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Alexander Rogge
Alexander Rogge
2 w

The Northern Virginia Astronomy Club hosted a well-attended observing night at C.M. Crockett Park in Midland, Virginia on Saturday under clear skies revealing many deep-sky objects, the planet Saturn, and the Milky Way appearing as a colorful haze directly overhead as the First Quarter Moon dipped below the horizon. #novac #crockettpark #midland #virginia #underneaththestars #nightsky #astronomy

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Alexander Rogge
Alexander Rogge
2 w

The Northern Virginia Astronomy Club hosted a well-attended observing night at C.M. Crockett Park in Midland, Virginia on Saturday under clear skies revealing many deep-sky objects, the planet Saturn, and the Milky Way appearing as a colorful haze directly overhead as the First Quarter Moon dipped below the horizon. #novac #crockettpark #midland #virginia #underneaththestars #nightsky #astronomy

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Alexander Rogge
Alexander Rogge
2 w

The Northern Virginia Astronomy Club hosted a well-attended observing night at C.M. Crockett Park in Midland, Virginia on Saturday under clear skies revealing many deep-sky objects, the planet Saturn, and the Milky Way appearing as a colorful haze directly overhead as the First Quarter Moon dipped below the horizon. #novac #crockettpark #midland #virginia #underneaththestars #nightsky #astronomy

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Alexander Rogge
Alexander Rogge
2 w

The Northern Virginia Astronomy Club hosted a well-attended observing night at C.M. Crockett Park in Midland, Virginia on Saturday under clear skies revealing many deep-sky objects, the planet Saturn, and the Milky Way appearing as a colorful haze directly overhead as the First Quarter Moon dipped below the horizon. #novac #crockettpark #midland #virginia #underneaththestars #nightsky #astronomy

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Alexander Rogge
Alexander Rogge
2 w

The Northern Virginia Astronomy Club hosted a well-attended observing night at C.M. Crockett Park in Midland, Virginia on Saturday under clear skies revealing many deep-sky objects, the planet Saturn, and the Milky Way appearing as a colorful haze directly overhead as the First Quarter Moon dipped below the horizon. #novac #crockettpark #midland #virginia #underneaththestars #nightsky #astronomy

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Nostalgia Machine
Nostalgia Machine
2 w

Julius Klinger: Poster Art In Vienna, 1923
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flashbak.com

