Robots are becoming increasingly capable in vision and movement, yet touch remains one of their major weaknesses. Now, researchers have developed a miniature tactile sensor that could give robots something much closer to a human sense of touch. The technology, developed by researchers at the University of Cambridge, is based on liquid metal composites and […]

IDF sources confirmed to The Jerusalem Post on Saturday night that the air force has attacked significant oil resources in the Tehran region of Iran. According to the sources, the oil resources being attacked are directly connected to Iran’s military industrial complex. It was unclear what distinctions the IDF would make in such attacks regarding […]

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Government invasion of a reporter’s home, and seizure of journalistic materials, is exactly the kind of abuse of power the First Amendment is designed to prevent. It represents the most extreme form of press intimidation.  Yet, that’s what happened on Wednesday morning to Washington Post reporter Hannah Natanson, when the FBI searched her Virginia home and took her phone, two laptops, and a Garmin watch.  The Electronic Frontier Foundation has joined 30 other press freedom and civil liberties organizations in condemning the FBI’s actions against Natanson. The First Amendment exists precisely to prevent the government from using its powers to punish or deter reporting on matters of public interest—including coverage of leaked or sensitive information. Searches like this threaten not only journalists, but the public’s right to know what its government is doing. In the statement published yesterday, we call on Congress:  To exercise oversight of the DOJ by calling Attorney General Pam Bondi before Congress to answer questions about the FBI’s actions;  To reintroduce and pass the PRESS Act, which would limit government surveillance of journalists, and its ability to compel journalists to reveal sources;  To reform the 108-year-old Espionage Act so it can no longer be used to intimidate and attack journalists.  And to pass a resolution confirming that the recording of law enforcement activity is protected by the First Amendment.  We’re joined on this letter by Free Press Action, the American Civil Liberties Union, PEN America, the NewsGuild-CWA, the Society of Professional Journalists, the Committee to Protect Journalists, and many other press freedom and civil liberties groups. Further Reading:   Joint Statement of Press Freedom Groups Condemning FBI Actions

Earlier this month, Iran’s internet connectivity faced one of its most severe disruptions in recent years with a near-total shutdown from the global internet and major restrictions on mobile access. EFF joined architects, operators, and stewards of the global internet infrastructure in calling upon authorities in Iran to immediately restore full and unfiltered internet access. We further call upon the international technical community to remain vigilant in monitoring connectivity and to support efforts that ensure the internet remains open, interoperable, and accessible to all. This is not the first time the people in Iran have been forced to experience this, with the government suppressing internet access in the country for many years. In the past three years in particular, people of Iran have suffered repeated internet and social media blackouts following an activist movement that blossomed after the death of Mahsa Amini, a woman murdered in police custody for refusing to wear a hijab. The movement gained global attention and in response, the Iranian government rushed to control both the public narrative and organizing efforts by banning social media and sometimes cutting off internet access altogether.  EFF has long maintained that governments and occupying powers must not disrupt internet or telecommunication access. Cutting off telecommunications and internet access is a violation of basic human rights and a direct attack on people's ability to access information and communicate with one another.  Our joint statement continues: “We assert the following principles: Connectivity is a Fundamental Enabler of Human Rights: In the 21st century, the right to assemble, the right to speak, and the right to access information are inextricably linked to internet access. Protecting the Global Internet Commons: National-scale shutdowns fragment the global network, undermining the stability and trust required for the internet to function as a global commons. Transparency: The technical community condemns the use of BGP manipulation and infrastructure filtering to obscure events on the ground.” Read the letter in full here. 

So many data breaches happen throughout the year that it can be pretty easy to gloss over not just if, but how many different breaches compromised your data. We're diving into these data breaches and more with our latest EFFector newsletter. Since 1990, EFFector has been your guide to understanding the intersection of technology, civil liberties, and the law. This latest issue tracks U.S. Immigration and Customs Enforcement's (ICE) surveillance spending spree, explains how hackers are countering ICE's surveillance, and invites you to our free livestream covering online age verification mandates. Prefer to listen in? In our audio companion, EFF Security and Privacy Activist Thorin Klosowski explains what you can do to protect yourself from data breaches and how companies can better protect their users. Find the conversation on YouTube or the Internet Archive. LISTEN TO EFFECTOR EFFECTOR 38.1 -

