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5 w

Dave McCormick Pens Inaugural Letter to Pennsylvania Voters
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Dave McCormick Pens Inaugural Letter to Pennsylvania Voters

Dave McCormick Pens Inaugural Letter to Pennsylvania Voters
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5 w

Incendiary MS NOW: Good Was Shot Because She Was a Woman Trying To De-Escalate
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Incendiary MS NOW: Good Was Shot Because She Was a Woman Trying To De-Escalate

MS NOW’s Ali Velshi and historian Heather Cox Richardson joined forces on Saturday to hurl what might be the most incendiary and stupid hot take on the situation in Minneapolis to date. According to Richardson, ICE Agent Jonathan Ross shot Renee Nicole Good because she was a woman trying to de-escalate the situation. What made Richardson’s comments even dumber is that Velshi wanted to present this segment as one that was dedicated to facts, which was something he also failed at. Velshi led Richardson with a truncated version of new footage of the incident, “Let's just go through this together. This is, we see a picture of a big dog in the back. We see her saying, ‘it's fine, I'm not mad at you.’ We see an interaction after that with Renee Good's wife. This is the same person that was described as a domestic terrorist, far-left lunatic, and someone who was attempting to kill an ICE officer. What do you do when all the evidence says something that's not the case?”     While Velshi focused on the dog, he omitted Good being told to get out of the car after her wife, Rebecca, became combative and that Rebecca responded by urging her to “drive, baby, drive.” It is also ironic that Velshi would claim to care so much about facts while interviewing Richardson, who has not suffered any professional or reputational harm on the left for falsely claiming Charlie Kirk was murdered by a right-winger. As for Richardson, she began by playing the Nazi card: You know, I want to make a point about something in that video. So it's really—this is classic authoritarian behavior. We've seen it all over the world. When somebody stands up to the regime, simply hurting them in some fashion, incarcerating them, executing them, hurting them in some fashion, and saying that person was an enemy of the state. Often by arguing that that person was someone on the far-left. And you heard that all the time, you know, from the Nazis on forward. That's pretty clearly a pattern. But you cut off a line there that really jumped out to me. She said, ‘I'm not mad at you.’ Also omitting everything else that happened in the video, Richardson continued: And the reason that I want to call that out is because that is sort of classic de-escalation behavior. She, you know, that is you know, that's one of the first things you say is ‘I acknowledge your feelings.’ I am not mad at you. And that, I think, is an important American component to this in this moment. Because what she did when she said that was she indicated that she was actually the person in control of the situation. She was actually the dominant figure, saying, ‘Hey, it's okay. I'm not mad at you. You know, let's de-escalate the situation.’ She also claimed, “His response to that, what the administration is now trying to argue is, was fear on his part, or the idea that she was somehow a threat. His response to her de-escalation, which indicated that she was the one in control of that situation, was to pull out a gun and prove that no, in fact, he was in charge of that situation. And that response in this moment in the United States is a reaction of power, obviously.” Richardson then got even more irresponsible, “I think it is so past time for us to acknowledge the degree to which this administration is operating misogyny in order to put control of this entire country on the table. And boy, did that just encapsulate it, her trying to de-escalate, him seeing that as a woman taking control of a situation that he wanted to control. And so he killed her.” If Velshi wants to have a show based around facts, he should probably do a better job on his homework and also not pal around with conspiracy theorists. Here is a transcript for the January 10 show: MS NOW Velshi 1/10/2026 12:31 PM ET ALI VELSHI: Let's just go through this together. This is, we see a picture of a big dog in the back. We see her saying, “it's fine, I'm not mad at you.” We see an interaction after that with Renee Good's wife. This is the same person that was described as a domestic terrorist, far-left lunatic, and someone who was attempting to kill an ICE officer. What do you do when all the evidence says something that's not the case. HEATHER COX RICHARDSON: You know, I want to make a point about something in that video. So it's really—this is classic authoritarian behavior. We've seen it all over the world. When somebody stands up to the regime, simply hurting them in some fashion, incarcerating them, executing them, hurting them in some fashion, and saying that person was an enemy of the state. Often by arguing that that person was someone on the far-left. And you heard that all the time, you know, from the Nazis on forward, that's pretty clearly a pattern. But you cut off a line there that really jumped out to me. She said, “I'm not mad at you.” And the reason that I want to call that out is because that is sort of classic de-escalation behavior. She, you know, that is you know, that's one of the first things you say is "I acknowledge your feelings." I am not mad at you. And that, I think, is an important American component to this in this moment. Because what she did when she said that was she indicated that she was actually the person in control of the situation. She was actually the dominant figure, saying, “Hey, it's okay. I'm not mad at you. You know, let's de-escalate the situation.” And his response to that, what the administration is now trying to argue is, was fear on his part, or the idea that she was somehow a threat. His response to her de-escalation, which indicated that she was the one in control of that situation, was to pull out a gun and prove that no, in fact, he was in charge of that situation. And that response in this moment in the United States is a reaction of power, obviously. But I think it is so past time for us to acknowledge the degree to which this administration is operating misogyny in order to put control of this entire country on the table. And boy, did that just encapsulate it, her trying to de-escalate, him seeing that as a woman taking control of a situation that he wanted to control. And so he killed her.
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5 w

