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4 d

The KIDS Act Would Require Age Checks To Get Online
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The KIDS Act Would Require Age Checks To Get Online

Within the next week, Congress is preparing to vote on the KIDS Act, a sprawling package of legislation that seeks to control Americans’ web browsing and private messaging. The package includes a revised…
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YubNub News
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Top Earners Hold Nearly 90% of U.S. Stocks and Mutual Funds, Analysis Finds
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Top Earners Hold Nearly 90% of U.S. Stocks and Mutual Funds, Analysis Finds

An RSM analysis of Federal Reserve data found that households in the top 20% of income earners own about $55 trillion in stocks and mutual funds, underscoring the gap between stock market gains and the…
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YubNub News
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77% Say America’s Founders Would Be Disappointed Today
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77% Say America’s Founders Would Be Disappointed Today

A new Gallup survey released ahead of America’s 250th anniversary found that fewer than 1 in 5 adults believe the signers of the Declaration of Independence would be pleased with the country’s current…
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YubNub News
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Rubio Reassures Gulf Allies as Concerns Grow Over U.S.-Iran Agreement and Strait of Hormuz Security
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Rubio Reassures Gulf Allies as Concerns Grow Over U.S.-Iran Agreement and Strait of Hormuz Security

By Gloria OgbonnaU.S. Secretary of State Marco Rubio embarked on a diplomatic tour of key Persian Gulf nations this week, seeking to reassure American allies about the Trump administration’s ongoing…
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Red White & True History
Red White & True History
4 d

Today in World War II History—June 25, 1941
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Today in World War II History—June 25, 1941

US poster, WWII 85 Years Ago—June 25, 1941: Finland declares war on the USSR with the objective of regaining lands lost in the Winter War. Luftwaffe flies its first night intruder mission, attacking British bombers landing at bases. President Roosevelt signs order creating the Fair Employment Practices Commission, banning discrimination in war industries or the government, but the commission has no powers of enforcement. Dr. Harry Wegeforth, founder of the San Diego Zoo and the San Diego Zoological Society, dies, age 59.The post Today in World War II History—June 25, 1941 first appeared on Sarah Sundin.
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History Traveler
History Traveler
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Black Death Movies Get the Plague Wrong — Here’s the Real History
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Black Death Movies Get the Plague Wrong — Here’s the Real History

Most Black Death movies, including the 2010 film, treat history's deadliest pandemic as atmospheric backdrop. Here's what the real plague actually looked like—and why filmmakers keep getting it wrong. The post Black Death Movies Get the Plague Wrong — Here’s the Real History appeared first on History Collection.
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The Lighter Side
The Lighter Side
4 d

Singing the Shopping List: How Music Can Rewire the Brain After Stroke
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Singing the Shopping List: How Music Can Rewire the Brain After Stroke