Julius Klinger: Poster Art In Vienna, 1923

These designs appear in Poster Art in Vienna (1923), an introduction to work of Julius Klinger artists and Klinger (22 May 1876 – 1942) himself to an American audience. Klinger work balances intricate detail and negative space, geometric pattern and gestural line, showcasing his control. As befitting a commercial artist, his work conveys a message and is not obsessed with artistic expression.   Hollerbaum & Schmidt (Printing company advertising poster from Poster Art in Vienna by Julius Klinger, 1909   Julius Klinger biograpahy Julius Klinger was born in Dornbach near Vienna, Austria. In 1895, while working for Wiener Mode magazine he met artist and founder of the Vienna Secession, Koloman Moser, who would become his teacher. Moser’s influence can be seen in Klinger’s early illustrations and poster designs, with their flat spans of pattern and colour, decorative borders and frames. On a recommendation from Moser, in 1896 Klinger took a position at German art and satirical magazine Meggendorfer-Blätter. From 1897 to 1902 he was a collaborator on Die Jugend.   Rasierklingen M. E. Mayer Wien (Razor blade company advertising poster), 1922 In 1897 he relocated to Berlin, where he worked extensively as a commercial graphic artist until 1915. Together with the printing house Hollerbaum und Schmidt, he developed a new style of functional poster design that gained him international recognition. In 1918, he began a long collaboration with Tabu, cresting adverts for the company’s cigarette rolling paper. Klinger created everything from newspaper advertisement to billboards, painted firewalls and fences around construction sites.     As a Jew, Klinger was persecuted by the Nazis. Viennese police records says that he and his wife Emilie were forcibly ‘Moved to Minsk’ on 2 June 1942. Many Viennese Jews were murdered at the Maly Trostenets extermination camp near Minsk. Julius Klinger was never seen again.   Hellex Trademark 1923 (image from Poster Art in Vienna, c. 1923 by Julius Klinger   For those of you interested in the balance between aesthetic expression and commercial art, Roberto Rosenman notes how Klinger confronted the fragmentation of art institutions into small artist groups in Fin de Siècle Austria and Germany (the Vienna, Berlin, and Munich Secessions) reflected a growing divide between the art and business community. In a response to Benno Jaroslav’s 1912 book Ideal and Seschäft (The Ideal and Business), Klinger criticised the excessive aestheticising of commercial art: “We want to produce our work well and with purpose so that it not only unburdens our conscience but also fulfils its intended function as a part of life. … The success of our effort will result from a slow and laborious evolution. That is our hope. Today, the businessman approaches says, present us with his wishes, and we are forced to submit to them. He frequently ignores your considerations and scruples, which results in work that does not satisfy us but to which we must sign our names. Nonetheless, I think there is no harm if our aesthetic sensibilities are occasionally slighted, since these matters are, after all, not so important that we should refuse to make any concessions. As long as we attempt to steadily develop and improve our work, we are doing our duty. If some misstep provides a potential target to unworldly aesthetes, it does us no damage. Slowly, the business world will understand that we are right about these things, just as we have recognized that the business world was right to curtail are excessively aesthetic ambitions…We are now experiencing a reaction to the excessive overrating of the decorative arts that occur 10 years ago.” Buy Julius Klinger designs in the Flashbak shop.   Oberösterreichische Wasserkraft-Elektrizitäts-AG by Julius Klinger, 1922 CHWALA DRUCK, Wien (Printing company advertising poster 1923, image from Poster Art in Vienna, by Julius Klinger, 1923 Parfümerie. S. Pessel Wien (Perfume company advertising poster 1923, image from Poster Art in Vienna Wiener Lombard und Eskompte Bank 1922 (image from Poster Art in Vienna, c. 1923 Druckerei Weiner, Wien (Printing company advertising poster 1919, image from Poster Art in Vienna   Buy Julius Klinger designs in the Flashbak shop. The post Julius Klinger: Poster Art In Vienna, 1923 appeared first on Flashbak.
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Classic Rock Lovers
Classic Rock Lovers  
2 w

‘Highway Star’: The Deep Purple song that started speed metal
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‘Highway Star’: The Deep Purple song that started speed metal

A hard rock classic. The post ‘Highway Star’: The Deep Purple song that started speed metal first appeared on Far Out Magazine.
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Intel Uncensored
Intel Uncensored
2 w

The Shakespeare Deception Part 4
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The Shakespeare Deception Part 4

The Shakespeare canon was created by Edward de Vere.  De Vere likely collaborated with other court poets, possibly including Christopher Marlowe. After de Vere’s death, literary insiders like Francis Bacon and Ben […] The post The Shakespeare Deception Part 4 first appeared on The Expose.
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Intel Uncensored
Intel Uncensored
2 w

Stats Show SHOCKING Surge In ATTACKS On Churches In America
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Stats Show SHOCKING Surge In ATTACKS On Churches In America

by Paul Joseph Watson, Modernity News: Disturbing In 2024, the United States witnessed a significant uptick in acts of hostility targeting churches, with a total of 436 documented incidents—a sharp increase from 315 in 2023 and nearly double the 230 reported in 2022. This data, compiled by the Family Research Council (FRC), highlights a troubling […]
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History Traveler
History Traveler
2 w

Polybius, the Ancient Historian Who Documented the Rise of Rome
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Polybius, the Ancient Historian Who Documented the Rise of Rome

