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4 w

How one AI startup is helping rice farmers battle climate change
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How one AI startup is helping rice farmers battle climate change

Mitti Labs is working with The Nature Conservancy to expand the use of climate friendly rice farming practices in India. The startup uses its AI to verify reductions in methane emissions.
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Trending Tech
Trending Tech
4 w

YouTube’s ‘Hype’ feature that boosts smaller creators launches globally
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YouTube’s ‘Hype’ feature that boosts smaller creators launches globally

Viewers have the opportunity to hype up to three videos per week for a favorite creator. This gives the video points, which helps it gain traction on a new, ranked leaderboard.
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Trending Tech
Trending Tech
4 w

Google Translate takes on Duolingo with new language learning tools
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Google Translate takes on Duolingo with new language learning tools

Translate is also getting new live capabilities to make it easier to communicate in real-time with a person speaking a different language.
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Trending Tech
Trending Tech
4 w

After falling behind in generative AI, IBM and AMD look to quantum for an edge
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After falling behind in generative AI, IBM and AMD look to quantum for an edge

As IBM and AMD look to regain ground after falling behind on the generative AI boom, the move could position them as key infrastructure players in a future where quantum and AI converge.
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Trending Tech
Trending Tech
4 w

Apple is holding its iPhone 17 event on September 9
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Apple is holding its iPhone 17 event on September 9

Apple said today that it is holding its event for the iPhone 17 on Tuesday, September 9 — just like last year. The company has started sending invites for the event, which will be held at the Steve Jobs theatre in Cupertino and will start at 10 a.m. PT/ 1 p.m. ET. While the company is […]
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Country Roundup
Country Roundup
4 w

Watch George Jones, Alan Jackson, Vince Gill, & Randy Travis Sing “He Stopped Loving Her Today” Back In 1992
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Watch George Jones, Alan Jackson, Vince Gill, & Randy Travis Sing “He Stopped Loving Her Today” Back In 1992

Nothing like 4 country music legends sitting together at one table, am I right? Thanks to Burt Reynold’s short-lived TV show, Burt Reynolds’ Conversation With, country music fans can find footage of four icons together, in one room, singing some good old fashioned country classics. Did you know Burt Reynolds had his own TV show? No? Me neither, but that’s most likely because it technically ran from 1991 to 1992, although there were only four episodes in total. Is it even considered a TV show if you only aired 4 episodes? I’m not too sure to be honest… Apparently, Burt Reynolds struck a deal with CBS when he signed on to be a star of the hit sitcom Evening Shade. If he did the show, he also wanted to do a talk show along with it, so the network obliged and gave him four hours worth of time, which turned into four one-hour episodes airing in primetime. But what Burt lacked in quantity he made up for with quality. During his 4-show run, he featured guests that included Dolly Parton, Ricardo Montalban, Jimmy Stewart, Tanya Tucker, Lorrie Morgan, and this little 4-piece combo… a magical, roundtable moment with country music legends George Jones, Vince Gill, Randy Travis and Alan Jackson. We’re talking about more than 30 Grammy wins between the 4 of them, 40 CMA Award wins, and more than 30 ACM wins between the group. And that’s wins, we’re not even talking about nominations. Just an absolute powerhouse quartet of country music royalty. Though the show was conversation driven (with Burt Reynolds leading the way), you obviously aren’t going to get that many talented country artists all in one room without a performance at some point. That’s why this video exists of the four accomplished artists singing George Jones’ “He Stopped Loving Her Today,” as well as a portion of Hank Williams’ “I’m So Lonesome, I Could Cry” from 1949. Ol’ Possum takes the lead for his own 1980 hit, and Randy does the honors for the Hank Williams classic. Check it out: Just beautiful. Absolutely incredible. No notes whatsoever. Honestly, with a group like that, it’s tough to believe that this show only went on for 4 episodes, but my hunch is that Burt might’ve just needed a little taste of a hosting gig to know that he didn’t want to do it anymore. There’s not much information about the show out there, but I’m pretty confident (about 75% confident) that it wasn’t canceled. It just didn’t continue after the agreed upon four hours of time aired on CBS. If you have 45 minutes to kill, and you have a high tolerance for old timey TV static (makes you feel grateful that we moved past VCRs), then you can actually take in the ENTIRE episode of Burt Reynolds’ Conversations With, featuring George Jones, Vince Gill, Randy Travis, and Alan Jackson. Prepare to be transported back in time: The post Watch George Jones, Alan Jackson, Vince Gill, & Randy Travis Sing “He Stopped Loving Her Today” Back In 1992 first appeared on Whiskey Riff.
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Country Roundup
Country Roundup
4 w

