deterrent. If Trump’s goal was to make Iran yield in negotiations, his strikes have likely made that more difficult.  Two other factors will be critical to how this conflict develops: how Iran responds and how Israel proceeds.  In the best-case scenario, Tehran responds with symbolic military action similar to what it did following the U.S. assassination of Qasem Soleimani in 2020. Iran has not rejected a return to negotiations outright. In the worst-case scenario, Iran responds through meaningful force against American interests, prompting a forceful U.S. response in turn. Iran and its partners may target American troops currently scattered across 63 bases spanning the Middle East, or Iran could retaliate by targeting maritime traffic through the Strait of Hormuz—scenarios that could quickly spiral out of control. Escalation of this sort would increase pressure on Trump for a military response and probably be a death knell for diplomacy.  Washington ceding the initiative to Netanyahu also risks steering Trump in a direction anathema to U.S. interests. Israel’s attacks were not about preempting an imminent threat, but rather a deliberate attempt to sabotage ongoing American diplomacy with Iran. For Netanyahu, the main problem is the Iranian regime. For him, any nuclear deal with Tehran is viewed as a form of appeasement and must be opposed because it would block the path to regime-change. Netanyahu launched his attack under the dubious pretext of preventing Iran from developing a nuclear weapon—a narrative Trump has now embraced to justify strikes. But the breadth of Israel’s attack shows this extends far beyond the nuclear issue. Instead, it was an opening salvo to a conflict Netanyahu hopes will result in U.S.-led regime change—something the prime minister has lobbied Washington to pursue for almost three decades. Trump’s current strategy neglects Netanyahu’s incentive to further escalate the war and draw the United States deeper into the conflict. Convincing Trump to strike Iranian nuclear facilities was his way to drag the U.S. into the war as an active participant.  The United States has no strategic interest in facilitating Israel’s war with Iran or in going to war with the Islamic Republic. Though the U.S. military is already assisting Israel in intercepting drones and missiles fired from Iran, the longer Israel’s military campaign continues, the more likely an expansion of the war or rising costs for Israel will force the United States to increase its involvement. War between the United States and Iran would be disastrous for American interests and for the Middle East. Iran’s defense doctrine is centered on bogging down would-be invaders in a prolonged war of attrition. This would result in heavy U.S. casualties while draining the United States of critical resources at a time when it is increasingly overextended abroad. For the Middle East, such a war would devour the region, destabilizing it politically, economically, and militarily. The profound human and material costs would plague the Middle East for generations to come. It doesn’t have to be this way. The position the United States finds itself in is courtesy of an American Middle East policy that has spun out of control. Decades of deep American engagement in the region and status quo thinking has produced one disaster after another. The problem begins in Washington—specifically, a bipartisan inability to recognize that the problems we face in the Middle East are a product of our own presence, partners, and policies in the region.  Washington is on a path to repeat these failures once again.  The post Trump Risks a Strategic Misfire in Iran appeared first on The American Conservative.
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Fun Facts And Interesting Bits
Fun Facts And Interesting Bits
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Can You Identify the President Based on Their Facial Hair?
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Can You Identify the President Based on Their Facial Hair?

Figure out which historically hirsute president is which.
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