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Let's Get Cooking
Let's Get Cooking
1 y

Our Top Picks from Amazon's 4th of July Sale
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Our Top Picks from Amazon's 4th of July Sale

Shop the top picks from Amazon's 4th of July sale. READ MORE...
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Let's Get Cooking
Let's Get Cooking
1 y

3 Cleaning Products You Definitely Don’t Need
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3 Cleaning Products You Definitely Don’t Need

And what to use instead! READ MORE...
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History Traveler
History Traveler
1 y

The Great Wall of Amazonian Pictographs Nobody Knows About
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The Great Wall of Amazonian Pictographs Nobody Knows About

  In the northwestern part of the Colombian Amazon rainforest, situated on the Chiribiquete plateau, one of the most astonishing archaeological sites on the continent remained hidden for decades. Since its discovery, more than 75,000 pictographs have been identified along 60 rock shelters at the base of the tepuis, table-top mountain formations with remarkable biodiversity. The figures represent what is believed to be the most ancient pictorial representations in the continent’s history, corresponding to humankind’s first arrival in the region, dating back to the end of the Pleistocene, 20,000 BCE.   A Sacred Prehistoric Space Photo of rock art by Jorge Mario Álvarez Arango, 2016. Source: UNESCO   The Serranía del Chiribiquete mountains are part of the Guiana Shield, a 1.7-billion-year-old geological formation home to the Amazon rainforest. The Serranía delineates the Shield’s border, with the Andes to the west and the Venezuelan-Colombian plains of the Orinoquía to the northeast.   One of the most impressive cultural aspects of the location is that, while the pictographs’ chronology appears to begin with the earliest human inhabitants in this geographical part of the Americas, the site continues to be occupied and venerated by five self-isolated indigenous communities protected by the park. They consider the Serranía del Chiribiquete an area of mythical importance, calling it the “Great Home of the Animals.”   Similar sites, such as the caves of Altamira and Lascaux in France, are often recognized as the richest archaeological pictograph sites. However, the vast number of elements identified on the walls of Chiribiquete, as well as its contemporary cultural significance to indigenous communities contribute to the site’s great archaeological value, as a surviving testament to the continent’s pre-historic heritage.   Discovering the Pictographs and Uncovering Their History Photo of rock art pictographs from Chiribiquete by an unknown photographer. Source: Condé Nast Traveler.   It is difficult to determine who first created these pictographs. It is believed that the earliest tribes with a cultural and mythological connection with the region were hunter-gatherers inhabiting the Serranía del Chiribiquete 24,000 years ago. Colombian archaeologist and philosopher Fernando Urbina suggests that the Caribes, an ethnic macro-family that includes several communities native to the pre-Columbian neotropical territory, were also present in the region during their expansion from the Guianas, between 1000 and 1500 CE.   The expansion of the Caribes ceased when the Spanish conquistadors invaded the Americas in the 16th century, searching the region for the legendary golden city of El Dorado. This conflict was depicted on the walls as well, registering another chapter of the local communities’ history. Representations of war against the Spanish have also been found on the walls, including depictions of horses and war dogs, which were not native to the region.   Photo of the Serranía del Chiribiquete by an unknown photographer, 2023. Source: Frankfurt Zoological Society.   In the 19th century, German botanist Carl Friedrich von Martius was the first to recognize the historical and ethnological implications of the region’s rock art and its connection with the local indigenous Caribe-related communities, or karijona. U.S. ethnobotanist Richard Evans Schultes described this community as the hombres-jaguar (jaguar men), still surviving alongside other ethnic communities in small protected areas in Colombia.   The pictographs were officially discovered, however, in 1987 by Colombian archaeologist Carlos Castaño, then director of the Colombian National Parks Authority. While flying from  San José del Guaviare to Araracuara, to an Amazonian national park to identify zones of deforestation, a storm hit, forcing him and his colleagues to change course. Fascinated by the local topography he was witnessing, he flew over the magnificent tepuis and two days later, he returned and discovered the high walls painted with different pictographs.   Despite his discovery, the internal armed conflict that affected the region afterward hampered further scientific research. However, the presence of guerillas and armed groups in the zone served as a de facto barrier against tourism and exploitative colonization, which helped preserve the archaeological location.   