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9 Dark and Dangerous Goddesses From Around the World
Today, we often envision ancient goddesses as the epitome of the ideal woman: beautiful, nurturing, and maternal. In contrast, male gods are often described in more ambiguous terms, juxtaposing heroic and dangerous characteristics. However, these female portrayals are often modern constructs based on contemporary ideas about the role of women in culture. In the ancient world, there were many dark goddesses who were compelling but dangerous deities. Meet nine of the most fascinating, dangerous goddesses from across the ancient world.
1. Tiamat, Ancient Mesopotamia
Cylinder seal depicting Tiamat in a dragon/serpent form with other battle-ready deities, c. 900-750 BCE. Source: British Museum
In the ancient Mesopotamian creation myth, the Enuma Elish, the goddess Tiamat represents the chaotic force of salt water, thereby symbolizing the ocean and seas. Together with her lover Apsu, the god of fresh water, that created the primordial waters from which life originated. Their children, Lahmu and Lahamu (two serpent siblings), became a couple who had their own children, Anshar and Kishar, the “ends” of the heavens and earth. This brother and sister also fostered a romantic connection, and from it, Anu and Ki, the sky and the earth, were born. The family tree of gods continued to expand.
From here, the few remaining versions of the Enuma Elish differ. In one variation, the original couple grew frustrated and tired of their offspring, and one of the seventh divine generation, Enki or Ea, was suspicious that Apsu planned to slaughter the younger deities. Enki was correct, and he took Apsu prisoner and held him under Apsu’s own temple and had him executed.
Marduk, absorbing aspects of Enlil, accompanied by a mušḫuššu (his sacred animal) standing on water, symbolizing his victory over Tiamat, drawing of a cylinder seal by F. H. Weissenbach, 1902. Source: Wikimedia Commons
In another version, the seventh generation of gods and goddesses go on strike as they have been forced to work and tend the earth by their predecessors. This caused Apsu to threaten the destruction of the cosmos and all the deities living in it. In response, Enki puts Apsu into a supernatural sleep and transforms him into irrigation canals.
Whichever version you read, the next part is largely the same: enraged at the treatment of Apsu and the insubordination of the younger deities, Tiamat created eleven monstrous creatures to aid her in a battle against the younger gods, which included serpent monsters, a scorpion-man, and a dragon. However, Enlil proved to be the better warrior thanks to the magical gifts bestowed upon him by other gods.
Despite the majority of deities’ belief that Tiamat was an unbeatable entity, Enlil spilled her blood and mixed it with clay to create humans who would now perform the work the gods had refused to do. While Tiamat was defeated in the creation myth, her power and ambivalence towards her own family are notable, proving her status as a dangerous goddess.
2. Ishtar, Ancient Assyria
Bronze amulet depicting Ishar atop a lion wearing armor, c. 800-600 BCE. Source: British Museum
One of the oldest known deities in the world today, Ishtar was a complicated being from the start, but under the Assyrians, her cult reached new heights. Ishtar is often conflated with the goddess Inanna. Ishtar had Akkadian origins while Inanna came from Sumerian culture, they were conflated over time.
Inanna was associated with storehouses, rain, and storms, which later evolved into her status as a goddess of fertility and regeneration. She was often depicted with a lion, indicative of the roar of thunder. Ishtar’s beginnings are more obscure, but she appears to have developed as a fearsome local spirit worshipped in Uruk before her elevation to the status of a goddess. She was a goddess of war, sexual love, and fertility. She was also often associated with the lion, and considered the patron protectress of the Assyrian kings (and prostitutes).
Akkadian Cylinder Seal depicting Ishtar, c. 2254-2193 BCE. Source: Oriental Institute, Chicago
In the story of Ishtar’s Descent to the Netherworld, it is not explicitly stated why, but she decides to make the journey to the land of the dead to see her sister Ereshkigal, who is the Queen of the Dead. As she travels through the underworld, Ishtar must remove a piece of clothing or jewellery before entering each of the seven gates. Upon her passing through the last gate, Ereshkigal killed her sister and had her body hung from a nail.
Ishtar’s absence caused her brother, the god Enki, to send divine representatives to retrieve her. Ishtar was resurrected, and Ereshkigal stated that she would be allowed to leave if she could find a substitute to replace her. Consequently, Ishtar, accompanied by a host of demons, returns to the land of the living to discover many people mourning her death, except for her consort, Tammuz. She immediately has him taken away as her substitute for the underworld.
Relief of Ishtar holding a symbol of leadership, c. early 2nd millennium BCE. Source: The Conversation
In the myth of The Epic of Gilgamesh, the semi-divine King Gilgamesh of Uruk rejects Ishtar’s advances and ultimately insults her greatly. The goddess is enraged and asks one of the most powerful gods, Anu, for the Bull of Heaven, a monstrous bull capable of mass destruction. When Anu declined to give Ishtar the bull, she threatened to raise the dead who would devour the living. Reluctantly, Anu gives Ishtar the bull, which she unleashes on Uruk, destroying much of the city and killing many civilians.
