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Intel Uncensored
Intel Uncensored
3 w News & Oppinion

rumbleBitchute
Joe ROGAN - Incredible coincidences between the assassinations of Presidents Kennedy & Lincoln
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Worth it or Woke?
Worth it or Woke?
3 w

In Your Dreams
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In Your Dreams

In Your Dreams is a 2024 Netflix animated movie about two young siblings, Stevie and Max, who enter a magical dreamworld every night. There, they meet the Sandman, who grants wishes, but things get complicated when their parents’ troubled marriage starts bleeding into their dreams. With the help of some quirky creatures, the kids try to fix their family while navigating weird, shifting dream landscapes. In Your Dreams Review COMING SOON PARENTAL NOTES COMING SOON WOKE REPORT COMING SOON    The post In Your Dreams first appeared on Worth it or Woke.
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Conservative Voices
Conservative Voices
3 w

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spectator.org

The SNAP Reset, Too Long in Coming, Is a Happy Accident of the Schumer Shutdown

It’s amazing, and somewhat depressing, that this year marks two full decades since Hurricane Katrina blew through the central Gulf Coast and inundated the city of New Orleans once its defective levees broke from the strain of the storm surge. Just acknowledging that time span has a way of making one feel quite old. But a memory from just before Katrina’s arrival — a couple of weeks earlier — remains relatively fresh. It’s of a newspaper article from the New Orleans Times-Picayune about efforts by the accounting firm of Alvarez and Marsal to stanch the fiscal bleeding of the New Orleans public school system, which at the time was the worst in the nation. The accountant in charge of the forensic audit and attempted cleanup of the system was specifically talking about the utterly broken payroll of the bloated district, and he was saying at least 20 percent or so of the money leaving its treasury was being paid to people who did no work. He said through the imposition of normal fiscal controls, he thought it was possible to reduce the fraud to 10 percent, but to completely stamp it out, he knew of but one remedy, which he didn’t think was possible in the real world. Namely, to stop all the paychecks from going in the mail, and force all the payees to show up and be interviewed in order to collect. In that way, the accountant said, they’d be able to do a granular accounting and separate the wheat from the chaff. “Yeah, right,” I remember thinking. “It’d take a miracle to make this possible.” Well, it wasn’t quite a miracle, but when those levees broke, so did New Orleans. And in the wake of Katrina, the entity that had been the New Orleans school system went away, to be replaced by, essentially, an ecosystem of charter schools. And New Orleans isn’t the worst school system in America anymore. It isn’t the best, either, but it’s a hell of a lot better than it used to be. And while I won’t make the case that the books are clean, there is no current perception that systematic payroll fraud is a standing feature of public education in the Big Easy. Silver linings abound if you know where to look. Similarly, we’ve got the full-on reset of the SNAP food-stamps program, which is now underway, and that could never have happened but for the Schumer Sombrero Shutdown and the Democrat Media Complex’s landing on SNAP as the alarmist narrative of choice. (RELATED: Dems Take Away Free Food From the Snapanese at Great Political Risk) On Thursday, as you might have seen, Secretary of Agriculture Brooke Rollins announced that the Trump administration is going to run a full reset of the SNAP program. Its recipients are going to have to reapply because that’s the fastest and cleanest method of scraping off the layabouts and fraudsters, not to mention illegal aliens, among its astonishing and disgraceful 45 million recipients. (RELATED: The Spectacle Ep. 297: Democrats Cave, Republicans Win Government Shutdown Saga: Can Republicans Keep Winning?) BREAKING: Agriculture Secretary Brooke Rollins to OVERHAUL entire SNAP program after major fraud exposed – 186,000 dead people receiving benefits – 500,000 recipients are getting double benefits – every recipient will need to reapply to verify “they can’t survive without it”… pic.twitter.com/J2UE23KMTa — Libs of TikTok (@libsoftiktok) November 14, 2025 SNAP fraud is out of control, and the numbers we HAVE prove it. Data from just 29 states uncovered nearly 200,000 people with dead people’s social security numbers… Meanwhile, 21 states are suing to keep their data hidden. Why block transparency unless the truth is worse than… pic.twitter.com/XAjHKncCfp — Secretary Brooke Rollins (@SecRollins) November 13, 2025 The 200,000 surprisingly spry corpses pulling down SNAP funding just in