Young white Americans want their own identity politics now — and conservatives shouldn’t be surprised
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Young white Americans want their own identity politics now — and conservatives shouldn’t be surprised

After years of DEI, affirmative action, and replacement-level immigration, some young white Americans are beginning to demand political representation as a group. Conservatives are panicking about this rise in “white identity politics,” but they shouldn’t be surprised at all, says BlazeTV host Auron MacIntyre. “For decades, whites have watched every other group in America successfully demand political action as a block from both the left and the right. Democrats build their entire party around racial grievance, but even conservatives are quick to speak to the needs of minority communities as a collective group,” Auron says.Even though conservatives are typically anti-identity politics, they nonetheless “cater to them for any group except their core constituency: white Americans.”Now some of those white Americans are saying, “Enough — we demand the same treatment.”Massive immigration has brought in large groups of people who naturally stick together ethnically and gain advantages through nepotism and tribalism, Auron explains. This makes pure individual merit, which whites are forced to rely on, a losing strategy, especially when they’re already demonized for their race by universities, corporations, and media outlets.For years the message has been: “[Whites] aren't allowed to advocate as a group like everyone else gets to, but they are allowed to be punished as a group.”The fact that some whites are now calling for ethnic representation is merely “predictable results,” Auron says.“If conservatives were serious about stopping the rise of collective white identity politics, they would stop lecturing young white people for noticing the obvious. They would instead attack the systemic bias against whites in corporations and academia. ... If they were serious, conservatives would initiate an immigration moratorium and would aggressively prosecute ethnic cartels in the United States,” he continues.“Conservative leaders should be lecturing blacks, Indians, Hispanics, and Jews just as aggressively as they lecture whites about ethnocentrism, if for no other reason than whites, you know, actually vote for the GOP, while all these other groups — outside of Hispanic males in the last election — vote overwhelmingly Democrat.”“In short, show young white people that they can succeed without ethnocentrism by actually addressing and punishing ethnocentrism that is currently practiced by every other group here in the United States. Gather your courage and talk to the minorities who are already practicing the very behavior you claim to fear.”To hear more of Auron’s commentary and analysis, watch the video above.Want more from Auron MacIntyre?To enjoy more of this YouTuber and recovering journalist's commentary on culture and politics, subscribe to BlazeTV — the largest multi-platform network of voices who love America, defend the Constitution, and live the American dream.
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5 w

How a pro-life law in Kentucky lets mothers get away with murder
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How a pro-life law in Kentucky lets mothers get away with murder