After the Fuerzas Armadas Revolucionarias de Colombia—Ejercito Popular (Revolutionary Armed Forces of Colombia—People’s Army, or FARC-EP) and the Colombian government signed a peace agreement in 2016, the Serranía became more popular and caught the attention of biologists, archaeologists, and historians worldwide. Castaño affirms that the pictographs that have been researched so far, corresponding to the north and central parts of the Serranía, represent just 5% to 8% of the total amount, and advocates for preserving the rocks from the potential destruction caused by tourism in the region.   The Serranía del Chiribiquete as a World Heritage Site Photo of Carlos Castaño in the Serranía del Chiribiquete by an unknown photographer. Source: El Heraldo.   Serranía del Chiribiquete is Colombia’s biggest national park, in a country known for being one of the most biodiverse in the world. The park is as large as the country of Denmark, and its natural diversity is the product of long-lasting natural and geographical isolation,  producing 20 identifiable ecosystems. The zone was recognized as a site of mixed cultural and natural heritage and declared a national park in 1989, which granted it special rights for the protection of biological and cultural diversity.   In 2018, Serranía del Chiribiquete was listed on UNESCO’s list of World Heritage sites as Chiribiquete National Park—“The Maloca of the Jaguar.” Maloca refers to the traditional houses where Amazonian indigenous communities live, whose design represents the architecture of the cosmos. As residential sites, malocas also function as spaces where culture and identity are reproduced. Within these communities, the jaguar is thought to possess sacred and mythical powers, attributed to it by local shamanism over the centuries. The site has also been given the name “Cerro donde se dibuja,” or “the drawing hill,” by the Karijona. This site of cultural heritage, in conjunction with the inclusion of the Traditional Knowledge of the Jaguar Shamans of Yuruparí on UNESCO’s list of Intangible Cultural Heritage Sites, has made the region one of the most prominent representatives of Amazonian culture and archaeology for the world.   Mythology of the Pictographs Photo of Chiribiquete National Park by Jorge Mario Álvarez Arango, 2015. Source: UNESCO.   On the tepui called Cerro Azul, a pale white wall with hundreds of pictographs rises from the ground vegetation. These representations are considered the first pictographic expression of pre-historic Colombia and the continent. This wall is 20 meters (66 feet) high and 100 meters (330 feet) long, with pictographs showing anthropomorphic, zoomorphic, phytomorphic, and geometric images, including hunting, complex choreographed dancing, and ceremonies with a particular emphasis on the jaguar figure.   This imagery reflects a concrete system of beliefs that organizes the relationships between the cosmos, nature, and man. The pictographs vary among symbolic, figurative, and naturalist representations, showing rigorous reflection on the relationships between humans and animals, access to and interchange of power and energies through shamanic rites, and the hunter-warrior-jaguar relationship.   Photograph of one of the murals by Jota Arango, 2020. Source: J. Cardona Echeverri, Universidad de los Andes.   These representations suggest an animist way of thinking, attributing consciousness to objects and elements of nature. It also suggests a mythical link between the jaguar-man, the jaguar-shaman, and the sun-jaguar god, which is still alive among many communities in the Amazon rainforest. Their oral history records this site as the “Great Home of the Animals,” today a place scholars consider a milestone for the geographical expansion and historical development of Latin American shamanic thinking.   The absence of lithic tools or ceramics in the zone suggests that the site had no utilitarian or domestic use. Instead, it is believed it had a more limited, sacred purpose for shamanic activities and reflection. The images also reveal that communities were preoccupied with preserving the spiritual power of the relationship between humans and nature, by depicting shamanic-related figures and scenes where psychotropic plants are used.   The Historical, Cultural, and Natural Importance of the Serranía del Chiribiquete Photograph of the pictographs in Serranía del Chiribiquete by Jonathan Acosta, 2020. Source: CanalTrece   The “Maloca of the Jaguar” emerges today as one of the continent’s most important cultural heritage sites. It weaves together historical, cultural, and natural threads that, although dating back to the end of the Pleistocene, have survived almost 20,000 years to the present. This sacred place and the symbolic significance of the pictographs depicted on its walls are highly appreciated by Colombian archaeologists and contemporary indigenous communities. The site’s resilience against time, natural degradation, war, and even sociopolitical armed conflict reveals it as a jewel of Colombian cultural and natural heritage for the world.   The pictographs illustrate how pre-Columbian communities’ shared system of beliefs and mythical figures intersected between the Amazon rainforest, the Andes, and the plains, persisting to the present day, specifically in the figures of the jaguar and shaman. The pictorial representations also demonstrate how both pre-Columbian and contemporary indigenous communities have been deeply reflecting on the ecological relationships between humankind and its surrounding nature, something post-industrial societies could learn from amid the ecological challenges of the 21st century.
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History Traveler
History Traveler
1 y