Zach Top Says He Has “A Lot Of Respect” For Morgan Wallen Despite Differing Styles – “It’s Not My Cup Of Tea Musically”
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Zach Top Says He Has “A Lot Of Respect” For Morgan Wallen Despite Differing Styles – “It’s Not My Cup Of Tea Musically”

With his sophomore album, Ain’t In It For My Health, coming out in just THREE days, buzz surrounding Zach Top is arguably at an all-time high. That buzz, of course, is for good reason. Beyond being one of the best guitarists in the genre right now, the Washington native has proven himself to be an underrated songwriter, a silky smooth vocalist and an all-around charmer both on-stage and in interviews. Couple that with an ACM Award win for New Male Artist, a MusicRow Award win for Discovery Artist of the Year and a fanbase that seemingly grows stronger by the day, and the “Use Me” singer has cemented himself as one of the fastest-rising country stars we’ve seen in recent memory. Upon Ain’t In It For My Health’s imminent release this week, Top sat down with The New York Times to discuss everything from the new record, his roots in bluegrass, recording his debut album with legends such as Brent Mason, his ’90s influences and even Morgan Wallen. One topic that has undeniably dominated the discourse surrounding Top as an artist over the past year is his sound and style. Clearly harkening back to ’80s and ’90s legends such as Alan Jackson, Keith Whitley, Clint Black, George Strait and more, he’s often caught flak from critics due to sounding “too derivative” to some. Though I’d argue there’s a clear difference between being influenced by a certain style or era and directly ripping something off, these arguments have persisted. For Top, the ’90s influence and subsequent title of “savior of traditional country” was never a decision he consciously made (or wanted). In the interview, he noted that his influences stretch way back to the likes of ’60s giants such as Merle Haggard and George Jones and even older legends such as Hank Sr. and Lefty Frizzell: “There was never any calculated decision to be like, Hey, you know what? It’s the ’90s thing. It’s just, when I write and sing and play, this is what comes out of me. I’m obviously very heavily influenced by that stuff, but in all my time being a student of the music and digging back, I went way further back from the ’90s, you know. It was Merle, George Jones, Hank Williams, Lefty Frizzell, back to the ’40s and ’50s.” Another talking point that has appeared throughout Top’s rise to fame is the stark contrast between his sound and other modern stars who are dominating the charts, such as Morgan Wallen. There’s absolutely no denying that Top and Wallen exist on two opposite ends of the spectrum of country music (if you can even call a bulk of Wallen’s recent releases “country”). With that being said, it’s becoming common to pit traditionalists like Top, Jake Worthington, Cody Johnson and more up against the pop-influenced stars like Wallen. Though the argument itself feels like beating a dead horse at this point, given that the “Last Night” singer has so rigidly stuck to his admittedly effective formula of blending pop and trap elements into his music, it hasn’t stopped many from continuously highlighting the major differences between styles. On the topic of Wallen, the “I Never Lie” singer noted that he has a lot of respect for him despite the Tennessee native’s music not being quite for him: “I got a lot of respect for what Morgan Wallen does. It’s not my cup of tea musically, obviously, but it’s him. I can’t sing ‘Whiskey Glasses’ and have a hit on it. It’s not me.” It’s pretty refreshing to see Top be honest and realistic about his thoughts on Wallen here. I don’t think it’s a shock to hear that he’s not the biggest fan of his style, given how traditional he is, but as many have said in the past, you have to respect the unworldly success he’s experienced the last five or so years. It’s nice to see someone like Top be respectful to someone else’s craft even if they don’t personally like the songs themselves, especially in an era that has seen an increasing amount of senseless beef between artists (I’m looking at you, Gavin Adcock). While you’re here, fire up Top’s latest heartbreaker, “South of Sanity:” Zach Top Tour Dates August 28—New York, NY—Madison Square Garden Arena* August 29—Burgettstown, PA—The Pavilion at Star Lake* August 30—Clarkston, MI—Pine Knob Music Theatre* September 26—College Station, TX—Live at the Station September 27—Lubbock, TX—Cook’s Garage+ September 28—Morrison, CO—Red Rocks Amphitheatre‡ September 29—Morrison, CO—Red Rocks Amphitheatre‡ October 3—Charlottesville, VA—John Paul Jones Arena‡ October 4—Ocean City, MD—Country Calling 2025 October 9—Knoxville, TN— Thompson-Boling Arena at Food City Center+ October 10—Louisville, KY—KFC Yum! Center+ October 11—Evansville, IN—Ford Center+ October 16—Brandon, MS—Brandon Amphitheater+ October 17—Bossier City, LA—Brookshire Grocery Arena+ October 18—Oklahoma City, OK—Paycom Center+ October 23—Greensboro, NC—First Horizon Coliseum+ October 24—Charleston, SC—Credit One Stadium+ October 25—Simpsonville, SC—Greenville Country Music Festival October 30—Missoula, MT—Adams Center‡ October 31—Billings, MT—MetraPark – First Interstate Arena at Metrapark‡ November 1—Casper, WY—Ford Wyoming Center‡ November 6—Hollywood, FL—Stars and Strings 2025 November 7—Bismarck, ND—Bismarck Event Center‡ November 8—Rapid City, SD—Summit Arena at The Monument‡ November 13—Eugene, OR—Matthew Knight Arena‡ November 14—Seattle, WA—Climate Pledge Arena‡ November 15—Vancouver, BC—Rogers Arena‡ November 22—Kennewick, WA—Toyota Center‡ November 23—Kennewick, WA—Toyota Center‡ December 12—Las Vegas, NV—MGM Grand Garden Arena‡ *as part of Dierks Bentley’s Broken Branches Tour +with special guest Andy Buckner ‡with special guest Jake WorthingtonThe post Zach Top Says He Has “A Lot Of Respect” For Morgan Wallen Despite Differing Styles – “It’s Not My Cup Of Tea Musically” first appeared on Whiskey Riff.
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Country Roundup
Country Roundup
4 w