Melinda Spencer allegedly took abortion pills, ended the life of her unborn son, and buried his remains in a shallow grave in her backyard.Yet a law in Kentucky exempting women from prosecution after obtaining an abortion — a law supported by the most influential pro-life organization in the state — appears to have prevented prosecutors from holding Spencer accountable for murder.If a state refuses to make murder illegal for everyone, then some human beings will remain unprotected by design.According to court documents cited by local media, Spencer, 35, told Kentucky State Police that the child “was not her boyfriend’s, and she did not want him to find out she was pregnant with another man’s baby.”To conceal the pregnancy, Spencer allegedly ordered abortion pills online, intending to end the life of her unborn child without medical supervision.Police say Spencer took the pills the day after Christmas, placed her deceased son in a light bulb box, and buried him in a shallow grave in her backyard. An autopsy determined the child was around 20 weeks’ gestation at the time of his death.Initially Spencer was charged with first-degree fetal homicide, abuse of a corpse, concealing the birth of an infant, and tampering with physical evidence.This week, however, Kentucky prosecutors dropped the homicide charge — not because they doubt that Spencer intentionally caused the death of her unborn child but because Kentucky law explicitly prohibits prosecuting a pregnant woman who murders her own unborn child. — (@) Miranda King, the prosecutor overseeing the case, acknowledged this limitation directly. In a public statement, she explained that the relevant statute “prohibits the prosecution of a pregnant woman who caused the death of her unborn child.” Spencer still faces the remaining, lesser charges.King made clear that this frustrating outcome was not her preference.“I sought this job with the intention of being a pro-life prosecutor but must do so within the boundaries allowed by the Kentucky state law I’m sworn to defend,” she said. “I will prosecute the remaining lawful charges fully and fairly.”Kentucky is widely regarded as a conservative state with strong pro-life laws. Many Americans assume abortion was effectively banned there after the Supreme Court overturned Roe v. Wade in 2022. This case exposes how incomplete that assumption is.RELATED: Why the pro-life movement fails without a Christian worldview jcphoto via iStock/Getty ImagesKentucky’s leading pro-life advocacy organization, Kentucky Right to Life, has long supported laws that shield women from criminal liability for abortion. In practice, this ensures that abortion remains legal for women, even if clinics are closed.In 2021, Kentucky Right to Life joined more than 70 other pro-life organizations in signing a national letter declaring opposition to “any measure seeking to criminalize or punish women” who obtain abortions.Since then, the organization has opposed multiple abolition bills that would have established equal protection under the law for unborn children — specifically because such legislation would allow for the prosecution of mothers who willfully procure abortions.Addia Wuchner, Kentucky Right to Life’s executive director, opposed an abolition bill in 2023 on the grounds that it might expose mothers to criminal charges. She took the same position last year, arguing that women are victims of coercion by the abortion industry.That framing has deadly consequences.RELATED: ‘Massive betrayal’: Republicans, pro-life groups push back on Trump's call to loosen key abortion restriction Photo by Mandel NGAN / AFP via Getty ImagesFollowing Spencer’s arrest, Wuchner publicly expressed sympathy for the accused, describing Spencer as likely being “on her own” and calling that “probably the greatest tragedy,” before adding that “of course ... a child’s life was lost.”The ordering is revealing. The alleged murder of a child was treated as secondary to the emotional state of the alleged murderer. Empathy displaced justice and accountability. — (@) There are cases in which women are coerced into abortions under genuine duress. But coercion cannot be presumed as a universal explanation. By all available evidence, Spencer appears to have acted deliberately. Kentucky law nevertheless forecloses full accountability — and ensures that the central act in this case cannot be adjudicated as homicide.Since the Supreme Court overturned Roe, states like Kentucky have continued to see record abortion levels, largely through self-managed chemical abortions ordered online. Laws that categorically exempt women from prosecution guarantee this outcome.If a state refuses to make murder illegal for everyone, then some human beings will remain unprotected by design. And when that exemption applies even in cases involving concealment, burial, and admitted intent, justice becomes impossible by statute.So long as that remains the case, women who willfully kill their unborn children in Kentucky will continue to get away with murder.
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History Traveler
5 w