  Polybius studied Roman history to develop a theory of government that could explain the rise of Rome. He sought to explain how the Roman Republic came to dominate the known world in only 53 years, from the eve of the Second Punic War in 220 BCE to the end of the Third Macedonian War in 168 BCE. He later extended The Histories to the year 146 BCE. The Histories originally contained 40 books, but only the first five survive in full, along with excerpts of many of the rest.   Who Was Polybius? Photograph of the Mediterranean from Byrsa Hill, site of the last stand by the Carthaginians in 146 BCE, by author, 2005   Polybius was born circa 200 BCE in Megalopolis, Greece. He was the son of Lycortas, an important official in a confederation of Greek cities in the Peloponnese known as the Achaean League. Polybius himself later rose to prominence in the league. In 168 BCE, Rome brought the Third Macedonian War to a decisive conclusion by ending Macedonian rule at the Battle of Pydna. Rome then demanded 1,000 hostages from the Achaean League to ensure the league’s compliance with Rome’s new order in Greece. In 168-167 BCE, Rome took Polybius and the other hostages to Italy.   After arriving in Rome Polybius met many of Rome’s elites. He worked under the patronage of the general who had just defeated Macedonia, Lucius Aemilius Paullus. Polybius also befriended and tutored Paullus’s son Scipio Aemilianus. During this time Polybius began to develop his theories of history and government that would form the foundation of The Histories. He also undertook voyages of diplomacy and exploration for his patrons. When Scipio Aemilianus destroyed Carthage in 146 BCE, Polybius was at his side while Scipio wept over the city’s fate.   Who Did Polybius Write For? Scipio mourns Carthage accompanied by Polybius, by Ludwig Gottlieb Portman, 1797. Source: Wikimedia Commons   Polybius desired to portray the history of Rome and its rise to power in a way that met with the approval of his Roman patrons. This context should be considered when reading The Histories. However, Polybius did not write The Histories solely to please the Romans. In his own words, Polybius stated that his work is a universal history. By universal, he meant that he intended his work to encompass the entire known world. In his view, history was to be considered as a singular whole encompassing all the disparate peoples that inhabited the known world. Polybius placed the history of Rome within this framework, investigating the interactions of the Roman people with these other peoples. Polybius then examined the characteristics of the Roman people to explain the dominant position of Rome that he witnessed in his own lifetime.   Polybius also desired to explain Roman history to his Greek compatriots:   “As neither the former power nor the earlier history of Rome and Carthage is familiar to most of us Greeks, I thought it necessary to prefix this Book and the next to the actual history, in order that no one after becoming engrossed in the narrative proper may find himself at a loss, and ask by what counsel and trusting to what power and resources the Romans embarked on that enterprise which has made them lords over land and sea in our part of the world.” (Polybius, The Histories I.3)   Polybius endeavored to write a history favorable to his Roman patrons, but they were not his only audience. His work was a universal and instructive history for his fellow Greeks, indeed anyone inquisitive enough to ask how the world of his time came to be (Polybius, The Histories I.3).   What Did Polybius Write About? Expansion of Rome, 2nd century BCE. Source: United States Military Academy, West Point   Polybius developed a theory of systems of government that was rooted in his observations of history. He applied this theory to the Roman constitution to classify exactly what type of government Rome had and how it had allowed Rome to become so successful. In his view, the Roman constitution was a product of natural forces and fortune. Polybius did not simply attribute the rise of Rome to good luck though. For Polybius, “fortune raises up only those who are worthy” (Linderski, 1992, Polybius, para. 1). Polybius believed that the virtues of the Roman constitution ensured that the republic was worthy of the position that fortune had bestowed upon it in the 2nd century BCE.   Polybius attributed Rome’s dominance not only to its political development but to its military prowess as well. Polybius devotes much of Book VI of The Histories to a discussion of Roman military organization, logistics, and methods of encampment. Polybius was especially qualified to discuss military matters. He had risen to the rank of cavalry commander (Hipparchus) in the Achaean League before being taken captive to Rome.   Polybius was equally qualified to expound upon political matters. He was an experienced diplomat and politician. His travels provided him with an extensive knowledge of geography and gave him first-hand knowledge of the peoples and places he wrote about. He was also well-read in literature, philosophy, and the works of the historians that preceded him. For these reasons, his theory of systems of government in Book VI is possibly the most well-known part of The Histories.   