Overall, Ishtar was a foundational goddess among many Mesopotamian civilizations, and she was especially associated with the royal family of the Neo-Assyrian Empire. She is typically depicted as a female figure dressed in male armour with a variety of weapons strapped to her back.
3. Sekhmet, Ancient Egypt
Menat (type of necklace) showing Taharqo being breastfed by Sekhmet, Nubia, c. 690-664 BCE. Source: Metropolitan Museum of Art
The physical manifestation of the wrath of her father, the sun god Ra, Sekhmet was a powerful goddess from ancient Egypt. Sekhmet is usually depicted as a female deity with the head of a lioness and a sun disk on her head. She came into being from Ra’s burning eye when he first looked upon the earth. Sekhmet was born as a ready-made weapon to enact divine retribution on mortals, breathing fire through the harsh desert wind. But she was also the protector of the pharaohs, leading them into battle.
Amulet of Sekhmet, Third Intermediate Period, c. 1070-664 BCE; Necklace Counterpoise with Aegis of Sekhmet, New Kingdom, c. 1295-1070 BCE. Source: Metropolitan Museum of Art
In one of the primary myths involving Sekhmet, Ra was outraged that the citizens of Egypt had plotted against him. In an act of vengeance, he unleashed Sekhmet upon the mortal world. However, Sekhmet was frenzied and completely out of control, threatening to destroy the entire Egyptian civilization. To stop her murderous rampage, the other gods created a lake of beer and dyed it red to look like blood, tricking Sekhmet into drinking it. She became so drunk that she forgot her mission and returned to the gods.
Additionally, Sekhmet was the goddess of plagues and pestilence. Not only could she smite mortals with her warring prowess, but also with famine and disease. Consequently, this made her a patron of doctors as she could bring about and cure illnesses.
Sekhmet and Ptah, c. 760-332 BCE. Source: Museum of Fine Arts, Boston
Interestingly, Sekhmet was originally associated with Hathor, the goddess of love and fertility. Sekhmet was the aspect of Hathor that expressed her unbridled rage. By the time of the Middle Kingdom, Sekhmet and Hathor had become so distinct that they were perceived as two separate entities. Sekhmet was also associated with Bastet, the cat protector goddess, who acted as Sekhmet’s opposite. Moreover, Bastet was seen as Sekhmet in a tame and non-aggressive state.
4. Kali, Hindu Goddess
Kali, lithograph by Raja Ravi Varma, c. 1910-1920 CE. Source: Metropolitan Museum of Art
Perhaps the most famous Hindu goddess, Kali, was revered as the patron of time and death. Her name originates from the Sanskrit word “kala,” indicative of time, or rather, the end of time. She represents the concept of doomsday and the subsequent rebirth of life.
The history of Hinduism encompasses multiple religions native to the Indian subcontinent and the Indus Valley, which have coalesced into modern Hinduism. There is evidence of the goddess Kali from as early as the Vedic period, dating back to around 1500 BCE, although her mythology became widely known in the 6th century CE.
Kali is most famous for her role in the Devi Mahatmyam, a Hindu mythological work, written around 400-600 CE. Versions of Kali’s emergence differ, but the consensus is that the goddess Kaushiki was attacked by two asuras (demons), and she became so enraged that she turned dark and either assumed the alternate form of Kali or that Kali emerged from her.
Kali dancing on Shiva, India, c. 19th century. Source: Wellcome Library
Immediately, Kali defeats the two asuras and turns her attention to another asura, Raktabija. Raktabija possessed the ability to duplicate himself when a drop of his blood made contact with the ground. As expected, when Kali fought Raktabija, he produced many clones, but Kali drained his body of blood by sucking it out of his body, and upon his death, she ate his remaining duplicates. In some versions, she also dances on their corpses.
Kali’s fearsome actions are also reflected in her iconography. She is noticeably dark blue or black with contrasting red eyes and a bright red tongue that hangs out of her mouth. Her open mouth also reveals sharp fangs, and in some depictions, she has three eyes, representative of the past, present, and future.
Kali. Source: National Museum, New Delhi
The goddess also appears naked, apart from a myriad of gruesome adornments. Kali is typically described as the wearer of a skirt made of severed limbs and a necklace of skulls and decapitated heads. In many depictions, she has four arms, one of which is always holding a weapon, and another holding a severed head. Another gory accompaniment manifests in the rendering of her partner, Shiva, who is frequently trampled beneath her.