Who Was Elena/Eleno de Céspedes?
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Who Was Elena/Eleno de Céspedes?

  Elena de Céspedes probably wouldn’t be remembered by history if they hadn’t been charged, tried, and convicted by the Spanish Inquisition in the 16th century. Today, Céspedes would likely be considered intersex, non-binary, or possibly transgender, but such distinctions didn’t exist in Spain more than four centuries ago. Subjected to humiliating medical examinations, Céspedes tried to argue at their Spanish Inquisition trial that they had committed no crimes. Céspedes was also notable for coming from a humble background to eventually qualify as a surgeon.   Elena de Céspedes’ Early Years Painting of Alhama de Granada, Spain by Georg Braun. Source: Sanderus   Elena de Céspedes was born around 1545 in Alhama de Granada in Andalusia, Spain to Francisca de Medina, an enslaved Black Muslim woman, and Pero Hernández, a free, Christian, Castilian peasant. As an infant, Elena was branded on the cheeks to indicate that they were the mulatto offspring of a slave. Céspedes was freed from slavery as a child and later took the surname of a former owner’s wife.   At fifteen or sixteen years old, Céspedes married a stonemason named Cristóbal Lombardo. Within a few months, Céspedes was pregnant. Lombardo abandoned Céspedes before the baby was born because they “did not get along.” According to testimony later given by Céspedes, they and Lombardo only lived together “as man and wife” for about three months. After the baby boy was born, Céspedes left the baby with friends and began an itinerant life moving from town to town throughout southern and central Spain.   During this time, Elena de Céspedes changed careers several times to include tailor, hosier, weaver, farmhand, shepherd, soldier, and finally, licensed surgeon. After a fight during which a pimp was stabbed (and Elena was jailed for this), Elena changed from female to male dress, had affairs with women, and began to call themself by the masculine form of their name, Eleno. They later explained to the Spanish Inquisition tribunal that the change to men’s clothes was to disguise them from threats made by the pimp and his friends.   Examples of 16th-century Spanish court dress. Source: World4   After being released from jail, Eleno found work as a farmhand and a shepherd, but an acquaintance denounced them to the corregidor (a local administrative and judicial official). The corregidor arrested Eleno, but Eleno was released on the condition that they began dressing as a female again. Eleno ignored this and was later involved in putting down the Morisco Revolt as a soldier.   Céspedes was literate; after purchasing several books on surgery and medicine, and with the help of a friend who was a Valencian surgeon, Céspedes trained themself to be a surgeon in Madrid. Céspedes never studied medicine at a university but did obtain a medical license for “bleeding and purging” and another one for surgery. Céspedes worked as a surgeon in Valencia and Madrid for nearly a decade.   Céspedes’s Second Marriage to a Woman 16th and 17th century surgical instruments. Source: The Wellcome Collection     In December 1584, Céspedes and a woman named María del Caño, who was the daughter of an artisan, applied for a marriage certificate. Eleno’s lack of facial hair caused the vicar of Madrid, Juan Baptista Neroni, to question if Eleno was a eunuch. In order to get the vicar’s approval, Eleno was examined (only from the front) by four men (including a doctor). The four men declared that Eleno had male genitalia and wasn’t a eunuch. Céspedes and Caño were given a license to marry.   After the banns were announced, two townspeople told the local priest that Céspedes was “male and female” with genitalia of both sexes. The priest refused to officiate the marriage, so Neroni arranged for Eleno to be subjected to a second examination performed by King Felipe II’s doctor and a Madrid doctor. The examination took place on February 17, 1586, and the doctors reported that Céspedes had male genitalia, as well as characteristics that might indicate a vagina. This was enough for the marriage to get the go-ahead, and Céspedes and Caño were married in April 1586.   