the red states willing to open up their SNAP rolls are really a drop in the bucket. The program’s accounting system has been broken, almost certainly intentionally (Cloward-Piven strategy, anyone), for decades, and this is just one of several lines of fraud plaguing the program. But as Streiff noted at RedState over the weekend, there was even more going on before Rollins decided to blow things up. When President Trump signed the One Big Beautiful Bill Act of 2025, he not only funded the government for the remainder of the year, he made the largest cuts to SNAP in its history. It included a $186 billion reduction to SNAP spending and included new work requirements and other restrictions on who receives benefits. Let’s take a look at the changes. Age limit increased: Able-bodied adults aged 18-64 must work at least 80 hours per month or be engaged in education, a training program, or volunteering to remain eligible for SNAP benefits beyond three months in a three-year period. Previously, the upper age limit was 54. Exemptions removed: Previously, people falling in the ABAWD category, which stands for Able-Bodied Adults Without Dependents, were only allowed to enroll in SNAP for three months in three years. There were exceptions for veterans, the homeless, and kids aging out of foster care. Those exemptions have been removed. Caregiver exemption narrowed: The exemption to the time limit for caregivers of children under age 18 has been changed to children under 14. Waiver criteria narrowed: Areas with an unemployment rate over 10 percent (except Alaska and Hawaii) may qualify for a waiver from the work requirements. Previously, a waiver could be obtained by the state certifying that certain areas lacked sufficient jobs. That waiver was eliminated, and states were told to use Bureau of Labor Statistics data to apply for waivers. Other changes will also hit hard. Federal Cost Share Reduced. In the past, the federal government picked up the tab for 75 percent of administrative costs. Under the OBBA, the federal share is 50 percent. End of Benefits for Most Non-Citizens. SNAP changes will cut benefits for roughly 250,000 refugees and other humanitarian visa holders. Perhaps Rollins would have been able to go further in reforming the program without the shutdown, but as Deb Heine notes at American Greatness, that wasn’t her take… Rollins has repeatedly described SNAP as “broken and corrupt,” citing widespread fraud uncovered during investigations. She has also pointed out in interviews that the government shutdown exposed how the program had been corrupted during the Biden years. President Trump commented on the explosion of food stamp fraud earlier this month on Truth Social. “SNAP BENEFITS, which increased by Billions and Billions of Dollars (MANY FOLD!) during Crooked Joe Biden’s disastrous term in office (Due to the fact that they were haphazardly “handed” to anyone for the asking, as opposed to just those in need, which is the purpose of SNAP!), will be given only when the Radical Left Democrats open up government, which they can easily do, and not before! Thank you for your attention to this matter,” Trump posted on Nov. 4. Hundreds of enraging videos posted on social media accounts like “EBT of TikTok” have proliferated online in recent weeks showcasing SNAP recipients who shamelessly tout their enormous grocery store hauls, and in some cases, brazenly detail how they cheat the system. “The fact that this spotlight has shined on SNAP has allowed us to talk about it,” Rollins said on Newsmax TV’s “Rob Schmitt Tonight.” I’m going to chalk this up as a nice potential win for the American people, and I’d like to thank Chuck Schumer, Hakeem “Temu Obama” Jeffries, and the rest of the stupid communists in the Democrat Party for opening the door to reform by shining a spotlight on the fiscal disaster of the SNAP program. Now that they’ve done us this favor, we’ll get to see their inevitable double-down when they demand that SNAP fraud be re-enabled or else they’ll filibuster the appropriations bills or other budget measures. Except this toothpaste won’t go back in the tube. Sorry, guys. And good for Rollins, who seems to be of a new breed of Republicans who actually took Rahm Emanuel seriously in his admonition never to let a crisis go to waste. If SNAP makes the kind of improvement toward competence and taxpayer ROI that the New Orleans schools did after Katrina, it will have been a great boon for the American people. Maybe we can erect a statue of Schumer as the unwitting savior of the program. READ MORE from Scott McKay: Bush Republicanism Can’t Win the Votes We Need to Save America The Dog That Didn’t Bark and the Bombshell That Didn’t Explode Trump and the GOP Won the Shutdown. Let’s Make Sure Trophies Are Taken.
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Conservative Voices
3 w

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The Curious Candidacy of JD Vance

