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Dragons, Cults, and Vampires: Horror Highlights for October 2025
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Horror Highlights
Dragons, Cults, and Vampires: Horror Highlights for October 2025
Emily Hughes recommends seven new horror releases for your Spooky Season TBR stack!
By Emily C. Hughes
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Published on October 29, 2025
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Real horror heads know that the season for creepy reads is year-round—years ago, I read Dan Simmons’ Arctic exploration novel The Terror on a beach vacation, which was actually the ideal setting for it. But there really is something special about a horror novel in October. This morning, my New England neighborhood was misty and atmospheric, and I very nearly didn’t finish writing this because I was so tempted by my currently-reading stack. (In progress now: Daniel Kraus’ excellent World War I epic Angel Down and Caitlin Starling’s weird medieval tale The Starving Saints.) But if there’s one thing I love more than reading horror, it’s helping others find the horror they’re going to love to read.
It’s a tremendous era in which to be a horror fan: our creepy orchard is laden with fruit. We’re blessed with dozens of new horror books each month. Sifting through them to find the ones that will really speak to you can be tricky—but I’m here to help. Here are seven October releases I’m particularly excited about.
Her Wicked Roots by Tanya Pell
(October 7, Gallery) Pell has been a new favorite of mine since her 2024 novella Cicada, and her debut novel is out this month. A queer retelling of “Rappacini’s Daughter” by Nathaniel Hawthorne, Her Wicked Roots follows Cordelia, who’s searching for her long-lost brother Edward. When her search brings her to Edenfield estate, she takes a job as maid and companion for Lady Evangeline’s daughters. But all is not right at Edenfield: Lady Evangeline keeps a greenhouse full of dangerous specimens, Cordelia has to don gloves before touching either of her young charges, and there’s evidence to suggest that Edward spent time there as well. It’s a lush and beautiful Gothic nightmare that’s steamy both in atmosphere and in content.
Herculine by Grace Byron
(October 7, Saga) Trans fiction about separatist utopias is having a bit of a moment right now—see: this Harron Walker feature on Mattie Lubchansky’s Simplicity, Torrey Peters’ Stag Dance, and Grace Byron’s debut, Herculine. When Byron’s protagonist, an unnamed trans woman, flees New York for her ex-girlfriend’s commune in Indiana, she thinks she’s found a safe haven: the commune, Herculine, is populated exclusively by other trans women. But breaking into an established social group is never easy, and the protagonist has been haunted by demonic visitations ever since she was forced to see a conversion therapist as a teen. And demons, it turns out, are very hard to shake. Herculine is a wild, surreal, sexy, and very funny tale about internalized hatred, the line between cult and community, and the long, pointed tail of trauma.
The Salvage by Anbara Salam
(October 7, Tin House) In the 1960s, Marta, a marine archaeologist, travels to a remote Scottish island to study a recently-rediscovered shipwreck. When she finds herself stuck there due to the nasty combination of winter weather and the pesky Cuban Missile Crisis, she forms a bond with a local woman, Elsie. But the rest of the islanders are frosty, artifacts from the wreck keep disappearing, and Marta is sure she saw someone in the ship’s remains on one of her dives. This Gothic gem is so intensely atmospheric you’ll need a hot water bottle and a pair of wooly mittens handy while you read.
Good Boy by Neil McRobert
(October 9, Wild Hunt) Horror fans will already know McRobert as the mind and voice behind Talking Scared, one of the biggest scary fiction podcasts in the game. His debut novella starts as a story about a missing child and a woman who sees something troubling, and unspools into an old man’s life story, from a formative childhood moment all the way to the present day. There are shades of Stephen King’s IT and John Langan’s The Fisherman here, but the novella’s small-English-town flavor sets it apart (it’s part of Wild Hunt’s Northern Weird Project, a novella series meant to highlight the strange and spooky corners of northern England—if this one’s intriguing to you, make sure to check out the rest!). Fair warning on this one: have your tissues handy.
Caramelle & Carmilla by Jewelle Gomez & Joseph Sheridan Le Fanu
(October 14, Aunt Lute) Many horror lovers will already know J. Sheridan Le Fanu’s Carmilla, a vampire novella that predates Dracula and features a tortured, sensual, deeply queer central relationship. Many more will know Jewelle Gomez from The Gilda Stories, her massively influential Black lesbian vampire novel from 1991. Here, the full text of Carmilla is paired with a brand-new short story set in the world of The Gilda Stories. Inspired by a moment from Le Fanu’s text, Caramelle tells the story of two vampires seeking sanctuary at a stop on the Underground Railroad—and Gomez’s foreword connects the two stories through themes of sexuality, oppression, and Black womanhood.
King Sorrow by Joe Hill
(October 21, William Morrow) New fiction from Joe Hill is always a cause for celebration, and King Sorrow is Hill’s first novel since 2016’s The Fireman. In 1989, college student Arthur and five of his friends summon an arcane dragon to get themselves out of a tight spot. But the dragon isn’t interested in ending the transaction there. He requires an annual sacrifice from Arthur and his friends—or else he’ll take one of them. Told over the course of thirty years, King Sorrow is a gripping, detailed, character-driven marriage of horror, dark academia, and fantasy from an auto-buy author. Pick up a copy, but make sure to lift with your knees, not your back—this one’s almost 900 pages.
Clairviolence: Tales of Tarot and Torment by Mo Moshaty
(October 23, Tenebrous) Moshaty’s newest collection is a collection of ten stories and one novelette, each of which is based on a card from the tarot’s Major Arcana. It’s a framing device that could easily be cheap or obvious, but in Moshaty’s hands becomes something much more subtle: these stories aren’t about the tarot, not really. Instead, each story here explores characters forced to play the (metaphorical) cards they’re dealt. In “The Fever Man,” a couple reeling from a recent miscarriage find themselves haunted by a parasitic entity. In “Magic Hour,” a survivor of violence barricades herself inside her home until she’s isolated herself from the world. And in “Surface,” a dock worker encounters an aquatic being who challenges his understanding of desire, consent, and, uh, tentacles. The book plays with the anxiety of impossible choices and learning to live with circumstances you can’t change—it’s everything a horror collection should be.
It never gets easier choosing just a few books to highlight from the dozens released each month—to see the full list of October’s new horror books, head over to my website. (Admittedly, starting a new horror fiction column in October is like deciding to try jogging by hopping the barrier and joining an in-progress marathon—I have no one to blame but myself.)[end-mark]
News and Notes
Two new horror bookstores: Any new bookstore is a good bookstore, but any new horror bookstore has a very special place in my heart. A recent Publishers Weekly feature highlighted The Twisted Spine in Brooklyn, NY, along with Midslumber Media in Portland, OR, Dreadful Bookshop in Casper, WY, and Haunted Burrow in Seattle, WA. And my sleuthing has turned up another new horror and thriller-centric bookstore coming soon to the fine city of Philadelphia: Ladies and gentlemen and others, I give you: Thrillerdelphia.
Bram Stoker Awards® Recommended Reading List: A note to horror professionals: we’re coming up on the end of the year, and as such, it’s time to start submitting and recommending books for next year’s Bram Stoker Awards! Submit your works published in 2025 for jury consideration here, and recommend books for the Stoker Reading List through the Horror Writers Association member portal. (While only HWA members can recommend works for the reading list, the list itself is publicly available and a great way to discover new horror you might’ve missed—the reading list for works published in 2025 is here.) Works published between Jan. 1, 2025 and Nov. 30, 2025 must be submitted by Nov. 30, 2025, and works published in December 2025. And if you’re curious about how the Stoker nomination and jury process works, this interview is a great rundown.
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