How Did David Bowie Die? Inside The Hidden Health Issues That Ended The Rock Star’s Life
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How Did David Bowie Die? Inside The Hidden Health Issues That Ended The Rock Star’s Life

ilpo musto/Alamy Stock PhotoDavid Bowie at the Rainbow Theatre in Finsbury Park, London. 1990. “Look up here, I’m in heaven,” sings David Bowie in “Lazarus,” a single from his 25th and final album, Blackstar. That album, largely recorded in secret and released in January 2016, was greeted with excitement and enthusiasm from fans and critics alike. Little did they know that at the time of the release, David Bowie was nearing his death. For 18 months before the release of Blackstar, the legendary rock star had been battling liver cancer, a fact that was known only to a few people close to him. He had been receiving treatment, but while he was filming the music video for “Lazarus” — a song that deals with themes of death and revival, referencing the Biblical figure by the same name — David Bowie learned that his cancer was terminal. His treatment was ending. Still, this tragic turn of events was kept from the public. When Blackstar was released in early 2016, on Bowie’s 69th birthday, many assumed that the album’s darker themes and subject matters were just part of another persona or artistic reinvention for him. He was getting older, after all — it made sense that he was reflecting on his life, death, and legacy. Needless to say, David Bowie’s death on Jan. 10, 2016 in his New York City home, just two days after the release of Blackstar, came as a major shock. To the outside world, Bowie was still at the top of his game. Suddenly, Blackstar didn’t feel like an ordinary album; for many fans, it felt more like a farewell. In fact, some even described it as his “parting gift.” David Bowie’s Early Life And Education David Bowie was born David Robert Jones on Jan. 8, 1947, in Brixton, South London, in a postwar Britain still rebuilding from the rubble. His father worked as a promotions officer for a children’s charity, while his mother was a cinema usherette, which likely influenced David’s theatrical flair. From an early age, it was clear that young David would go on to be a performer. In a letter written by his cousin Kristina Amadeus to The Economist, she notes how his parents “encouraged him from the time he was a toddler” and gave him his first instruments — “a plastic saxophone, a tin guitar, and a xylophone” — before he was even an adolescent. It was at Bromley Technical High School, however, where David Robert Jones began to transform into David Bowie. He studied art, music, and design, subjects that helped lay the groundwork for his approach to performance. He also received a distinctive physical feature: a permanently dilated left pupil, the result of a fight with his friend George Underwood over a girl. “It was just horrible. I didn’t like it at the time,” Underwood told the BBC in a 2024 interview. “But of course, later on, lo and behold, he says I did him a favor because it’s given him this enigmatic, otherworldly look.” George UnderwoodDavid Bowie and George Underwood remained friends throughout their lives. The mismatched eyes would undoubtedly enhance Bowie’s unique looks throughout his career, but looks alone wouldn’t make him one of the most remarkable musical pioneers in modern history. David Bowie’s Rise To Musical Stardom By his teens, David Bowie had been learning proper saxophone techniques and immersing himself in jazz and rhythm and blues records that would heavily influence his sound. But he still had a long road ahead of him. Throughout the 1960s, he cycled through various bands, like The Konrads, The King Bees, The Manish Boys, and Lower Third. These early projects yielded little commercial success, but they provided a perfect training ground for the young performer to hone his craft. Rolf Adlercreutz/Alamy Stock PhotoWith his musical talent and knack for reinventing himself, David Bowie became a legendary rock star before his death. When he was 18 years old, he officially changed his name to David Bowie to avoid being confused with a different British musician, Davy Jones, who went on to become the frontman for The Monkees. Under the new name, Bowie would embark on a solo career that eventually ascended him to god-like status in the music world — but not right away. His first album, released in 1967, saw little success. This led him to study with famed dancer, mime artist, and choreographer Lindsay Kemp, who helped Bowie immerse himself in a variety of artistic mediums. “Before I met him, I was so enamored of the music of his songs — the same as he was with my little show [Clowns],” Kemp told Uncut in 2017. “We were mutually enamored with each other. It was the voice and the songs themselves. Then when I met him, it was his physical beauty. It was like the Archangel Gabriel standing there. And then of course, it was his charm, his wit, his humor, his charisma. His talent goes without saying.” Wikimedia CommonsTony Defries with David Bowie in 1971. Two years after he met Kemp, Bowie’s breakthrough finally arrived. Combining his love for theater with his unique musical background, he created the 1969 song “Space Oddity” — strategically released around the time of the Apollo 11 Moon landing — which captivated listeners with the haunting tale of Major Tom, an astronaut lost in space. “I think I wanted to write a new kind of musical,” Bowie recalled in 2002, “and that’s how I saw my future at the time.” Wikimedia CommonsDavid Bowie performing as Ziggy Stardust on tour in 1972. Known for his creative personas, David Bowie reinvented himself countless times before his death. “Space Oddity” had garnered a good amount of attention, but it wasn’t until he created the character of Ziggy Stardust in 1972 (with the help of his first wife Angie) that he achieved genuine superstardom. The androgynous, flame-haired alien rock star persona revolutionized popular music, blending glam rock with elements of science fiction and theatrical spectacle. Ziggy Stardust had transformed Bowie into a genuine cultural phenomenon. People began to closely analyze his lyrics, line by line. They regarded him, in many ways, as a guru of sorts — a title that he was hesitant to accept. “I’m not that convinced at the moment that I am anybody’s guru,” he said in a 1972 interview with NME. “I know there is a lot of interest in what I’m doing, and we seem to be getting our goodly fair share of exposure, but I’m not convinced that we are leading any particular cult.” As Bowie’s fame rose, he also began heavily using drugs. His