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Why real Christianity terrifies the elites — and they're right to worry
Much like gas-station sushi, David Brooks is hard to stomach at the best of times.But his latest New York Times essay is the kind that makes you reach for the sick bag. He opens with the usual routine: an exasperated sigh, a long, self-important pause, and the unmistakable air of a man convinced he has cracked the cosmos — again.A hidden faith saves no one, a timid faith shapes nothing, and a faith that folds under pressure is closer to cheap furniture than conviction.He quotes a Czech priest, hints at deep wells of wisdom, and then meanders toward the real purpose of the piece: explaining, with mild exasperation, why Christians are once again disappointing him. This is nothing new. It's a ritual at this point — a complaint that returns like spam you swore you unsubscribed from.To be fair, Brooks isn’t stupid. He knows how to spin a story, how to climb onto the moral high ground without looking like he’s climbing, and how to crown himself the lone voice of reason in an age he insists is losing its mind.But there is no missing the tone that hangs over almost every line he writes about believing Americans: a thin mist of condescension, settling somewhere between pastoral concern and a parent-teacher conference. He talks about everyday Christians the way a pretentious barista talks about someone ordering regular coffee — uncultured, embarrassing, and in need of enlightenment. And the tone, more than any point he makes, gives him away instantly.Brooks claims to fear “rigid” or “pharisaical” Christianity. Yet the only certainties that radiate from his essay are his own. He divides the world into two armies — Christian nationalists on one side and “exhausted” secular humanists on the other — and then steps forward as the lone oracle who claims to see a path out of the fog.Christians who vote for borders, who cherish the nation that shaped their churches, or who think culture is worth defending are waved off with his familiar, weary flick of the wrist. They’re told they practice a “debauched” version of the faith.No evidence needed. Brooks’ opinion is treated as its own proof.His description of these believers always follows the same script. They are angry, dangerous, and obsessed with power. They clutch their creed like a makeshift weapon, ready to wallop anyone who wanders too close.In his telling, they never act from devotion, duty, or gratitude. They never look around their communities and see an America they love slipping away. They never mourn the millions taken before they drew a breath, the cracking of our shared foundation, or the slow burial of the sacred.Instead, Brooks tells us they operate from “threat more than hope,” as if the country’s cultural decay were some far-fetched tale told for effect, rather than something families watch unfold every day in their schools, in their cities, and on their screens.Brooks then pivots to his preferred theological register: the poetry of longing. He praises yearning, doubts, desires, and pilgrimages — all worthwhile themes.But he uses them the way an interior decorator uses throw pillows: scattered for mood, never for structure. His spiritual reflections float past in soft, airy phrases that never touch the ground. This isn’t the faith of the Gospels, anchored in sacrifice and truth. It’s faith as fragrance — atomized cosmetic, evaporating faster than one of his metaphors. It asks nothing, risks nothing, and confronts nothing, which may be why Brooks finds it so comforting.RELATED: Exposing the great lie about 'MAGA Christianity' — and the truth elites hate jokerpro/iStock/Getty Images PlusThroughout his essay, Brooks holds up a small circle of “wise people” as models of the faith America needs — Tomas Halík, Rowan Williams, and a handful of theologians who speak in clichés and move through the world like contemplative shadows. Their calm inspires him. Their pluralism delights him. Brooks treats their quietism as the apex of Christian maturity, as if the holiest life is lived at arm’s length, murmuring about mystery while the roof caves in.What he never admits is what these figures actually represent: a brand of Christianity that thrives in seminar rooms, academic conferences, and anemic interfaith panels — spaces far removed from the daily battles most Christians face. Halík writes beautifully about longing. Rowan Williams writes elegantly about humility. But neither man spent his life in the trenches defending children from ideological capture in schools, or standing up to governments intent on shredding the family, or speaking plainly about sin in a culture that now calls sin a civil right.Brooks misreads their vocation as the universal Christian posture when it is, at best, one posture among many.The heart of the essay is its barely disguised contempt for ordinary Christians who believe their faith should shape the societies they inhabit. This is the point he never states outright but gestures toward with every paragraph.Faith, to Brooks, is primarily personal, private, and utterly toothless. The moment it concerns the fate of a nation or the moral trajectory of a culture, he calls it nationalism. If a Christian speaks of stricter immigration policies, he hears xenophobia. If a parent protects his child from the cultural free-for-all, he calls it regression.Brooks leans heavily on the aforementioned Czech priest and philosopher, Tomáš Halík, as if Halík were handing him a permission slip for a diluted Christianity. Halík writes movingly about interior struggle and authentic witness, ideas rooted in his years serving an underground church under communist rule. But Brooks treats Halík’s reflections on the inner life as a blanket command for Christians to withdraw from the outer one. Halík speaks of sincerity; Brooks hears surrender. Halík points to the vast, ungraspable side of faith; Brooks converts it into a polite memo urging believers to stay in their lane.And so Brooks gets the entire lesson backward. Halík survived a regime that tried to erase Christianity from public life. He never argued for Christians to silence themselves or retreat from cultural battles. Yet Brooks uses him as cover to criticize anyone who won’t float along with the cultural current.What Brooks never admits is that what he calls “Christian nationalism” is not the fringe menace he imagines. For many believers, it is simply the instinct to guard the faith that built their communities. It isn’t a hunger for domination, but a love for the inheritance passed down to them. It isn’t outright hostility toward outsiders but gratitude for the civilization that formed them.Brooks conveniently sidesteps all of this and builds a caricature he can berate, warning of a “creeping fascism” that lives entirely in his own mind.The self-anointed sage wants Christians to trade their armor for aroma, to swap vigilance for vague platitudes, and to follow his favorite tastemakers into a future where faith survives only behind closed doors.But Christians know better. A hidden faith saves no one, a timid faith shapes nothing, and a faith that folds under pressure is closer to cheap furniture than conviction. Brooks will disagree, naturally. He always does.As so many times before, the smug sexagenarian takes a swing at American Christians. And once again, he misses the target by a mile.
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