The Inquisition Tribunal by Francisco Goya, 1808-1812. Source: Public Domain via Wikimedia Commons via Bates College   More than a year later, in June 1587, the couple was arrested on the charge of sodomy. (In this case, sodomy was defined as an “unnatural” sexual act because it was non-procreative and same-sex). The previous December, Céspedes and Caño had moved to the town of Ocaña because there was a vacancy for a surgeon. The chief mayor of Ocaña had made the accusation because he had known Céspedes at the military encampment in Granada during the Morisco Revolt, where some said that Céspedes was a woman while others said they were both male and female.   The couple was imprisoned in the municipal jail. On July 4, 1587, Céspedes was formally accused of sodomy, deceiving Caño and her father, transvestism, and using witchcraft to appear as a man to earlier medical examiners. Eleno argued that the marriage was legitimate because they had a penis at the time of the marriage to Caño.   The Spanish Inquisition Takes Up Cespedes’ Case The first page of the Proceso de fé de Elena de Céspedes. Source: Portal de Archivos Españoles   The bailiff asked the vicar general to punish the couple severely, and the penalty for female homosexuality was death. However, the Toledo tribunal of the Spanish Inquisition ordered the secular and episcopal authorities to turn the case over to them because the charge of witchcraft was within the Spanish Inquisition’s jurisdiction. Eleno and María were transferred to an Inquisition jail. The Spanish Inquisition authorities charged Céspedes with sorcery and disrespect for the sacrament of marriage.   The inquisitors focused on Céspedes’s claim to be, in their words, a “hermaphrodite.” Céspedes stated that both their marriage in the 1560s and their marriage in the 1580s were valid because they had been a woman during the first marriage but a man during the second marriage. Céspedes explained how this had happened:   “What happened is that when I gave birth, I did so with such force in my [woman’s] part, that a piece of skin broke out above my urethra and a head emerged about half the size of a thumb, like so, which resembled the swollen head of a male member, which, when I had natural passion and desire, came out, as I said. When I felt desire it got bigger. I gathered the member up and put it back in the place where it had come from so that the skin wouldn’t break.”   Céspedes also told the tribunal that this new organ was initially curved downward by skin, but they were able to use their surgical skills to sever this skin. Céspedes said that from that point on, they were able to use their male organ as men do and even provided names of previous partners who could attest to their sex. Several witnesses, including doctors and female lovers, testified that they had viewed Céspedes as a man.   An example of a 16th-century anatomy textbook. Source: New York Academy of Medicine     Céspedes told the tribunal that “…I prepared certain remedies with wine and alcohol, and many other remedies to see if I could close my woman’s part. Even though I couldn’t close it completely, I could squeeze it shut to make it look closed. With all the remedies I prepared, my woman’s part wrinkled up and got so narrow that nothing could be put inside it.”   During the earlier medical examination, Céspedes explained away a “hard wrinkled spot” as “a hemorrhoid I’d gotten, which I cauterized and which had left behind this hard knot.”   Midwives also gave evidence to the tribunal, explaining that they had examined and penetrated what they had interpreted to be Céspedes’s vagina with a candle. The midwives had found Céspedes’s vagina so tight and resistant to penetration that they concluded Céspedes was not only female but also a virgin. Called upon to explain the lack of visible evidence of a penis, Eleno said that it had been injured after a riding injury, and it had been amputated shortly before their imprisonment. King Felipe II’s doctor was ordered to do another examination. This time, the doctor found only female genitalia, but he maintained that he had seen male genitals during his earlier examination.   The inquisitors also argued that Eleno’s wife should have noticed when Céspedes menstruated. Céspedes said they had done, but it had always been an infrequent cycle. Caño told the authorities that when Céspedes had blood on their nightshirt, Céspedes had said that it was bleeding caused by horseback riding.   