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What to Watch and Read This Weekend: The Talamasca vs. Pennywise
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What to Watch and Read This Weekend: The Talamasca vs. Pennywise
Plus: A (not so brief) history of fantasy currency, too many new books, and A House of Dynamite.
By Molly Templeton
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Published on October 24, 2025
Images: HBO and AMC
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Images: HBO and AMC
As I type this, late Wednesday morning, Oregon Senator Jeff Merkley has been holding the Senate floor for more than 18 hours. As CNN noted, “Senate rules do not permit lawmakers to take bathroom breaks or sit down without yielding their time.” He has been standing there, protesting the state of our country, with the help of Democratic senators from all over the country. It’s been, for me, a powerful reminder about community, cooperation, and raising one’s voice. I hope you’ll take some of that energy into your weekend. Call your reps, and take some downtime with a good book or movie (or wild article) when you can.
The End of One Story, and the Beginning of Another
This has been an incredible month for books: new work from Ken Liu, Sarah Gailey, Freya Marske, Olivie Blake, Tasha Suri, Alix Harrow, and so many more. This week, though, has two novels I’m particularly excited about: The Rose Field and When They Burned the Butterfly.
They almost couldn’t be more different: The Rose Field is the culmination of Philip Pullman’s stories about Lyra Belacqua, also called Lyra Silvertongue, whose adventures began in The Golden Compass all the way back in 1995. Thirty (!) years later, his second trilogy about Lyra comes to a close. The first two books were hit or miss; La Belle Sauvage is only about Lyra in that it’s about her experience as a baby, when a flood comes to Oxford and a young man saves her. The Secret Commonwealth, set twenty years later, is a difficult read, both because of the conflict between Lyra and her daemon, Pantalaimon, and because of a weak, needless narrative choice Pullman makes near the end of the book. What all this will mean for the end, for The Rose Field, I don’t know yet. But I can’t not read a book about Lyra.
When They Burned the Butterfly, on the other hand, is Wen-Yi Lee’s debut novel for adult fantasy readers (she also wrote a YA horror novel, The Dark We Know). It’s historical fantasy set in an alternate version of Singapore in the ’70s; it has incredible blurbs, including one from Nghi Vo that says, “When They Burned the Butterfly will take the breath out of your chest and replace it with fire. Wen-yi Lee has written a dark riot of a novel replete with jealous gods, human cruelty and incandescent desire.” This book is sitting next to me, taunting me, because I haven’t had time to crack it open yet. But I can’t wait.
Talamasca: The Secret Order Continues Anne Rice’s Immortal Universe
My memory of Anne Rice’s interconnected novels is faded and worn; I obsessively read the first four or five vampire novels, and The Witching Hour, and then drifted away. This was decades ago. And yet I’m perhaps a little too excited about Talamasca: The Secret Order, which looks like someone smashed up Buffy’s Watcher’s Council and assorted X-Files elements and then, for good measure, Torchwood, and then made yet another Interview with the Vampire spinoff out of the resulting mess. Also, Jason Schwartzman plays a rich and possibly annoying vampire! This just tracks. Talamasca will clearly connect to Interview and The Mayfair Witches—for one thing, Eric Bogosian’s Daniel Molloy shows up in the trailer—but it remains to be seen how complexly it will all fit together. It might be great, and it might be terrible, but I’m pretty certain it will be entertaining either way. (Plus, The AV Club liked it, which seems like a good sign.) Talamasca begins streaming on AMC+ on Sunday, October 26. Which is the same day (and time) that It: Welcome to Derry premieres on HBO Max, so you have options if you prefer creepy clowns and nightmare towns to secret society supernatural spy-story action.
Fictional Money Can Be Stressful Too
Reactor’s social media manager shared this article, which I admit I have not yet finished because it is a lot. I mean this in a good way. Earlier this year, at the delightfully named A Collection of Unmitigated Pedantry, Bret Devereaux went long (36 minutes estimated reading time) on fictional currency. “Collections: Coinage and the Tyranny of Fantasy ‘Gold’” had me cackling within minutes. Devereaux briefly details how in many fantasy settings, currency is just “gold”—generally gold coins in various denominations (or not)—and how that’s actually kind of ridiculous. He writes:
“Functionally no one used gold in any amount in every-day transactions in the ancient or medieval Mediterranean (or most other places!), because a gold coin at almost any size was such an enormous monetary unit as to be unsuited to most transactions. That in turn conceals some of the sharpness of wealth and class distinctions in pre-modern society in ways that flatten and frankly ‘modernize’ these societies. And it also misunderstands the economic systems of these societies, because it doesn’t understand what sort of transactions people would even want to use money for, which further flattens and modernizes these societies.”
To reiterate: I haven’t read all of this yet. It’s a lot! I am very bad at absorbing historical texts! But this is what pedantry is for and I look forward to spending some time with it. Perhaps you will too.
A House of Dynamite: Put Rebecca Ferguson In Anything Stressful and I’ll Watch
Kathryn Bigelow doesn’t have an entirely consistent track record. I can admit this. But when she hits, she hits. And her new film looks promising—promising in the way that I really wish I could go watch it in a theater. But it’s on Netflix, so you can watch it at home. No hard pants necessary. A House of Dynamite stars Idris Elba and Rebecca Ferguson—and Jared Harris and Greta Lee and Moses Ingram and Jason Clarke, among others—as the people dealing with the not-a-drill threat of a missile heading toward the US. Elba is the president (of course). Ferguson is a White House officer. The trailer contains many shots of people slowly standing up, shocked expressions on their strained faces. It looks both very serious and like the grown-up sibling of a certain stripe of ’90s movie about terrible things happening to the world (The Peacemaker? Deep Impact? Mimi Leder, I miss your films.) A House of Dynamite is in select theaters now (you lucky ducks), but will be on Netflix on October 24.[end-mark]
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