I never had the privilege of attending Yale Law School, but I had the fascination of observing it at close range for many years: First, as a college student living in a dormitory across the street; then as an agent of the university’s alumni fund trolling for high-value targets; then as partner to a dean reviving the fortunes of one of Yale’s fabled secret societies; and, most recently, searching for faculty allies as, at the request of William F. Buckley’s siblings, I helped to launch the Buckley Institute. (The law school, unlike some of Yale’s other graduate schools, never succumbed to full wokery.) Long-term scrutiny of Yale Law School (YLS) yields two first impressions that, over time, harden into durable facts. First, it is a notably small school, less than one-fifth the size of Yale College, which is itself one-fifth the size of a big state school. (In the current semester, for the purpose of reference, there are more Buckley Fellows in the undergraduate college than there are students in the law school.) And second, that YLS is an astonishingly powerful institution, exerting the kind of cobwebbing continental influence that few elite institutions have exerted since the Illuminati were said to have disbanded. It is generally observed, for instance, that YLS graduates dominate the legal profession. Four graduates currently serve on the Supreme Court — Thomas, Alito, Sotomayor, and Kavanaugh. Scores more serve as federal judges, senior partners at big firms, deans and professors at law schools, state attorneys general, prosecutors, and DOJ officials. What is less widely known is that YLS graduates are marbled through the upper strata of government, business, education, finance, and media, as well. (As of this month, you can add philanthropy to that list. YLS Dean Heather Gerken has just assumed the most prestigious post in the industry, the presidency of the Ford Foundation.) In a graduating class of 200-some students, few YLS students stand out. They are all stars, and more than a few of them will become nationally famous. During the previous century, three YLS graduates served as president of the United States — Taft, Ford, and Clinton. The man most likely to become our next president is also a YLS graduate — JD Vance. He leads in the early primary polls for 2028, and, of course, he would fill any vacancy that might occur in the interim. (I am neither a physician nor a bookmaker, but I note with interest that the incumbent is the second-oldest man ever to hold the office; that he is a virtual poster boy for MAHA’s campaign against life-shortening aspects of the American diet; and that his idea of exercise is driving an electric cart around a golf course doused with lightly regulated weedkillers.) I belabor these points as a preface to this point: JD Vance was not a star at YLS. He graduated in 2013 with neither academic distinction (his grades, as he generously described them, were “fine but not fantastic”) nor particularly bright prospects. He spent a few years in the practice of law, forgettably. He spent a few years in the practice of venture capital, again forgettably. (That particular forgettability was in one way remarkable. His sponsor was Peter Thiel, the Midas-touched investor next to whom young associates tended to get rich quickly.) And then, at the age of 32, Vance hit the number. He published a memoir establishing himself as the political metaphor for his day: He became, overnight, America’s best-known Working-class White Male. When his book, Hillbilly Elegy, was made into a motion picture by Hollywood A-lister Ron Howard, starring Glenn Close in the performance-of-a-lifetime as Grandma Vance, young JD Vance became nationally famous. The rest of the story is better known. In just three years, the newly famous memoirist took up politics, declared himself a Never Trumper, reconfigured himself on first contact with the electorate as an Always Trumper, launched a campaign for Senate from his home state of Ohio, won the seat in 2022, and was soon thereafter picked to be vice president. If he were to succeed the incumbent sometime in the next year, JD Vance, just turned 41, would become the youngest president in the