former wife Angie later recalled him having numerous incidents of cocaine-induced paranoia in the 1970s — and sometimes even psychosis — which was part of the reason why their relationship eventually deteriorated. Though David Bowie later kicked his cocaine habit (and eventually became fully sober by the 1990s), some were convinced that he was destined for an early death due to his drug use and wild lifestyle. In fact, some even feared that he would join the infamous 27 Club. He later reflected, “By the mid-’80s, it was really apparent to me that I really needed to stop losing myself in my work and in my addictions. What happens is you just wake up one morning and feel absolutely dead. You can’t even drag your soul back into your body. You feel you have negated everything that is wonderful about life. When you have fallen that far, it feels like a miracle when you regain your love of life.” Though music was clearly one of Bowie’s biggest sources of joy throughout his life, he also found fulfillment in his acting career — putting just as much effort into his movie roles as he did with creating Ziggy Stardust. A Screen Presence Beyond The Music Wikimedia CommonsAn RCA publicity photo of David Bowie from 1979. David Bowie’s first movie role actually came before his music career took off, in the short film The Image, which was filmed in 1967, but his first substantial film work was starring as the alien Thomas Jerome Newton in the 1976 science fiction film The Man Who Fell to Earth. He leveraged the same alien-like nature that had made Ziggy Stardust a breakout success. Throughout the years, Bowie continued to explore acting alongside music. He appeared in Just a Gigolo in 1978, performed in the play The Elephant Man on Broadway, and, perhaps most memorably, portrayed Jareth, king of the goblins, in Jim Henson’s 1986 fantasy adventure Labyrinth. “David was my first choice for the part,” Jim Henson had told Entertainment Tonight back in 1985. He described Bowie’s aura as “something you can’t quite put your finger on. And at the same time it’s very powerful and it has the ability to go from very attractive to [nearly] villainous.” LucasfilmDavid Bowie in Labyrinth. Although Labyrinth did not perform well at the box office, the film later became regarded as a cult classic, with Bowie’s performance highly praised. Later, he would appear as Pontius Pilate in Martin Scorsese’s The Last Temptation of Christ and the inventor Nikola Tesla in Christopher Nolan’s The Prestige. And while acting never overshadowed Bowie’s musical legacy, it was clear that he brought the same fearless creativity and constant reinvention to his performances on screen as he did to his musical performances. By the time The Prestige was released in 2006, however, Bowie had become more reclusive. This was in large part due to a heart attack he suffered in 2004, which led him to stop touring. He also limited his public appearances. But his lack of live performances didn’t mean he was about to stop working, and his surprise album The Next Day was greeted with much enthusiasm in 2013. The same went for his album Blackstar, which was released in 2016. Sadly, Blackstar would be David Bowie’s last piece of work before he died. How Did David Bowie Die? Wikimedia CommonsDavid Bowie performing in 2003. The 2004 heart attack was not the only health issue David Bowie faced in his later years. In fact, Bowie’s biographer Wendy Leigh later claimed that he faced six separate heart attacks that he kept hidden from the public. By 2014, Bowie’s health had declined even further and he was diagnosed with liver cancer. He kept his diagnosis private, only telling a few people. During this agonizing time, Bowie continued to push himself creatively. In 2015, a musical titled Lazarus that featured Bowie’s music debuted at the New York Theater Workshop. The musical was designed to be a sequel to The Man Who Fell to Earth, continuing the story of Thomas Newton. As Bowie privately underwent treatment for his cancer, he also started to work on what would end up being his final album, Blackstar. Notably, a single from that album was also titled “Lazarus.” Some of the band members who worked with Bowie on Blackstar knew he was ill, but others did not. And even those who were aware of his diagnosis didn’t know how serious it was — even as they learned about the music video for “Lazarus,” which featured Bowie lying on a hospital bed. The last music video David Bowie released before his death. “To me, it had to do with the Biblical aspect of it… it had nothing to do with him being ill,” the video’s director Johan Renck told The Guardian. “I found out later that, the week we were shooting, it was when he was told it was over, they were ending treatments and that his illness had won.” Bowie had kept this information largely under wraps, even as the release of Blackstar — and his 69th birthday — approached. Despite his ailing health, Bowie was apparently keen to keep producing art. He had even suggested making a sequel to the Lazarus musical, director Ivo Van Hove said. “Bowie was still writing on his deathbed, you could say,” Van Hove remembered. “I saw a man fighting. He fought like a lion and kept working like a lion through it all. I had incredible respect for that.” But sadly, no amount of determination could save Bowie, and he eventually had to come to terms with the fact that he was running out of time. “I don’t find it strange he kept his illness so private,” said Francis Whately, who directed a documentary about David Bowie shortly after he died. “He’d had his life picked over for 40 years and he thought he had said everything he wanted to say, there was nothing more.” Wikimedia CommonsA temporary memorial to David Bowie set up outside his New York apartment after he died. Blackstar was released on Jan. 8, 2016, coinciding with Bowie’s birthday, to positive reviews. Some even considered it to be Bowie’s best work in years, praising the experimental jazz-infused sound. But its moody atmosphere and dark subject matter were not lost on listeners. It was quickly made clear why the album may have taken on such a somber tone. Just two days after the release of Blackstar, on Jan. 10, 2016, David Bowie succumbed to his illness and died in his New York City home. After reading about the death of David Bowie, read about how Prince died that same year. Then, read about Patrick Swayze’s tragic battle with cancer. The post How Did David Bowie Die? Inside The Hidden Health Issues That Ended The Rock Star’s Life appeared first on All That's Interesting.
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5 w

