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Five SFF Books That Pair Heavy Topics With a Heap of Whimsy
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Five SFF Books That Pair Heavy Topics With a Heap of Whimsy
Author Rachel Griffin shares five books that assure the reader is safe in the story with whimsy and magic
By Rachel Griffin
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Published on March 5, 2026
The Elsewhere Express cover art by Haylee Morice
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The Elsewhere Express cover art by Haylee Morice
If there’s one thing I absolutely love in novels, it’s whimsy. I adore whimsy. Give me quirky characters, delightful magic, and unpredictable circumstances, and I’ll be turning pages all night long.
On the surface, whimsical elements may seem like they’re there solely for the charming tone they evoke, and while I’m all for that, these elements also provide a softness, a gentle reassurance that the reader is safe in the story. Some themes feel too heavy to explore in the reality of our world, but somehow feel safer in the context of a story.
When I was writing The Sun and the Starmaker, the whimsy created a comforting space for me to dig deeper into the parts of immortality that I wanted to explore, namely the guarantee that an immortal will outlive every person they’ve ever loved. That theme is a reflection of my greatest fear in life, but the magic of the world allowed me to pull on that thread without feeling like I’d completely unravel.
So without further ado, here are 5 books with whimsy that I absolutely love.
Once Upon a Broken Heart by Stephanie Garber
Stephanie Garber always delivers when it comes to that fairy tale feeling I can’t get enough of as a reader. Her stories are vibrant, romantic, and full of wonder and hope. Once Upon a Broken Heart has all the hallmarks of her writing that I love, and the whimsy in this book is just top-notch. Garber’s prose has a dreamlike quality that is so easy to sink into, lyrical and romantic and fitting for the most beloved of storybooks.
We’ve got humans turned to stone, lethal kisses, enchanted celebrations, and poison apples–just a handful of the whimsical delights found in this book. And tucked between all that magic are themes of love and loss, self-discovery and sacrifice. Once Upon a Broken Heart explores how far is too far to go for love—or if there’s even such a thing as too far. Is it possible for us to want something too much? These are big themes that ask big questions, but they don’t feel quite as daunting to try and answer when they’re wrapped in the wonder and whimsy of the Magnificent North.
Assistant to the Villain by Hannah Nicole Maehrer
Assistant to the Villain is laugh-out-loud funny and impossibly charming. Imagine a workplace setting with all the mundane annoyances that come with an office, but instead of working for a company, you’re working for a villain who’s only goal is to make the life of your realm’s king extraordinarily difficult. There’s a dragon, a frog that holds up signs, and the most delightful cast of characters. It’s just plain fun.
And yet, the book explores big ideas and themes that don’t feel as big because of the ridiculous (in the best way!), humorous bow they’re wrapped up in. The book examines the nature of good and evil, perfectly showing how each of us can be a hero and a villain. Evie goes to work for the most notorious person in the entire realm because her father is gravely ill, and it’s her only option; does trying to save her father justify the fact that she’s an accomplice to some truly horrific things? Would we do the same to save someone we loved?
It’s almost impossible for me to think about what I would do if, say, that were my dad, but in the kingdom of Rennedawn, with a handsome villain and excellent benefits, it isn’t quite as devastating.
Emily Wilde’s Encyclopaedia of Faeries by Heather Fawcett
This book is so cozy. It’s told in field journal entries as the main character—Emily Wilde—traverses a remote, snow-covered village in search of faeries. Emily takes her work extremely seriously and tries desperately not to be distracted by her colleague, Wendell Bambleby, who just happens to be a faerie himself. The lore in this world is vivid and rich, the side characters are endearing, and there is an adorable deal-making faerie named Poe.
What’s interesting about this novel is that there is actually quite a bit of darkness in it: the fae themselves are portrayed as dangerous and sinister, and many villagers have been kidnapped by them, either never to return or to return almost entirely unrecognizable. The undercurrent of danger and dark magic is always there, and yet the book feels cozy the whole way through.
I particularly love the way the book explores community (and the consequences of its absence). Emily isolates herself and has a hard time connecting with others, but her wit and scholarly tone blanket these things in a charm that feels utterly approachable. The whole book is this way, effortlessly blending heavier topics with whimsical storytelling, making it a comforting place to spend time even as it grapples with some heavier themes.
The Elsewhere Express by Samantha Sotto Yambao
I have to admit that I was first drawn to this book by the incredible cover. It depicts a train set against a cotton-candy sky, and the color palette is perfectly dreamy and eye-catching. The entire premise of the book screams whimsy: a magical train you can’t buy tickets to, the Elsewhere Express only appears to people whose lives are adrift. It carries cargo of purpose and belonging, with fantastical train cars that lead to different worlds.
The prose adds to the dreamlike quality of the book, giving it a wistful, gentle feeling throughout. Beneath the charming exterior lie explorations of grief and loss and finding one’s purpose in life. It shines a light on that feeling of aimlessness that so many of us have felt at one point or another, but it does it in a way that feels as if the book is gently whispering I see you.
The way The Elsewhere Express handles grief is beautiful, and while it doesn’t shy away from the profound effects that loss can have on a person, it maintains an ultimately hopeful tone that allows the reader to think about grief in a way that doesn’t feel unbearable. It’s that comforting, fantastical scaffolding that provides a safe place to think about deep fears and big questions.
The Star-Touched Queen by Roshani Chokshi
This book is one of those stories that reminds me of why I love reading so much. It’s gorgeous and immersive and perfectly lush, immediately transporting the reader to the enchanted kingdom of Akaran. Its whimsical tone doesn’t come as much from humor—though there certainly is humor—as much as it flows from the fairy tale, dreamlike quality that Chokshi’s writing creates.
There are, of course, magical elements that add to the atmosphere: a feisty talking horse with a sense of humor, a tree that bears memories instead of fruit, and a tapestry made of destiny and fate. The tapestry reflects one of the biggest themes of the book: the main character, Maya, is cursed to a marriage of death and destruction, highlighting the conflict between free will and destiny. Can Maya truly love Amar when her destiny was foretold? Can she have agency over her life when her horoscope cursed her to a certain fate?
Maya’s journey of self-discovery and claiming her power is profound, and Chokshi’s lyrical writing invites the reader on Maya’s journey like a comforting embrace, promising a surreal escape the reader is drawn into almost without realizing it.
As someone who spends way too much time overthinking and worrying about tragedy, I’m extremely grateful for stories that give me the space to acknowledge those fears in ways that feel just a little less frightening, a little less overwhelming. If there must be darkness in the world, at least it is softened by wonder and whimsy and breathtaking stories.[end-mark]
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The Sun and the Starmaker
Rachel Griffin
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The Sun and the Starmaker
Rachel Griffin
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