Polybius and the Types of Government Photograph of Aristotle bust. Source: Catholic University of Leuven   Chapter four of Book VI of The Histories is often titled Systems of Government or the Rotation of Polities in English translations. This chapter is much more than just a simple catalog of the types of government that had arisen throughout the known world. Polybius defines the types of government that have existed throughout history and relates them through a natural progression as one type evolves into the next in a continuous cycle.   Polybius starts by listing three basic types of government: kingship, aristocracy, and democracy. Polybius was clearly influenced by Aristotle (see Politics Book V), who in turn had been influenced by Plato. Polybius goes a step further however and declares that there are in fact six types of government, organized into three pairs: kingship and tyranny, aristocracy and oligarchy, and democracy and mob rule. The first member of each pair is the original and good form of its respective type of government while the second member of each pair is its congenital and degenerate counterpart.   Polybius believed that kingship arose naturally from a society’s need for government. Kingship eventually degenerated into tyranny. Tyranny gave way to aristocracy—rule by a select group of the wisest and ablest men who would arise to end the depredations of tyranny. Aristocracy then became perverted into oligarchy. Polybius believed that the people would then rise up to avenge the unjust acts of the oligarchs and form a democracy. Over time democracy would then degenerate into mob rule. A strong leader would then emerge to put an end to the chaos, becoming king and starting the cycle over again.   Polybius and the Roman Constitution The Curia Julia, the Senate House built 44-29 BCE that replaced the earlier curiae. Source: Wikimedia Commons   Polybius characterized the Roman constitution as a mixed form of government. It contained aspects of each of his three basic types: kingship, aristocracy, and democracy. In his view, this was its chief virtue, for no one aspect of the constitution could become preeminent and each part depended on the others to carry out its functions. In other words, Rome’s mixed constitution provided a system of checks and balances. This meant that Rome had the best form of government in the known world, which is why it had achieved dominion over it.   According to Polybius, the consuls represented the kingship aspect of the Roman constitution. Their authority over all other government offices (with some limitations imposed by the veto power of the tribunes) and their almost unlimited military authority gave them powers similar to kings. The Senate represented the aristocracy. This body of elites had control over the treasury, public buildings, and foreign policy. The powers not held by the consuls or the Senate were left to the people, who represented democracy. Their powers included deciding rewards and punishments for officeholders, rendering verdicts for capital charges, and approving legislation, treaties, and declarations of war.   This description of the Roman constitution would have been agreeable to the Roman mindset. Polybius argued that the rotation of polities was a natural course of events, exemplified more clearly by Rome than any other state. In the eyes of his Roman audience, Polybius legitimized the Roman system of government by portraying it as the product of natural causes, destined to arise, destined to rule. In addition, the Romans would have keenly observed that the kingship-tyranny form as described by Polybius had indeed arisen early in Rome’s history and was then subsequently overthrown.   Polybius as a Historian Polybius, gypsum model. Source: Wikimedia Commons   Modern historians occasionally criticize Polybius for being too overly reliant on Aristotle’s political model and on Greek philosophy in general. Modern historians also sometimes argue that Polybius had too simplistic an understanding of the organs of Roman government. However, Polybius explicitly states that he deliberately omitted certain details of the Roman constitution that he felt were not important to his account. Additionally, the fact that much of The Histories is no longer extant, including portions of Book VI, presents some difficulties in criticizing Polybius on this point. In any case, there is little debate that Polybius made several important innovations in the practice of political history. He expanded on and clarified the categories of government. He applied his theories to a concrete example in the form of the Roman constitution rather than leaving them as abstractions.   Despite these criticisms and despite his clear admiration for the Roman constitution, historians do not dismiss The Histories as mere Roman propaganda. Polybius is generally regarded as a careful and rational scholar who strove for accuracy and detail. Rather than write simple narratives, he explained the purpose of writing history, investigated causes and effects, and elucidated the principles of statecraft. Perhaps even more significantly, an empirical study of the history of the Roman Republic confirms the accuracy of many of his observations.   Bibliography   Aristotle, Politics   Bury, J. B. (2006), The ancient Greek historians. Barnes and Noble Publishing, (Original work published 1909)   Linderski, J. (1992), Polybius, In Academic American Encyclopedia, Grolier   Plato, Republic   Polybius, The histories   Walbank, F. W. (1964), Polybius and the Roman state. Greek, Roman, and Byzantine Studies, 5(4), 239-260, https://grbs.library.duke.edu/index.php/grbs/article/view/11811
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