history of the country. As his critics have noted, the presidency would be his first real job. The Vance campaign could be — probably will be — the most startling story in our long and startling political history. That is the case against JD Vance, and many people will find it dispositive. I don’t. What I see is a bright young man at the front end of a growth spurt. The trajectory of his political career could be inked in as early as next year, when the 2028 campaign will begin in earnest. The Vance campaign could be — probably will be — the most startling story in our long and startling political history. If you’re an even semi-regular reader of these pages, you wouldn’t want to miss it. Here are some notes to start your file: One of the benefits of a small school is that students can’t hide in Row 47 of the lecture hall. Every YLS student gets called on, and every student must learn to make fluent and preferably strong arguments for complex positions taken under the pressures of time and competitive circumstances. It’s a critically important forensic skill for every public figure in our soundbite culture. Few have it (see, egregiously, K. Harris). Vance has it. You saw it in his debate with Tim Walz. You saw it in his Oval Office beatdown on Volodymyr Zelenskyy. You saw it when he served as White House point man during the shutdown. (RELATED: The Global Censorship Cancer) Vance is almost uniquely qualified for the first primary — the race to win the incumbent’s endorsement. Vance (like Clinton) is the son of a dysfunctional parent, and he describes his early life this way: Mom “cycled through boyfriends, switching partners every few months.” “[W]ith partying came alcohol, and with alcohol came alcohol abuse.” “Mom was in the hospital, the result of a failed suicide attempt.” “The never-ending conflict took its toll. Even thinking about it today makes me nervous.” “[A]ll I wanted to do was get away from it — to hide from the fighting.” The son of an addicted parent learns to sense tension building. He learns to deflect it or defuse it — or to pay the price for failing to do so. He learns, as political operatives would put it, to read the room. Vance (again like Clinton) married up. JD’s YLS classmate, Usha Chilukuri, was a star. Following a stellar academic career at Yale and Cambridge, she won coveted clerkships, first at the Circuit Court of Appeals in D.C. and then at the Supreme Court. She was then hired as an associate by the first-tier law firm, Munger, Tolles and Olson, founded by Warren Buffett’s business partner, billionaire superlawyer Charlie Munger. Usha soon became a partner in the litigation department and the principal breadwinner for her new family with JD Vance, with whom she had three children in five years. For Usha Vance, an archetypal high-performing, second-generation Indian American, failure does not seem to be an option. In 2019, JD Vance, who had grown up Protestant in down-at-the-heels Middletown, Ohio, and then married a Hindu, became … a Catholic. That conversion could not have gone down smoothly with his Chilukuri in-laws, or with his hillbilly relatives, or with his new friends in Hollywood. To me, it bespeaks both a serious intellectual journey and a serious spiritual commitment. It could be the act of a fully formed adult, a man fully recovered from a desperately disadvantaged childhood. (RELATED: J.D. Vance Proclaims Christ as ‘The Way, the Truth, and the Life’) So suppose, if you would, that over the next year, JD Vance can disentangle himself gently from the Candace Owens fringe of his party. Suppose, further, that he can effect a fusionist reconciliation between the populist and more settled factions of his movement. And suppose, finally, that he can embrace the patriotic agenda of the incumbent while abjuring a narrow and narcissistic personal style. Might he then be ready for his first real job? Neal B. Freeman is a longtime contributor to The American Conservative. READ MORE: Why Democrats Can’t — and Won’t — Replicate MAGA Vance Would Best All Three Top Democratic Candidates in 2028, Poll Says
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Conservative Voices
Conservative Voices
3 w