Despite her spine-chilling looks, Kali is the first of the ten Mahavidya, Hindu goddesses of wisdom, and Kali is typically considered the highest deity in the Tantric spiritual system. Furthermore, the Mahavidyas are seen as the ten aspects of the great mother goddess, Durga. As the first of the Mahavidyas, Kali is the epitome of Brahman, the fundamental reality underlying all phenomena, as described in the Hindu scriptures.
5. Nemesis, Ancient Greece
Justice and Divine Vengeance Pursuing Crime, by Pierre-Paul Prud’hon, c. 1805-1806 CE. Source: Getty Center
Today, we know the Greek word “nemesis” to mean a long-time rival or the agent of someone’s downfall. That word comes from the ancient Greek goddess Nemesis, daughter of Nyx, and the personification of night and darkness. Although Nemesis represented a sense of cosmic balance, similar to the Egyptian goddess Ma’at, she also embodied the idea of divine retribution and vengeance.
Nemesis is first mentioned in Hesiod’s Theogony, where she is the daughter of Nyx and had no father. Hesiod describes how Nyx gave birth to a host of deities, with no male counterpart, each of whom embodied fundamental yet ominous forces, such as Hypnos (sleep), Oizys (pain), the Moirai (the Fates), and Thanatos (death).
In the original mythology, Nemesis was a purveyor of fate, but by the 4th century BCE, Nemesis had begun to encompass wrath. Moreover, Nemesis was the enemy of hubris and would punish those who showed heightened arrogance.
In the Metamorphoses by Ovid, Nemesis punished Narcissus for his rejection of a nymph. The man was enticed into a pool where he famously fell in love with his own reflection, which ultimately led to his death.
Engraving of Nemesis, by Albrecht Dürer, c. 1502. Source: Staatliche Kunsthalle Karlsruhe
However, Nemesis was also integral to the everyday life of mortals and would ensure all were dealt a fair amount of happiness and pain. Therefore, in iconography, she is often an accompaniment of Tyche, the goddess of good fortune, to ensure she was never too extravagant with her favors. This creative choice was designed to emphasise that a sudden increase in prosperity could be taken away if the recipient became too conceited.
Consequently, Nemesis was both revered and feared by the people of ancient Greece. In the majority of her depictions, she is shown as a formidable winged goddess with an unmistakable frown. It is unsurprising, as her role in the cosmos was one of a messenger, but of consistently bad news.
6. Mór-Ríoghan, Irish Mythology
Cuchulain Riding his Chariot into Battle, by Joseph Leyendecker, c. 1911 CE. Source: Wikimedia Commons
The Morrigan, or Mór-ríoghan in modern Irish, is a complicated Celtic goddess, most notably described as the goddess of death. Evidence of the Morrigan can seemingly be traced back to Neolithic Ireland, but her form known today is first conclusively mentioned in Latin sources dating to the 8th century CE. The mythology and culture associated with the Morrigan is vast and complex, yet overall, her character is one of foreboding magic and destruction.
The name Morrigan is translated as “Phantom Queen.” It appears “mor” comes from the Indo-European root word, which means terror, and “rigan” from the Irish word meaning queen. In the earliest textual references, the Morrigan is a triple goddess, similar to the Greek goddess Hecate, and is not considered a single figure until around the 11th century. However, for much of the medieval period, she can be interpreted as both a singular and a triple goddess. Historians describe these three components as the Morrigan, Badb, and Nemain, or Morrigan, Badb, and Macha in other instances.
Viking age figurine of a Valkyrie found at Harby, Denmark, Source: Atlas Obscura
The Morrigan encompasses a range of aspects related to violence. Firstly, she encouraged war and supposedly attained pleasure from assembled armies. Additionally, she appeared before battles and foretold victory and defeat. Her magical powers could bestow favor on mortals as well as gods and sway the tide of battle as she desired. In Irish mythology, sometimes she cast showers of blood rain on troops and shrieked, which induced frenzy among warriors. The element of the goddess known as Nemain was attributed to the frenzy experienced in the chaos of war. Likewise, the Morrigan would transform into a crow or raven and fly over battlefields. This form of the Morrigan is known as Badb, and she is an omen of death. In this form she has remarkable similarities with the Norse god Odin, a god of war associated with ravens, and the Valkyrie, his demonic shieldmaidens.
The Morrigan is frequently depicted as a crow, an old hag, or a beautiful young woman, all of which served specific motives. Usually, the crow was a message of death, whereas the old woman’s guise was to deliver a message, although this message usually also foretold death, and the younger embodiment was to rouse troops for warfare.
7. Angrboda, Norse Mythology
Loki’s Brood, by Emil Doepler, 1905 CE. Source: Nordic Culture
While Norse mythology details many ferocious and terrifying supernatural beings, few compare to Angrboda, a giant or jotun in Norse mythology. Her name means “bringer of grief,” and through her marriage to Loki, she also gave birth to some of the most formidable monsters in Norse mythology, earning the title “mother of monsters.”