In 2023, a stroke transformed Naresh Shanbhag, a 53-year-old smooth-talking sales professional in Bengaluru, into someone who was unable to speak words, let alone sentences. “I began physical therapy to regain strength in my paralyzed right side, but forming sentences or remembering the right words was hard for me,” he says. Initially, when a doctor friend suggested music therapy, Shanbhag thought it would be interesting, but was skeptical that listening to songs would help him recover.  That skepticism disappeared right away. “From the very first session, I was hooked,” he says. Naresh Shanbhag with his beloved pooch, Cookie. Courtesy of Naresh Shanbhag In a soundproof room in India’s first music cognition lab at Bengaluru’s National Institute of Mental Health and Neurosciences (NIMHANS), Shanbhag was given simple rhythms and beats to emulate. “I started with single beats, and as I got better, was able to tap out more complex beats on a smartphone app,” he recalls. “For the first time since my stroke, I felt a sense of achievement at every new task I mastered.”  When his therapist noted that he could sing more fluently than he could talk, he asked Shanbhag to sing sentences. “One year later, I still do this,” he laughs. “Every morning when I go to fetch milk and groceries, my shopping list is a song that I belt out!” Though Shanbhag’s speech is still halting, he and his wife believe that these sessions accelerated his progress.  The lab is run by Shantala Hegde, a professor of neuropsychology as well as a trained classical vocalist. She and her team of researcher-collaborators and PhD scholars provide rehabilitation services to dozens of patients per month who have brain injuries like Shanbhag, at a little over $42 U.S. for 20 sessions. “I’m in a government hospital, so our charges are very, very minimal,” she laughs. “In private settings, of course, this would cost 10 times or more.” They have been successful in helping patients regain functional speech, coordination and independence in daily tasks. Some, like Shanbhag, who had lost the ability to communicate, have recovered enough to manage everyday life.  Weighed down by negative news? Our smart, bright newsletters deliver the uplift you’ve been looking for. Or click here to choose exactly which ones you want [contact-form-7] “Music is a powerful tool for neuropsychological rehabilitation because you engage the entire brain to engage with it,” Hegde says. The improvements do not come from simply listening to music, though that has its own well-documented therapeutic effects. “We give them specific musical exercises that engage the entire brain, activate different brain areas and strengthen the connections between them,” Hegde clarifies. “The type of music is immaterial, although in Bengaluru, we often use Indian music to make it more engaging for our patients.” Rewiring the brain At the crux of music therapy lies the fact that the human brain is plastic. Stimulated the right way, undamaged parts of the brain can actually rewire to compensate for the tissue affected by brain trauma. In 1890, the man often called the father of American psychology, William James, first described this as “plasticity,” or the brain’s ability to adapt through habit and experience. Around the same time, the Spanish neuroscientist Santiago Ramón y Cajal developed the neuron doctrine (the concept that discrete and independent cells make up the nervous system) and proposed that brain connections could be reorganized by mental exercises he called “cerebral gymnastics.”  Shantala Hegde runs the music cognition lab at Bengaluru’s National Institute of Mental Health and Neurosciences. Courtesy of Shantala Hedge But it was not until 1973 that the first formal, research-based music therapy for stroke patients, Melodic Intonation Therapy, was developed. The technique uses the melody and rhythm of singing to help patients recover their ability to speak full sentences — exactly how Shanbhag learned to sing his grocery list out aloud.  Today, neuropsychological rehabilitation that uses music and rhythm has emerged as an evidence-based, non-invasive and non-pharmacological method to recover brain function after stroke and other brain injuries. Modern neuroscience, psychology and rehabilitation medicine converge into a series of tuneful techniques which Hegde and other rehab practitioners tailor to the individual needs of every patient. Rhythmic auditory stimulation is possibly one of the most frequently implemented. In this framework, musical rhythm serves as an external cue to help patients to modulate their movement. This has been found to be effective in helping patients with stroke and Parkinson’s disease to walk better, faster and with better balance.  