Cespedes’ Verdict & Sentence Depiction of an auto-da-fé, by M. Robert Fleury. Source: Nobbot   The Toledo medical examiners said that Céspedes was and always had been female, but the tribunal decided not to rule on the “legally messy” charges of sodomy and witchcraft. Instead, Céspedes was convicted of sorcery and disrespect of the sacrament of marriage for failing to document Cristóbal Lombardo’s death before marrying Caño. The tribunal imposed the sentence that male bigamists of that era received: 200 lashes and ten years of confinement. Caño was exonerated of knowingly doing anything wrong and was released.   Céspedes was also subjected to an auto-da-fé, a public ceremony in which sentences of those brought before the Spanish Inquisition were read out, and then the sentences were executed by the secular authorities. Céspedes was paraded around Toledo’s central square in a mitre and robes.   Because of their medical skills, Céspedes was ordered to spend their ten-year sentence looking after the poor in a public hospital while dressed as a woman. Assigned to the Hospital del Rey in Toledo, many people went there just to see Céspedes and to receive treatment from them if necessary. On February 23, 1589, the hospital administrator requested that Céspedes be moved to a more remote facility because their presence was causing an “annoyance and embarrassment.”   Who Was Elena de Céspedes? Elena/Eleno de Céspedes. Source: El Diario   Historical and medical studies have since tried to classify Elena de Céspedes as intersex, a hypospadiac male, a lesbian woman, transgender, and non-binary. In Céspedes’s own words, “In reality, I am and was a hermaphrodite. I have and had two natures, one of a man and the other of a woman.”   Céspedes described not only their physiology but was also able to give “behavioral and psychological explanations for his masculinity” that they had lived with for decades. Céspedes also recalled their knowledge of medicine and history, citing Aristotle, Augustine, Cicero, and Pliny to argue that their intersex body was not “unnatural or unprecedented.”   Spanish Inquisition document signed by Eleno de Céspedes. Source: TextoRblog   Most of the known information about Elena de Céspedes comes from the Spanish Inquisition trial and the testimony given during it. During the trial, Spanish Inquisition scribes inconsistently used both masculine and feminine pronouns to describe Céspedes. In their own testimony, Céspedes described themself in masculine terms only.
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Country Roundup
Country Roundup
1 y

Ryan Reynolds 'Tricks' Dolly Parton Into Promoting His Docuseries
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Ryan Reynolds 'Tricks' Dolly Parton Into Promoting His Docuseries

Ryan's show is currently in its third season. Continue reading…
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Country Roundup
Country Roundup
1 y

John Deere CEO Selling Spectacular $3.9 Million Barn Mansion
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John Deere CEO Selling Spectacular $3.9 Million Barn Mansion

The truly one-of-a-kind property has to be seen to be believed. Continue reading…
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Conservative Voices
Conservative Voices
1 y ·Youtube Politics

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Donald Trump's Debate Strategy To Overcome the CNN Rules Favoring Biden, with The Fifth Column
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Conservative Voices
Conservative Voices
1 y ·Youtube Politics

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Megyn Kelly Previews Her Interview with Steve Bannon - Her First On-Camera Conversation With Him
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Conservative Voices
Conservative Voices
1 y ·Youtube Politics

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CNN Explains How They'll Mute Microphones During Trump-Biden Debate, with The Fifth Column Hosts
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Conservative Voices
Conservative Voices
1 y ·Youtube Politics

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Deck Stacked Against Trump in CNN Debate... Like When Chris Wallace Moderated? With Fifth Column
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