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Train Dreams: An Elegy for the Men Who Built America

There’s no shortage of movies today, only a shortage of ones that matter. Train Dreams is the rare exception. It arrives like a quiet blessing. It doesn’t shout for attention. It simply unfolds, scene by scene, until you find yourself drawn into a world that no longer exists yet still feels close enough to touch. This is not a sentimental portrait of old America, nor a fantasy of simpler times. It is something gentler, more honest, and far more moving: a tribute to the ordinary men who helped shape a country through hard work and deep, often unspoken, devotion. (RELATED: The Wreck of Feminist Hollywood) The story follows Robert Granier, played with remarkable grace by Joel Edgerton. Granier is a railroad laborer who carries his life in his hands and on his shoulders. In early moments, we see him alone in a boxcar after losing his parents. Later, we observe the daily rhythms of his adult life. He works in the woods, joins crews building tracks, and learns to move through the world with a humility that feels natural. None of this feels inflated. Everything feels real. (RELATED: Boys Need More Male Teachers) The landscapes around him give the film its soul. Forests open into pale morning light. Campfires glow against dark hills. Mountains stand in the distance like old sentries. Clint Bentley lets these images breathe. Nothing hurries. Nothing crowds the frame. The camera stays long enough for the land to feel alive, shaping Granier’s days and watching him age. These moments carry a stillness that feels almost sacred. When Granier meets Gladys, played by Felicity Jones, the film captures the gentle warmth of a love just beginning. Their courtship is simple and sincere. A glance after church. A shared walk. A daughter who becomes the center of their world. Edgerton handles these moments with a restraint that feels earned. You sense the depth of a man who does not speak much but feels deeply. (RELATED: Getting Back to an ‘Honorable Manhood’) Other characters cross Granier’s path. Apostle Frank brings equal parts charm and foolishness. Arn Peeples, played by William H. Macy, offers sparks of humor and truths that hit like a hammer. A Chinese railsplitter appears in Granier’s memories, stirring old guilt and long-buried injustice. Each figure shapes the journey without ever pulling attention from Granier himself. The film does not shy away from sorrow. Fire, loss, and solitude pass through Granier’s life with steady force. Yet the story handles these blows in a way that never feels staged. Grief isn’t used for shock; it simply belongs to him, as natural as the shifting seasons. Not the mythic frontier of folklore, but the real world built by men who measured their worth in labor, loyalty, and resilience. As the years pass, the world around Granier changes. Machines grow louder. Roads cut across once-open land. The forests shrink. None of this is dramatized. The film shows progress as a slow, steady intruder, reshaping the country in ways that feel both inevitable and strangely sad. In these moments, Train Dreams becomes a rather brutal reflection of the America that once existed. Not the mythic frontier of folklore, but the real world built by men who measured their worth in labor, loyalty, and resilience. It’s less nostalgia than recognition. A reminder that something essential has slipped away. And the timing makes the point even sharper. America has changed more in the last 20 years than it did in the previous hundred. Whole trades have vanished. Towns wrecked by drugs and shrinking opportunities. The world Granier knew didn’t disappear on its own. Instead, it was overtaken, paved over, replaced by a country that barely remembers men like him. That is what makes Edgerton’s performance so powerful. The Aussie carries all of this with astonishing ease. He brings depth to the smallest gestures — a sigh, a pause, a single word spoken at a kitchen table. Anyone who has watched him in Warrior or Boy Erased knows how completely he disappears into a part. But here, he reaches another level. Within seconds, he convinces you that no one else could inhabit this role. His performance becomes the still point around which the entire film turns, steady and unforgettable. The final sequence is one of the most moving in recent memory. Nothing outrageous happens. Nothing flashy. Granier simply sees the world from a new height near the end of his life. The look on Edgerton’s face holds wonder, sadness, gratitude, and peace all at once. It is a moment of pure cinema, carried entirely by a man who has lived close to the earth and now, briefly, rises above it. Train Dreams feels like a prayer for a vanishing America. Not a sentimental salute to the past, and not a demand to relive it, but a clear reminder of the qualities that once shaped the people who built the country. These men didn’t leave statues behind. They left tracks, timber, and legacies built for others. Edgerton and the rest of the cast give their lives the dignity and respect history rarely grants them. READ MORE from John Mac Ghlionn: America’s Crime Divide Is Racial, Regional, and Ruthless David Brooks Can’t Hide His Contempt for Ordinary Americans Church Attendance Is No Longer Optional
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Intel Uncensored
Intel Uncensored
3 w

Report: More Than 70 Percent of Palisades Fire Victims Still in Temporary Housing
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Report: More Than 70 Percent of Palisades Fire Victims Still in Temporary Housing

by Elizabeth Weibel, Breitbart: More than 70 percent of people who were affected by the Palisades Fire in California from January are still living in temporary housing, according to a report. A survey conducted by the Department of Angels surveyed “2,300 fire-impacted residents across” Los Angeles County, according to the Los Angeles Times. The survey found that 75 […]
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Intel Uncensored
Intel Uncensored
3 w

Judicial Overreach Threatens The Republic: Corrupt Institutions Will Cause The Death Of America As A Constitutional Republic
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Judicial Overreach Threatens The Republic: Corrupt Institutions Will Cause The Death Of America As A Constitutional Republic

by J.B. Shurk, All News Pipeline: Should America’s constitutional republic ever fall, the most likely cause of death will be its corrupt institutions. When citizens lose faith in the “system” and have exhausted all available remedies to “fix” that “system,” they will feel wholly disconnected from the government that rules over them. A cascade of […]
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Country Roundup
Country Roundup
3 w

Your favorite songs start with the storytellers who write them. Here's to the songwriters ?
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Your favorite songs start with the storytellers who write them. Here's to the songwriters ?

Your favorite songs start with the storytellers who write them. Here's to the songwriters ?
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Country Roundup
Country Roundup
3 w

Lainey Wilson Reveals CMA Hosting Advice From Reba McEntire
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Lainey Wilson Reveals CMA Hosting Advice From Reba McEntire

Lainey is now just the third woman ever to host the CMA Awards solo — joining Reba (1991) and Dolly Parton, who did it back in 1988. Continue reading…
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Country Roundup
Country Roundup
3 w ·Youtube Music

YouTube
The Unanswered Questions in Todd Snider’s Death
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