Shooter Jennings Says Waylon Was “Psychologically Affected” By Buddy Holly’s Tragic Death: “He Had To Live With Purpose Because He Survived”
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Shooter Jennings Says Waylon Was “Psychologically Affected” By Buddy Holly’s Tragic Death: “He Had To Live With Purpose Because He Survived”

The inside scoop on Waylon and Buddy. Of course, if you’re as big of a fan of Waylon Jennings as I am, then you’ve probably heard all about how his son, Shooter, discovered a treasure trove of unreleased Waylon music, which he managed to turn into three separate albums that are slated for release. The first one, Songbird, will be out on October 3rd. I’m sure we’re all looking forward to hearing the music, and of course, Shooter has been making his rounds in the press talking about the process of putting this all together, and how he was influenced by his father growing up around so much incredible music. During an interview on The Vinyl Guide podcast, Shooter recalled how much the death of Buddy Holly affected his dad over the years. The infamous story goes that on February 3rd, 1959, a Beechcraft Bonanza carrying rock and roll legend and pioneer, Buddy Holly, and several other artists, took flight from a small Iowa airport and flew into a blizzard, crashing about five miles from the airport and killing everyone on board. Among the others killed were “La Bamba” star, Ritchie Valens, J.P. “Big Bopper” Richardson, and the pilot, Roger Peterson. Buddy had chartered a plane that was supposed to take them to Moorhead, Minnesota, where they would be able to get a few more hours of sleep before the next run of shows on the Winter Dance Party tour. Their tour bus heat had gone out days before, and one of the other band members actually had to leave in the middle of tour because they got frost bite on the bus… it was that cold on their Midwest run. Being that they were zigzagging through the Midwest during a brutal winter, the band had already been stranded several times, and Buddy wanted to get where they were going and have time to catch up on laundry and things before the next show. A Young Waylon Jennings Waylon Jennings, who played bass guitar for Buddy at the time, was supposed to be on that plane, as well. But he offered his seat to a sick J.P. Richardson, and decided he would take the bus and meet up with the rest of the band at the next stop. They’d actually been given a loaner bus after the engine of their regular bus froze up in Wisconsin a few days prior, so they were traveling in a converted school bus with no heat. Buddy jokingly told Waylon he hoped the bus would break down again since Waylon opted to drive on the freezing bus instead of fly, to which Waylon hauntingly responded: “I hope your ol’ plane crashes.” Buddy Holly was one of his very best friends, and the tragic event stuck with Waylon for the rest of his life, as did the lingering guilt that he narrowly evaded death when he didn’t understand why it all happened the way it did: “I was so afraid for many years that somebody was going to find out I said that. Somehow I blamed myself. Compounding that was the guilty feeling that I was still alive. I hadn’t contributed anything to the world at that time compared to Buddy. Why would he die and not me? It took a long time to figure that out, and it brought about some big changes in my life — the way I thought about things.” Buddy was the first person to believe in Waylon’s musical talent, after they became friends when Waylon was a DJ at KLLL in Lubbock, Texas. In 1958, Buddy financed, produced and played on Waylon’s first recording, “Jole Blon”. In fact, two weeks before the aforementioned tour, Buddy bought Waylon a bass guitar and told him to learn how to play it before they hit the road. Waylon says he never took the time to learn to play the correct way, he just memorized every song in Buddy Holly’s catalog instead. In his book, Waylon: An Autobiography, Waylon opened up about how he carried Buddy’s legacy into his own life and career, and how those lessons propelled him to the forefront of the outlaw country music movement of the 1970’s: “He had a dose of Nashville where they wouldn’t let him sing it the way he heard it and wouldn’t let him play his own guitar parts. Can’t do this, can’t do that. ‘Don’t ever let people tell you you can’t do something,’ he’d say, ‘and never put limits on yourself.’ Years later, I’d be in the studio, and the track would really get in the pocket and feel good, and I’d hear those Nashville producers saying scornfully, ’Man, that sounds like a pop hit.’ And I’d remember Buddy talking to me, telling me they thought he was crazy, as that freezing bus moved down the highway from Green Bay, Wisc., to Clear Lake, Iowa.” Waylon clearly went on to become an iconic legend in his own right, but not without the unwavering belief in himself that Buddy helped him uncover years prior. Shooter On How The Crash Affected His Father Shooter recalled that Buddy and his father had been friends since Waylon was a young DJ in Lubbock, Texas, and Buddy took him under his wing. In fact, Buddy and his band, The Crickets, were supposed to be heading out on a European tour not long after the crash, and Waylon was going to open for them: “Buddy kind of took him under his wing, took him to New York for the first time and really confided in him, and produced some songs on him and asked him to be in the band when he had a disagreement with the Crickets. Put together a band for that last tour, and they were going to go tour in Europe and my dad was going to open the shows, and that was kinda the plan. But yeah, he was his best friend for years, and then the thing happened. They knew each other back in town and everything, in Lubbock, from when my dad was DJ’ing and he was hanging around the studio.” In fact, most people don’t know that Waylon had to fill in for Buddy at the rest of their shows, which had to be unimaginably difficult. He was also responsible for getting Buddy’s guitar and amp back to his parents, and he carried all of that sadness for a very long time. Shooter says he “never went back” the crash site and venue they were at that night until years later, when he was booked there by mistake: “Crazy, crazy. Can you imagine that? To have just been through that and have to do that. He had to bring Buddy’s guitar and amp back to his parents. He talked about Buddy almost every damn day. But at the same tome, I think he had had some release of it at different points. He never went back there, and one time he accidentally got booked there in like 1999. He didn’t realize he was going there until he got there, and it had always been on a list of places he would never go back to. After that, he said he was able to look at the plane wreckage. He had never been ale to look at the picture of the wreckage until after that. So I think he kind of came full-circle with it later in life. But the whole thing, yeah, it wrecked him for like ten years, then he kinda came back to music.” But possibly the most interesting part of this story was how much Shooter says it “psychologically affected” his dad, because it did become known as “the day music died,” and Waylon felt like “he did it” in a sense after what he said the last time he saw Buddy and part of the band. I think most people would be haunted by that, and he certainly was. Ultimately, though, Waylon knew he couldn’t change any of it, though it “haunted” him to a certain extent forever: “But I think it definitely psychologically affected him. Imagine the whole thing being called ‘the day music died,’ and you did it, you know what I mean? I think he came to terms with it at a young age, too, that he knew he couldn’t change it. But it still haunted him, and I think he felt in a lot of ways that he was on bonus time from that point forward. That he had to kinda of live with purpose in a way because he survived.” It’s understandable how much that shaped Waylon’s outlook and career, but it’s really interesting to hear about it from Shooter’s perspective, who was obviously privy to a lot of information that none of us would ever know otherwise. It was a massive tragedy that none of them could have predicted or stopped, but still, that doesn’t change how sad it was for those closest to them. He has done an incredible job carrying on the family music legacy, becoming a highly sought-after producer himself, and I know he’s making his dad proud with how he continues to help create great music that becomes the soundtrack to people’s lives, just like Waylon. The full podcast is available below. The post Shooter Jennings Says Waylon Was “Psychologically Affected” By Buddy Holly’s Tragic Death: “He Had To Live With Purpose Because He Survived” first appeared on Whiskey Riff.
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Conservative Voices
Conservative Voices
4 w

BOOM VIDEO – Snoop Dogg comes out against woke Hollywood movies for kids
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BOOM VIDEO – Snoop Dogg comes out against woke Hollywood movies for kids

Snoop Dogg was on a podcast yesterday and related how uncomfortable he was watching Lightyear with his grandson in the theaters after they showed a woman having a baby with another woman. . . .
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Conservative Voices
Conservative Voices
4 w

BREAKING: Federal judge throws out Trump lawsuit against 15 federal judges over order blocking deportations
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BREAKING: Federal judge throws out Trump lawsuit against 15 federal judges over order blocking deportations

A federal judge just dismissed a lawsuit by the Trump administration against 15 federal judges in Maryland, challenging an order that prevented immediate deportations of illegals who are challenging the legality of . . .
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