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Russian President Vladimir Putin has just unveiled a weapon so formidable it threatens to make the concept of “mutually assured destruction” feel obsolete, leaving military strategists and average citizens alike to wonder: what happens when the next arms race isn’t about missiles, but man-made tsunamis? Putin’s Nuclear Sea Monster: A New Breed of Deterrence Putin’s confirmation of the Poseidon test comes not as a rogue flex, but as an emphatic statement amid failed peace talks and escalating rhetoric between Moscow and Washington. The Poseidon—a 20-meter, 100-ton, nuclear-powered underwater drone—can reportedly reach speeds of 125 miles per hour and dive to depths of 1,000 meters. Russian claims suggest that not only is Poseidon undetectable by modern sonar, but its nuclear propulsion also allows it to operate at almost limitless range beneath the waves, bypassing every known anti-submarine defense. https://twitter.com/Alex_Oloyede2/status/1983565858724003845 The Kremlin’s narrative frames the Poseidon as a technological triumph: “When it comes to speed and depth, there is nothing comparable to this unmanned vehicle anywhere in the world, and it is unlikely to appear anytime soon,” Putin declared after the test. He emphasized that Poseidon’s power “significantly exceeds the power of even our most promising Sarmat intercontinental range missile.” Western intelligence has largely corroborated these performance claims, with analysts noting the drone’s ability to both sprint rapidly and “loiter” so slowly as to become nearly invisible underwater. Weaponized Tsunamis and the Specter of Radioactive Coasts Poseidon’s purpose goes far beyond mere showmanship. Western reports describe its core mission: to circumvent US missile defense systems and deliver “catastrophic radioactive tidal waves against coastal targets.” The warhead, speculated to be a cobalt bomb, is designed not just for explosive devastation but for long-term environmental ruin. NukeMap modeling cited by national security experts suggests a Poseidon detonation could render areas 1,700 by 300 kilometers uninhabitable, poisoning entire coastlines with radioactive fallout while unleashing a “nuclear tsunami” to obliterate urban centers. https://twitter.com/rawsalerts/status/1983543626253905969 For the United States, Poseidon’s greatest threat isn’t the explosion itself, but the strategic calculus it shatters. Existing missile shields, built in the wake of the US withdrawal from the 1972 ABM Treaty, are powerless against a weapon that rides beneath the ocean instead of through the sky. The scenario conjured is one of a silent, unstoppable approach—no warning sirens, no interceptors—only the potential for an apocalyptic surprise attack that makes Cold War-era fears of nuclear winter appear almost quaint. Psychological Warfare and the Timing Behind the Test The Poseidon’s unveiling is as much a psychological gambit as a military breakthrough. The timing is pointed: US-Russia relations have reached their frostiest since the Cold War, with talks in Alaska collapsing and a planned summit in Budapest indefinitely shelved. The Kremlin’s message is clear—Russia is not merely keeping pace in the arms race, but redefining the terms entirely. By introducing a weapon designed to terrify rather than simply to destroy, Putin is betting on fear as a force multiplier, hoping to stall Western resolve or force concessions at the bargaining table. Western analysts acknowledge Poseidon’s role as both a deterrent and an instrument of intimidation. Its very existence introduces uncertainties that military planners struggle to address, from the technical impossibility of interception to the environmental fallout that could endure for generations. The specter of a “nuclear super tornado”—a phrase that once seemed like pulp fiction—now hovers over national security briefings on both sides of the Atlantic. The New Face of Strategic Terror: What Next? The Poseidon’s test marks a pivotal moment in global security. Arms races have always relied on the logic of escalation and countermeasure; here, Russia claims to have built a weapon without a countermeasure. The open question is not only how the West will respond, but whether the world’s major powers can establish new rules before this Pandora’s box is opened further. For now, the Poseidon lurks beneath the surface—both literally and figuratively—leaving a world already riven by uncertainty to ponder what the next tidal wave might bring. https://twitter.com/RealLTCRicBosi/status/1950429623449505950 Putin’s nuclear sea monster is no longer science fiction. It is a strategic reality, forcing America and its allies to rethink what it means to be secure in an era when a city’s fate could hinge on a silent machine gliding unseen through the depths. Sources: ZeroHedge: Putin Hails Test Of Nuclear Super Torpedo Capable Of Unleashing ‘Radioactive Tidal Waves’ Newsweek: Russia Tests Poseidon Nuclear Torpedo RT: Poseidon Underwater Test Putin

When Chris Kolstand, owner of Pizza Man in Columbia Heights, Minnesota, saw people eating from his restaurant’s trash, he knew he had to do something. He didn’t want people who couldn’t afford food to survive on other people’s scraps, so he made a plan. Chris posted a handwritten note on the restaurant’s door telling people not to eat the garbage, but to come inside for a fresh slice of pizza and a glass of water. His note made its way to Instagram, where it touched many hearts. “Shout out to Chris for supporting them and making sure they’re getting something warm to eat,” Your Positive News shared on Instagram. “When Chris Kolstad, owner of a Minnesota pizza shop, noticed people going through his dumpster for leftovers, he didn’t look away, he left a note. It read: ‘Just come in and get a couple slices. No questions asked.’” View this post on Instagram A post shared by Your Positive News (@yourpositivenews) Chris Kolstad Has A Very Big Heart Chris Kolstand couldn’t stand the thought of others suffering when he could help. “That small act of kindness quickly turned into something bigger, with locals donating money to help. Now, he’s simply making sure no one in his neighborhood has to go hungry,” the Instagram post concluded. People loved Chris Kolstad’s kindness in action. “We should share food and pay food forward,” one person wrote. This person saw a direct connection to prayer and service. “You pray for the hungry. Then you feed them. This is how prayer works,” they wrote. Others became very emotional. “This makes me tear up. Thank your for your kindness – that is rare in this day and age,” someone wrote. “This really chocked me up, Let kindness reign, when there’s so much hatred in this country,” another agreed. Chris Kolstad gave a lot of hope. “We’re gunna be okay. This is the force that will defeat evil. Keep doing this,” a comment reads. This story’s featured image can be found here. The post Pizza Man Shares Touching Note For People Eating From His Restaurant’s Trash appeared first on InspireMore.