Here is how music-based neuropsychological rehabilitation helps. First, rhythm helps the brain organize actions in time, like coordinating steps while walking, or structuring the flow of speech (this is why Shanbhag struggled to speak after his stroke, but found it easier to sing or speak in rhythm). Second, the patterns, repetition and melody of songs make information easier to store and recall. These patterns provide support to the brain as it relearns lost skills.  Using melody and rhythm At NIMHANS, which is a government referral hospital, Shanbhag signed up for 40 one-hour music-based neuropsychological rehab sessions in addition to his ongoing physiotherapy. He enjoyed music therapy so much that he found himself looking forward to it. “Over time, I began to use beats and tunes to speak sentences,” he says. During the sessions, he practiced replicating rhythms, notes and pitches.  Hegde uses a mix of music-based neural rehabilitation techniques to treat patients like Shanbhag. First, she assesses the overall condition of every new patient. The potential for success depends on “the severity of [brain] damage, the amount of time the patient has had the condition and their cognitive reserves,” she says. Cognitive reserve indicates how actively the patient was using different parts of their brain before the stroke or injury. Social connections, emotional relationships, educational level, activity levels and other factors add to a person’s cognitive reserve and help Hegde assess if they will benefit from this form of therapy.  Naresh Shanbhag with his wife, Vidya. Courtesy of Naresh Shanbhag In some cases, the benefits come almost right away. “If the patient has a mild brain injury, within a couple of weeks [of music therapy], you’ll start seeing changes,” Hegde says. Shanbhag, who completed his 40 sessions over the course of a year, is now able to speak coherent sentences, has begun to walk better and has even started an Instagram page to post music videos — a far cry from his condition after the stroke that weakened the right side of his body, made it hard for him to recall words and impaired his speech.  In spite of success stories like Shanbhag’s, more widespread use of music therapy has been hampered by two factors: Some randomized control trials have shown only moderate impact, and training, at least in India, has been slow. Hegde says that for this therapy to come of age, key protocols and conditions must be standardized. “As a clinician, if I have 100 cases, I can see what has improved, what’s working,” she says. “But from a research point of view, each of these cases may have different clinical background, different inclusion, exclusion criteria, etc.”  Hegde says that there are about 70 music therapy practitioners in India. “We need more trained people in the field,” she says. “That’s for sure.” Some skeptics say that perhaps the neurological improvements after music-based neuropsychological rehabilitation could partly be because it is enjoyable, and patients are likely to follow it for longer. In comparison, physiotherapy can be exhausting and discouraging, and patients tend to drop out before it has had time to be effective. While the scientific evidence for what Hegde and other practitioners are observing is still evolving, pop science is also having an impact on music therapy’s credibility. “So many musicians armed with some online certification programs are calling themselves music therapists today,” Hegde says. “But music therapy requires proper training and standardized, evidence-backed protocols.” Wait, you're not a member yet? Join the Reasons to be Cheerful community by supporting our nonprofit publication and giving what you can. Join Cancel anytime Toward that end, teams of interdisciplinary researchers are now working to develop rigorous reporting guidelines for music-based interventions that could enable more widespread and mainstream use. This in turn could help experts develop a broader understanding of brain recovery, in which rhythm and music are recognized for the key role they can play in how the brain heals itself.  Meanwhile, happy that he has found his voice, Shanbhag serenades his wife with one of his favorite Bollywood songs: “I have a little, and need only a little more…”  The post Singing the Shopping List: How Music Can Rewire the Brain After Stroke appeared first on Reasons to be Cheerful.
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Classic Rock Lovers
Classic Rock Lovers  
4 d