We're taking part in Copyright Week, a series of actions and discussions supporting key principles that should guide copyright policy. Every day this week, various groups are taking on different elements of copyright law and policy, and addressing what's at stake, and what we need to do to make sure that copyright promotes creativity and innovation. Imagine every post online came with a bounty of up to $150,000 paid to anyone who finds it violates opaque government rules—all out of the pocket of the platform. Smaller sites could be snuffed out, and big platforms would avoid crippling liability by aggressively blocking, taking down, and penalizing speech that even possibly violates these rules. In turn, users would self-censor, and opportunists would turn accusations into a profitable business. This dystopia isn’t a fantasy, it’s close to how U.S. copyright’s broken statutory damages regime actually works. Copyright includes "statutory damages,” which means letting a jury decide how big of a penalty the defendant will have to pay—anywhere from $200 to $150,000 per work—without the jury necessarily seeing any evidence of actual financial losses or illicit profits. In fact, the law gives judges and juries almost no guidelines on how to set damages. This is a huge problem for online speech. One way or another, everyone builds on the speech of others when expressing themselves online: quoting posts, reposting memes, sharing images from the news. For some users, re-use is central to their online expression: parodists, journalists, researchers, and artists use others’ words, sounds, and images as part of making something new every day. Both these users and the online platforms they rely on risk unpredictable, potentially devastating penalties if a copyright holder objects to some re-use and a court disagrees with the user’s well-intentioned efforts. On Copyright Week, we like to talk about ways to improve copyright law. One of the most important would be to fix U.S. copyright’s broken statutory damages regime. In other areas of civil law, the courts have limited jury-awarded punitive damages so that they can’t be far higher than the amount of harm caused. Extremely large jury awards for fraud, for example, have been found to offend the Constitution’s Due Process Clause. But somehow, that’s not the case in copyright—some courts have ruled that Congress can set damages that are potentially hundreds of times greater than actual harm. Massive, unpredictable damages awards for copyright infringement, such as a $222,000 penalty for sharing 24 music tracks online, are the fuel that drives overzealous or downright abusive takedowns of creative material from online platforms. Capricious and error-prone copyright enforcement bots, like YouTube’s Content ID, were created in part to avoid the threat of massive statutory damages against the platform. Those same damages create an ever-present bias in favor of major rightsholders and against innocent users in the platforms’ enforcement decisions. And they stop platforms from addressing the serious problems of careless and downright abusive copyright takedowns. By turning litigation into a game of financial Russian roulette, statutory damages also discourage artistic and technological experimentation at the boundaries of fair use. None but the largest corporations can risk ruinous damages if a well-intentioned fair use crosses the fuzzy line into infringement. “But wait”, you might say, “don’t legal protections like fair use and the safe harbors of the Digital Millennium Copyright Act protect users and platforms?” They do—but the threat of statutory damages makes that protection brittle. Fair use allows for many important re-uses of copyrighted works without permission. But fair use is heavily dependent on circumstances and can sometimes be difficult to predict when copyright is applied to new uses. Even well-intentioned and well-resourced users avoid experimenting at the boundaries of fair use when the cost of a court disagreeing is so high and unpredictable. Many reforms are possible. Congress could limit statutory damages to a multiple of actual harm. That would bring U.S. copyright in line with other countries, and with other civil laws like patent and antitrust. Congress could also make statutory damages unavailable in cases where the defendant has a good-faith claim of fair use, which would encourage creative experimentation. Fixing fair use would make many of the other problems in copyright law more easily solvable, and create a fairer system for creators and users alike.

We're taking part in Copyright Week, a series of actions and discussions supporting key principles that should guide copyright policy. Every day this week, various groups are taking on different elements of copyright law and policy, and addressing what's at stake, and what we need to do to make sure that copyright promotes creativity and innovation. There’s a crisis of creativity in mainstream American culture. We have fewer and fewer studios and record labels and fewer and fewer platforms online that serve independent artists and creators.   At its core, copyright is a monopoly right on creative output and expression. It’s intended to allow people who make things to make a living through those things, to incentivize creativity. To square the circle that is “exclusive control over expression” and “free speech,” we have fair use. However, we aren’t just seeing artists having a time-limited ability to make money off of their creations. We are also seeing large corporations turn into megacorporations and consolidating huge stores of copyrights under one umbrella. When the monopoly right granted by copyright is compounded by the speed and scale of media company mergers, we end up with a crisis in creativity.  People have been complaining about the lack of originality in Hollywood for a long time. What is interesting is that the response from the major studios has rarely, especially recently, to invest in original programming. Instead, they have increased their copyright holdings through mergers and acquisitions. In today’s consolidated media world, copyright is doing the opposite of its intended purpose: instead of encouraging creativity, it’s discouraging it. The drive to snap up media franchises (or “intellectual properties”) that can generate sequels, reboots, spinoffs, and series for years to come has crowded out truly original and fresh creativity in many sectors. And since copyright terms last so long, there isn’t even a ticking clock to force these corporations to seek out new original creations.  In theory, the internet should provide a counterweight to this problem by lowering barriers to entry for independent creators. But as online platforms for creativity likewise shrink in number and grow in scale, they have closed ranks with the major studios.   It’s a betrayal of the promise of the internet: that it should be a level playing field where you get to decide what you want to do, watch, listen to, read. And our government should be ashamed for letting it happen.