Marlon Brando made one of the biggest Hollywood comebacks in 1972 after playing the iconic role of Vito Corleone in Francis Ford Coppola’s “The Godfather.” The venerable actor's career had been on a decline for years after a series of flops and increasingly unruly behavior on set.Brando was a shoo-in for Best Actor at the 1973 Academy Awards, so the actor decided to use the opportunity to make an important point about Native American representation in Hollywood. Instead of attending the ceremony, he sent Sacheen Littlefeather, a Yaqui and Apache actress and activist, dressed in traditional clothing, to talk about the injustices faced by Native Americans.She explained that Brando "very regretfully cannot accept this generous award, the reasons for this being … the treatment of American Indians today by the film industry and on television in movie reruns, and also with recent happenings at Wounded Knee."The unexpected surprise was greeted with a mixture of applause and boos from the audience and would be the butt of jokes told by presenters, including Clint Eastwood. Littlefeather later said that John Wayne attempted to assault her backstage."A lot of people were making money off of that racism of the Hollywood Indian," Littlefeather told KQED. "Of course, they’re going to boo. They don't want their evening interrupted."Three months later, Brando explained his reasoning in an interview with late-night host Dick Cavett where he also discussed how all people of color are misrepresented in Hollywood. The interview was historic because Brando was known for avoiding the media. "I felt there was an opportunity," Brando told Cavett about the awards ceremony. "Since the American Indian hasn't been able to have his voice heard anywhere in the history of the United States, I thought it was a marvelous opportunity to voice his opinion to 85 million people. I felt that he had a right to, in view of what Hollywood has done to him."Brando’s eyes were opened after reading John Collier’s novel “Indians of the Americas.”“After reading the book I realized, I knew nothing about the American Indian, and everything that we are taught about the American Indian is wrong,” Brando said. “It’s inaccurate. Our school books are hopelessly lacking, criminally lacking, in revealing what our relationship was with the Indian.”“When we hear, as we’ve heard throughout all our lives, no matter how old we are, that we are a country that stands for freedom, for rightness, for justice for everyone, it simply doesn’t apply to those who are not white,” Brando said. “It just simply doesn’t apply, and we were simply the most rapacious, aggressive, destructive, torturing, monstrous people who swept from one coast to the other murdering and causing mayhem among the Indians.”Brando understood that the boos from his contemporaries were the sounds of powerful people who couldn’t stand having their industry and reality challenged. It was the sound of pure denial.But Brando was unapologetic about bursting the audience’s collective bubble.“They were booing because they thought, 'This moment is sacrosanct, and you're ruining our fantasy with this intrusion of reality. I suppose it was unkind of me to do that, but there was a larger issue, and it's an issue that no one in the motion picture industry has ever addressed themselves to, unless forced to,” Brando said.“The Godfather” star then expanded his thoughts on representation to include all people of color.“I don't think people realize what the motion picture industry has done to the American Indian, and a matter of fact, all ethnic groups. All minorities. All non-whites,” he said. “So when someone makes a protest of some kind and says, 'No, please don't present the Chinese this way.' ... On this network, you can see silly renditions of human behavior. The leering Filipino houseboy, the wily Japanese or the kook or the gook. The idiot Black man, the stupid Indian. It goes on and on and on, and people don't realize how deeply these people are injured by seeing themselves represented—not the adults, who are already inured to that kind of pain and pressure, but the children. Indian children, seeing Indians represented as savage, ugly, vicious, treacherous, drunken—they grow up only with a negative image of themselves, and it lasts a lifetime.”Hollywood is still far from ideal when it comes to being truly representative of America at large. But it is miles ahead of where it was in 1973 when the film industry, including some of its biggest stars, was outwardly hostile toward the idea of representation.In 1973, Marlon Brando was at the height of his power, which most would have relished, after a series of setbacks. But instead of taking the opportunity to bask in the spotlight, he spent a large portion of his star power capital to give voice to the people Hollywood had dehumanized for seven decades. This article originally appeared two years ago.

Vincent Van Gogh's "The Starry Night" is one of the most recognizable and beloved paintings in the world. It was completed in 1889 and has been part of the permanent collection of the Museum of Modern Art in New York City since 1941. It is not up for sale, but if it were to go to auction there is a chance it could fetch as much as billion dollars. Such a priceless work of art is perhaps a strange object for a parlor trick, but trust me when I tell you this one is worth it. Whether they are oases in the desert created by heat shimmer, an elephant with an indeterminate number of legs or straight lines that look crooked, optical illusions can throw our brains for a loop. They can also be super fun, and an optical illusion that makes the "Starry Night" painting turn into a moving picture is most definitely fun.The illusion, shared by Alex Verbeek on Twitter, involves two steps. First, you stare at the center of a spinning spiral image for 20 seconds, then you look at the painting. Staring at the spinning spiral isn't as easy as it sounds—it makes your eyes buggy and your brain hurt a little—but even if you don't do the full 20 seconds, you can probably get the effect. Aim for staring at the center of the spiral for at least 10 seconds, then watch "The Starry Night" come to life before your eyes. (You have to click "play" first, by the way. The spirals need to be swirling.) \u201c\ud83c\udfa8 \n\nThe best way to see Van Gogh's "Starry Night" is to stare at the center of the spiral for 20 seconds and then look at the painting.\n\nRT when it works for you. \n\nhttps://t.co/SsEN8K0nSf\u201d — Alexander Verbeek \ud83c\udf0d (@Alexander Verbeek \ud83c\udf0d) 1663275946 Want a larger version of the painting to try it out on? Here you go:The effect doesn't last long, but phew. Our brains are so bizarre.According to a 2009 study by Japanese researchers, motion in optical illusions is still processed in the brain the same way real motion is. So don't be surprised if the moving painting makes you feel a bit woozy, if you're prone to motion sickness.It's hard to believe that Van Gogh's "Starry Night" could be improved upon, but here we are. Definitely a "moving" experience to share with your friends. This article originally appeared two years ago.

by Mac Slavo, SHTF Plan: Israel has killed another high-profile leader of the Hezbollah militant group. Mohammed Afif is reportedly dead after an Israeli airstrike on Beirut, a member of the Lebanese paramilitary group has told the Associated Press.  Afif, who ran Hezbollah’s Al-Manar TV station for years before taking over as the group’s spokesman, delivered regular […]

by Hannah Knudsen, Breitbart: Leftists have a master plan to ensure that President-elect Donald Trump’s economy tanks: They are not going to buy anything. Leftists across the country are still reeling from Trump’s historic comeback victory, which saw him sweeping all seven swing states, garnering 312 electoral votes and also winning the popular vote after […]

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