"If I hear a white-boy blues band now where it's a squeaky clean mix, I just want to vomit." All Them Witches' new album House Of Mirrors is steeped in the blues – but it rages
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"If I hear a white-boy blues band now where it's a squeaky clean mix, I just want to vomit." All Them Witches' new album House Of Mirrors is steeped in the blues – but it rages

It’s six years since All Them Witches released their last album, Nothing As The Ideal. That’s six years of massive changes on the world stage, from presidents to pandemics, dubious wars to heroic Moon explorations. For the band, on a personal level it’s been all change, too. When frontman Charles Michael Parks Jr (just Parks to those who know him) eventually joins Classic Rock and guitarist Ben McLeod on Zoom, he’s on the porch of his home in the wilds of rural Arkansas, “somewhere in the Ouachita mountains”, where he and his wife live an outdoorsy existence and their only friend is an elderly tractor driver. But in 10 days’ time they’re moving to Nashville, where there’s bright lights, noise and people, traffic and good food. “Just to give it a shot for a while and get out of the woods for a minute,” he says. It’s been all change on the band front as well. In fact, it’s fortunate that there still is a band. In 2024 they came within a hair’s breadth of calling it a day when drummer and founder member Robbie Staebler quit. The plan was to honour the festival dates they had booked, and then for McLeod to concentrate on the engineering and production work he does from his home in St Augustine, Florida, when he’s not on the road. Parks, meanwhile, would have carried on with his Jr Parks solo project. “And I don’t know, I’d go bag groceries at Walmart or something. Learn a trade. Learn how to weld.” (Image credit: Travis Shinn)It was only when they brought in drummer Christian Powers for those few last dates that they found a renewed sense of purpose. “After a couple shows, we realised that it didn’t suck,” says Parks.The frontman shrugs off questions about the reason for Staebler’s departure as “boring. You know, every band has lost members, and it changes and it grows”. “It’s definitely forced us as a band to get creative all over again,” McLeod admits. “I feel like we were kind of stuck in a rut for a little bit. But just having a breath of fresh air and a new drummer opened up new experimentations for us. So I guess that’s the silver lining of losing a core member of a band – you almost get to start over.” Fans will be queuing up to buy Powers a pint when they hear All Them Witches’ excellent new album House Of Mirrors, then, because they’ve hit gold with it. It’s fat-riffed, grungy stoner-doom power married to weighty psych experimentation, kicking off with a reinvention of an old traditional song, Red Rocking Chair, set ablaze with a breathtaking guitar riff. But what really sets the record apart is the blistering blues – not the mournful kind, the raging kind – at its foundation. “I grew up ear-deep in the blues,” says Parks, a lifelong fan of Abner Jay, Skip James and Lead Belly. “You think about what black-metal guys go to jail for, and all the heinous shit they do, but Lead Belly went to jail twice for killing guys over cards, and was so charming and played guitar so well he got released from prison twice for just being a nice guy. But he’d killed two people over a game of poker. That’s as metal as fuck.” McLeod, meanwhile, fell into a love affair with electric blues as a child when he discovered a Hendrix blues compilation.“I’m going back to more primitive stuff now,” he says. “If I hear a white-boy blues band now where it’s a squeaky clean mix, I just want to vomit.” Another new-album highlight, The Welterweight, with its intricate storytelling, reveals Parks’s family history as a source of inspiration, warts and all. “My great-grandfather was a welterweight boxing champion in Alabama,” he explains. “But he also was not a very good person. It’s not a heroic story; he was kind of an asshole. That song is born out of expectations, first with people, second with your own intentions on how to move about with other people, with society. "A lot of people underestimate the people around them and how tough they are and how hard they can love and how generous they are, like you never really know. So that’s what that song is about, the hidden capacities of people.”All of this comes at a point when the band are enjoying a higher profile than ever. They signed a big management deal. They’ve risen in popularity from underground alternative beginnings to audiences that are bigger with every tour. More impressively, they’ve done it all by carving out their own niche. They’ve toured as the first act on a bill with Primus and Mastodon, and played shows with The Sword, but mainly ploughed their own furrow, building their own fan base without piggybacking on others’ success. Their only other support slot, on tour with Ghost, showed why that was the right move. “The best way to describe it is ten thousand people just waiting for you to get off the stage,” says Parks. “And everybody in corpse paint looking at you, politely hating your music.” That dry, droll sense of the absurd is a running theme with the two men. You get the impression that they’re not starry-eyed about the industry. In fact they’re extremely matter-of-fact and businesslike, describing the band as a ‘company’ more than once. Living in different states, they don’t tend to hang out when they’re not on tour, and they’re very different people, too. Considering how they’ve changed over the past decade, McLeod admits to having a hot head and a quick temper. “I’ve been trying to have a better attitude and a more positive mindset on the road,” he says. Parks is the opposite. Previously he tended to live in his head and stay under the radar, but is now getting better at taking leadership and making decisions. “Maybe we’re just getting finer with time, aged like a fine wine,” he says. It certainly seems that way from a musical point of view. And as good as House Of Mirrors is, they’re looking to improve, having weathered recent storms and reignited their creative spark. “I just want to continue making interesting albums,” says McLeod. “I still don’t think that we’ve had the album yet.” “Yeah, there’s something in there that’s trying to come out,” Parks says in agreement. “I think what it takes is spending a little more time around each other to release the beast. But there’s something coming. Don’t know what it is, but it’s something back there.” House of Mirrors is out now via BMG
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Classic Rock Lovers
Classic Rock Lovers  
4 d

Hayley Williams, Deftones' Chino Moreno, Turnstile's Brendan Yates to appear on new Beabadoobee album Pylon
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Hayley Williams, Deftones' Chino Moreno, Turnstile's Brendan Yates to appear on new Beabadoobee album Pylon