The Airborne Toxic Event began as the creative vision of Mikel Jollett, a writer and musician from Los Angeles, California, who transformed personal hardship and literary inspiration into one of the most distinctive alternative rock projects of the late 2000s and 2010s. The band formed in 2006 after Jollett, then working as a novelist, decided to channel his storytelling instincts into songwriting following a difficult period in his life. He was joined by guitarist Steven Chen, bassist Noah Harmon, drummer Daren Taylor, and classically trained violinist and keyboardist Anna Bulbrook. Their combination of traditional rock instrumentation with orchestral textures quickly The post Complete List Of The Airborne Toxic Event Songs From A to Z appeared first on ClassicRockHistory.com.

The Top 10 Alice Cooper Songs list aims to encompass as much of Alice Cooper’s extensive career as possible, without omitting some of his most significant contributions to rock and roll music culture. And yes, culture is a significant term, as the image and showmanship of the artist known as Alice Cooper greatly enriched the legacy he has continued to maintain in the world of rock and roll. Since the early days of the Alice Cooper band in the late late 1960’s, through the 1970s glory years of  Kiss, Led Zeppelin, Black Sabbath, and into the big hair days of The post Top 10 Alice Cooper Songs appeared first on ClassicRockHistory.com.

Having crested 30 days of government shutdown, a Portland coffee shop has stepped up to channel donations towards supporting those in need. With Americans’ Supplemental Nutrition Assistance Program (SNAP) benefits lagging, Heretic Coffee Shop, which itself operates on a not-for-profit base, has raised $87,000 to replace that welfare. With a model of selling coffee to […] The post Portland Coffee Shop Raises Over $87,000 to Feed People Losing Benefits as Government Shuts Down appeared first on Good News Network.

The silliest Trump scandal imaginable is the forthcoming White House ballroom, funded entirely by private donations. If everything is a scandal, is nothing a scandal? Anything that feeds President Donald Trump’s ego must be denounced, no matter how much it serves a larger public purpose. Washington Post art critic Philip Kennicott uncorked a typical piece of anti-Trump agita on Oct. 24, headlined: “Why the demolition of the East Wing is so shocking: The speed of destruction, and the projection of power, are part of the strongman playbook.” Journalists find fascist parallels in seemingly everything Trump touches. Kennicott wrote that images of leaders looking over architectural plans is a trope of “political iconography” by elected leaders. But he found an echo in an expert: “Columbia University professor Barry Bergdoll pointed out in a speech at the National Building Museum on Wednesday, the public display of the architectural model has a darker history in fascist and totalitarian politics, as well.” The funniest part was Kennicott insisting this needed an elaborate review process, “balancing opposing worldviews, forging compromise, incorporating a wide range of perspectives and insight.” Most journalists at the Post would set their desks on fire if you proposed this balance of opposing views in their overwrought Trump critiques. Nobody should go to Kennicott for balance, or for reverence. Last year, he trashed the AP photograph that showed Trump after he was shot in the ear, raising a defiant fist. He wrote: “It will encourage some of the darkest forces in American civic life. People who preach violence, who revel in its political potential, can now say that one of their own is a victim, and he was. From that, more cycles of violence are almost inevitable.” On the other hand, Kennicott gushed in 2017 that the oddball official portraits selected by the Obamas—where Barack Obama looked like he was emerging out of a bush, and Michelle Obama was colored gray, like a corpse—were “great,” in part because that couple is awesome. “Now that they have left office, now that their fundamental decency is in high relief by contrast with the new political order, memory is refreshed.” This is the same critic who wrote a piece for July 3, 2021, headlined “Maybe it’s time to admit that the Statue of Liberty has never quite measured up.” The statue, he claimed, is “ambiguous and ambivalent. As familiar to some Americans as the flag, the statue is just as meaningless or foreign to others, a sign without significance, or worse, a symbol of hypocrisy or unfulfilled promises”—because Trump ruined America’s promise, with the “past four years of strident and often violent anti-immigrant sentiment.” On Oct. 26, Kennicott was back with an overly long attack on how “Trump attempts to consolidate power over cultural infrastructure,” a campaign against taxpayer-funded museums, “to capture or coerce them into new narratives of patriotism and American exceptionalism.” Unsurprisingly, he championed painter Amy Sherald—of “gray Michelle” fame—who pulled her work from the National Portrait Gallery over her painting “Trans Forming Liberty,” depicting the Statue of Liberty as a drag queen. This article’s logic collapsed when Kennicott lamented that Trump and his backers “gin up anger and online mobs.” That’s not healthy. Guess which angry mob is healthy? Leftists who vandalize art to protest Big Oil, because “museums, at their best, are institutions that respond to public needs and concerns.” Kennicott railed against “the usual horsemen of the authoritarian apocalypse: suspicion, cynicism and apathy.” But what the Left really can’t stand is anyone challenging their ideological stranglehold, anyone making a “culture war” to erode their overweening cultural dominance. COPYRIGHT 2025 CREATORS.COM We publish a variety of perspectives. Nothing written here is to be construed as representing the views of The Daily Signal. The post The Art Lovers Trash Trump From Ballrooms to Museums appeared first on The Daily Signal.