The first of these children was Fenrir, the great wolf; the second was the couple’s goddess daughter, Hel, who ruled Helheim, or the underworld, and the final child was Jormungandr, the giant serpent who was so poisonous he could kill gods. The gods so feared the children of such a monstrous union that they imprisoned each of them somewhere in the cosmos that they would do the least harm. As a result, all three have a role to play in the Ragnarok prophecy of the end of days.
Elsewhere, Angrboda is described as living in the Ironwood, a dense forest area that is near the borders of Jotunheim, the realm of the giants, and Midgard, the realm of men. There she is the leader of a wolfpack, and the mother of most of the mighty wolves. One of these wolves, called Moongram, is also destined to swallow the sun and the moon and plunge the world into darkness at Ragnarok.
8. Coatlicue, Aztec Civilization
Statue of Coatlicue, 8.3 ft tall, Tenochtitlan, c. 1430-1491 CE. Source: National Anthropology Museum in Mexico City
In the Aztec culture, the goddess of life and fertility was also the patron of death. Coatlicue was a menacing goddess whose name translates to “snake skirt,” and she appeared wearing her skirt of living snakes and a necklace full of body parts such as skulls, hands, and human hearts. The goddess also possessed great claws, had low hanging breasts, and had two additional snake heads, which emerged when she was decapitated.
Coatlicue’s narrative began when she was performing her duties as a priestess atop the Snake Mountain. Her peace was interrupted when she was magically impregnated, which angered her daughter, Coyolxauhqui, who thought the pregnancy disgraced their family. To rectify this, Coyolxauhqui rallied her brothers, the Centzonhuītznāhua, to attack Coatlicue.
The children beheaded their mother, but the moment Coatlicue died, she gave birth to the Aztec sun god and god of war, Huitzilopochtli. Born fully grown, he took revenge by killing and dismembering Coyolxauhqui, throwing her body parts into the sky to form the moon. He murdered many of his brothers and chased the others far and wide until they eventually became the scattered stars of the night sky.
Coatlicue de Cozcatlán, c. 1500. Source: National Museum of Anthropology, Mexico
Aside from her son, Coatlicue was feared in her own right. The body parts that hung around her neck did not magically appear, they were trophies from her victims. The Aztecs believed that many of the most powerful deities required human sacrifices to consume and that if the sun failed to rise, they and a host of demonic powers would feast on the mortal population. When Coatlicue met a group of diviners during the reign of Moctezuma (1440-1469 CE), she allegedly told them they had become weak and, as a result, the Aztec Empire would fall, which she would find pleasure in.
Coatlicue, in the simplest way, symbolises the complex relationship between humans and the earth. Just as the earth can be fertile and generous, it can also be dangerous and, at times, monstrous.
9. Mami Wata, West Africa
Wooden figurine of Mami Wata, Nigeria. c. 1950s. Source: Minneapolis Institute of Art
In West African Pidgin English, Mami Wata translates to “mother water.” Like many of the goddesses in this list, Mami Wata could be a generous entity with the potential to grant good fortune, but she was also capable of bestowing harsh punishment. Her presence is noted across Africa, and due to colonial exploits, she is often mentioned in Caribbean mythology and Afro-American cultures.
Mami Wata is both a singular goddess and a collective of water spirits, typically portrayed as female. Her origins are widely debated. While she is present throughout West Africa, potentially originating on the Guinean coast around 4,000 years ago, others argue that she emerged during the era of European and American imperialism in Africa.
Mami Wata is commonly portrayed as a mermaid-like figure, with the lower body of a fish or serpent and the upper body of a beautiful woman, often associated with combs and mirrors. She was a fertility goddess, protecting worthy mothers, but could punish the unworthy with infertility. She was often benevolent towards men, offering them great wealth in exchange for celibacy. But if they break their vow, they would lose everything and be driven to insanity.
Chromolithograph of a snake charmer, inspired by the performer Maladamatjaute (Nala Damajanti), printed in the 1880s by the Adolph Friedlander Company in Hamburg, the poster gave rise to the common image of Mami Wata. Source: Smithsonian
As a protective deity, it is fitting that Mami Wata traveled with enslaved Africans to the Americas, where tales even speak of her capsizing slave ships in defiance. During colonization, as European powers disrupted local economies, she became increasingly linked with wealth and prosperity. It was believed that those who remained devoted to her through such hardship could receive material blessings.
Mami Wata’s mythology serves as both a cautionary tale, highlighting the perils of water and the seductive nature of wealth, and a source of comfort, offering a protective and benevolent presence in times of adversity. To conclude, Mami Wata was as powerful and ungovernable as water, which made her a dangerous goddess for both her worshipers and invaders seeking to harm those who followed her.
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