reactormag.com
Crafting an Anti-Colonial Gothic: A Conversation With Author Victor Manibo
Books
Victor Manibo
Crafting an Anti-Colonial Gothic: A Conversation With Author Victor Manibo
“I couldn’t just swap out the Victorian mansion with a Spanish-era villa without those changes meaning something deeper.”
By Martin Cahill
|
Published on December 10, 2025
Photo credit: Sean Collishaw
Comment
0
Share New
Share
Photo credit: Sean Collishaw
Recently, Martin Cahill had the opportunity to chat with author Victor Manibo (Escape Velocity) to celebrate the release of his latest novel. The Villa, Once Beloved is a captivating gothic that uncovers the dark secrets of the Sepulveda family and their crumbling home in the Philippines.
Please enjoy their full conversation below!
Buy the Book
The Villa, Once Beloved
Victor Manibo
Buy Book
The Villa, Once Beloved
Victor Manibo
Buy this book from:
AmazonBarnes and NobleiBooksIndieBoundTarget
Martin Cahill: Victor! Thank you so much for joining me today, and congratulations on The Villa, Once Beloved. For those who don’t know about the book, can you give us a brief breakdown of your new novel. Extra points if you’re able to use a haiku form somewhere in there.
Victor Manibo: Thanks so much for having me! The Villa, Once Beloved is a contemporary gothic horror set in an old, Spanish colonial manor on a coconut plantation during the Catholic Holy Week. It’s centered on Sophie, a young Filipino-American transracial adoptee who visits the Philippines for the first time for her boyfriend’s grandfather’s funeral. During the course of the novel, she and other point-of-view characters are forced to confront monsters both real and imagined. So I guess the haiku would go: “A girl between worlds / A homecoming long delayed / Scary shit ensues!”
Martin: Your first two books, The Sleepless and Escape Velocity, both had some mystery and thrills to them, but were firmly set in science fiction realms. With The Villa, you’re moving into gothic horror territory, which is a whole new ballgame. What drew you to this particular genre? What made it the ideal vehicle for what you wanted to explore?
Victor: I started thinking about this novel in 2022, when the current Philippine president, Ferdinang Marcos, Jr., was elected. He’s the son of a former dictator and was directly involved in the atrocities during his father’s decades-long regime. The country hasn’t quite recovered from that period, psychically or economically, and seeing the family back in power broke my heart. I dealt with it the best way I knew, which is through writing.
I tend to be a theme-forward writer and the story I had in mind necessarily had to be backward-looking, which is what Gothic stories quintessentially are. Gothic stories are about the past weighing down on the present, and with Gothic horror specifically, the ghosts and monsters of the past never really leave. That was exactly how I felt when I started conceptualizing this novel, and I wanted to dig into that.
Martin: This book is set in the Philippines, and is actively engaging with the history of the country, from government and agriculture, to culture and family, and more. How long has this story been waiting inside you to tell? Can you tell me a bit about the research you did/sources you drew from in your own life to bring this to life?
Victor: The exact subject matter was inspired by recent events, but I’ve been wanting to write a Philippines-set novel since I’ve started my career. As Filipino as my first two novels are, I knew I wanted to write something even more so. This project let me do that. The setting is inspired by my childhood summers in the province. The historical references are partly informed by my experiences and my education, and doing a deeper dive into the Marcos regime was enriching (if not harrowing, doing it in these fascistic times). I watched documentaries like The Kingmaker, read a lot of nonfiction books like Conjugal Dictatorship, Presidential Plunder, and Waltzing with a Dictator.
Aside from that, I also had to do research about my characters’ experiences that I personally do not share. This meant reading a lot of texts and gathering first-hand accounts on things like being poor in the one of the poorest regions of the country, or being a woman and going through the things that Sophie is subjected to in the book.
Martin: This book is so thoroughly engaged with the realm of gothic horror, and I know from talking with you before, it was something you were really excited to jump into, and it is also a departure from your previous genres/books. Why gothic horror, and why for this story in particular? Were there any hallmarks of the genre you were hoping to either nail or eschew?
Victor: I was keenly aware that I’m entering new territory with this project, so honoring the genre’s history, forbears, conventions—which, now that I say that, is also a very Gothic trope—was important to me. In the prose and the descriptions, I wanted to nail the claustrophobic feel of Gothic horror, the “gloomth” (warmth and gloom), but I also wanted the aesthetic elements to have a strong tie with the themes—the burdens of family legacy, the dread of the known coming back to haunt you.
It was equally important to me that the story is a Filipino Gothic horror, which meant that I couldn’t just swap out the Victorian mansion with a Spanish-era villa, or the Scottish moors with a coconut plantation, without those changes meaning something deeper. I wanted the monsters in this book to be more a reskinned analogue to what we’ve seen in the classics and in the contemporary works out of the US and Europe.
Martin: Talk to me about the importance of your protagonist, Sophie, a Filipina who was born in the Philippines but was raised in the Midwest. Returning to the country of her birth, hand in hand with one of the scions of the family Sepulveda, there’s so much you can explore with Sophie throughout this book. What were some of the goals of her journey? What sort of dynamics were you hoping to explore between her and the Sepulveda family? Between her and the country itself?
Victor: Sophie is my spin on Gothic ingenue, the one who comes to a new place with fresh eyes and a lack of knowledge, the one to whom things happen. Aside from making sure that she is a more active protagonist, through her I also wanted to explore the different ways people see their country. The main point-of-view character is Sophie, who has almost no connection to the Philippines, but the book also has Javier, who lived part of his life in the Philippines and part in the US; and there’s Remedios, who has never left even the town she grew up in. The choices they make are informed by their relationship with their homeland, and their views often conflict with each other, sometimes with dangerous consequences.
Martin: The Sepulvedas are at the heart of this book, for all that it is Sophie’s journey. Trapped in their ancestral manor, this family is a minefield of ambition, history, and complication. When bringing them to life, are there historical figures/families you were hoping to draw allusion to with them? Who were your favorite family members to write?
Victor: The Marcoses are of course heavily mentioned in the book, but the Sepulveda family is not based on any family in particular. They were inspired by characters in the periphery of power, who themselves have their own considerable power, as I wanted to explore how those people can be complicit to and perpetuate atrocities. At the same time, I wanted the Sepulvedas to have some redeeming qualities and to make some choices that gesture toward atonement. We see this with Javier and to some extent, Sophie’s boyfriend Adrian. I had a lot of fun blending in those characters’ light and dark, as well as the caretaker Remedios, who is not technically a Sepulveda but is very closely tied to the family.
Martin: How are you feeling as you switch up genres? Has it been energizing as you play in new worlds? Do you have any other aspirational mediums or genres you want to engage in someday?
Victor: It’s been so exhilarating! Writing a new project is always fun, and doing that in a new genre made it even more so. In changing things up, I learned so much about myself as an artist and a writer: what I value, what I’m good at, what I can be good at, and what I want to do next.
Martin: What is on the horizon for you now?
Victor: I’m currently drafting my next novel, which will be out in 2027, fingers crossed. Without giving too much away, it’s a sci-fi horror thriller about the way we live now. You could say it’s both a return to form and a progression of the horror journey that I’ve only just begun.[end-mark]
The Villa, Once Beloved is published by Erewhon Books.
The post Crafting an Anti-Colonial Gothic: A Conversation With Author Victor Manibo appeared first on Reactor.