Beabadoobee has announced details of her fourth album Pylon, and it features contributions from a host of familiar faces.The follow-up to the London-based singer-songwriter's 2024 album This Is How Tomorrow Moves will be released on September 18 via Dirty Hit and Interscope Records. Inspired by '90s alt. rock and midwest emo, it finds Beabadoobee collaborating with Hayley Williams, Deftones vocalist Chino Moreno, Turnstile frontman Brendan Yates, Title Fight guitarist Shane Moran and Pinegrove’s Evan Stephens Hall.The album is produced by Beabadoobee, Shane Moran and Luca Buccellati, with The 1975's Matty Healy and George Daniel producing Write Me a Letter. Pylon is available to pre-order here.The album track-list is:1. Pylon2. Sun Has Set3. Estranged4. Switchblade5. Write Me A Letter6. It’s Alright7. In Motion8. Memories9. Nothing To Prove [feat. Hayley Williams]10. Radio11. Powerlines [feat. Brendan Yates]12. Spark13. Despite That14. SatelliteThe album is introduced by the single Sun Has Set.Speaking about the single, Beabadoobee says, "A lot of the songs on this record are things I wish I could have said to someone. This song has this petty tunnel vision – it’s like, I hate you. You’re gonna stay here and listen to how much I hate you. Because I never got to say that."Watch the video below.Beabadoobee (aka Beatrice Laus) has also announced an extensive world tour, taking in iconic venues such as Red Rocks in Colorado and Madison Square Garden in New York."I didn’t think I’d ever play venues like this in my life," she admits. "It’s going to be epic."The Powerlines tour will call at:Jul 30: Hinterland Music Festival, IowaJul 31: Chicago The Salt Shed, ILAug 02: Lollapalooza, ILAug 04: Indianapolis Everwise Amphitheater, INAug 07: Red Rocks Amphitheatre, COOct 01: Uncasville Mohegan Sun Arena, CTOct 02: PhiladelphiaLiacouras Center, PAOct 03: Boston TD Garden, MAOct 05: New YorkMadison Square Garden, NYOct 07: Toronto Scotiabank Arena, CanadaOct 08: Laval Place Bell, CanadaOct 10: Columbia Merriweather Post Pavilion, MDOct 11: Raleigh Lenovo Center, NCOct 13: Orlando Addition Financial Arena, FLOct 14: Duluth Gas South Arena, GAOct 16: The Woodlands The Cynthia Woods Mitchell Pavilion, TXOct 17: Austin Germania Insurance Amphitheater, TXOct 19: Phoenix Talking Stick Resort Amphitheatre, AZOct 21: Los Angeles The Kia Forum, CAOct 24: San Diego Viejas Arena, CAOct 26: Oakland Oakland Arena, CAOct 28: Vancouver Rogers Arena, CanadaOct 29: Seattle Climate Pledge Arena, WANov 14: Glasgow OVO Hydro, UKNov 16: Cardiff Utilita Arena, UKNov 17: Manchester AO Arena, UKNov 18: London The O2, UKNov 23: Copenhagen K.B. Hallen, DenmarkNov 24: Stockholm Fryshuset Arenan, SwedenNov 27: Oslo Spektrum, NorwayNov 30: Paris Zenith, FranceDec 02: Amsterdam AFAS Live, NetherlandsDec 04: Brussels Forest National, BelgiumDec 06: Berlin Tempodrom, GermanyDec 07: Düsseldorf Mitsubishi Electric Halle, GermanyViolet Grohl and Wisp will support at various shows.A post shared by beabadoobee (@radvxz)A photo posted by on
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YubNub News
4 d

Is One Nation Winning Over Wealthier Voters?
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Is One Nation Winning Over Wealthier Voters?

A graphic composition created on Dec. 9, 2025, shows One Nation Senator Pauline Hanson (left) and Barnaby Joyce. AAP Graphics/Paul BravenOne Nation has traditionally drawn most of its support from the…
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