Hilarious Math: America Could Buy Greenland Cheaper Than Recovering Somali Daycare Fraud Bucks
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Hilarious Math: America Could Buy Greenland Cheaper Than Recovering Somali Daycare Fraud Bucks

Hilarious Math: America Could Buy Greenland Cheaper Than Recovering Somali Daycare Fraud Bucks
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Karoline Leavitt Shames Lib Media After ANOTHER Narrative-Busting MN ICE Shooting Video Surfaces
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Karoline Leavitt Shames Lib Media After ANOTHER Narrative-Busting MN ICE Shooting Video Surfaces

Karoline Leavitt Shames Lib Media After ANOTHER Narrative-Busting MN ICE Shooting Video Surfaces
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New: Khamenei Orders Missile Cities on Alert Amid Deadly Protests
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New: Khamenei Orders Missile Cities on Alert Amid Deadly Protests

New: Khamenei Orders Missile Cities on Alert Amid Deadly Protests
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Trending Tech
Trending Tech
5 w

You Can Use Your Old Phone As A Router - Here's How
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You Can Use Your Old Phone As A Router - Here's How

If you have an old smartphone lying around that no one uses, you can still turn it into a router for better internet access. Here's how to do so.
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5 Free Browser Extensions You Should Always Install First
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5 Free Browser Extensions You Should Always Install First

Browsers have become far more feature‑packed lately, but many still work better with the right add-ons. These are the free extensions you should install early.
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