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7 d

That’s Not Reich! Legacy Media Ignores Mamdani Doing the Same ‘Nazi Salute’ They Attacked Musk Over
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That’s Not Reich! Legacy Media Ignores Mamdani Doing the Same ‘Nazi Salute’ They Attacked Musk Over

That’s Not Reich! Legacy Media Ignores Mamdani Doing the Same ‘Nazi Salute’ They Attacked Musk Over
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YubNub News
YubNub News
7 d

Romanian Man Reacts to Zohran Mamdani’s Inauguration Speech: ‘This is Exactly How Communism Came to Power in My Country’ (VIDEO)
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Romanian Man Reacts to Zohran Mamdani’s Inauguration Speech: ‘This is Exactly How Communism Came to Power in My Country’ (VIDEO)

Screencap of Twitter/X video. All over the country, people are still reacting to Zohran Mamdani’s stunning inauguration speech, in which he embraced the idea of collectivism. It seems as though he has…
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YubNub News
YubNub News
7 d

Chris Rufo Talks About How DEI Policies Systematically Purged Young White Men From the Workforce (VIDEO)
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yubnub.news

Chris Rufo Talks About How DEI Policies Systematically Purged Young White Men From the Workforce (VIDEO)

Screencap of YouTube video. You may know Chris Rufo from his media appearances or for the work he has done with Ron DeSantis and the Trump administration, particularly in the area of education. Rufo is…
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YubNub News
YubNub News
7 d

BREAKING: Huge Explosions Heard Across Caracas, Venezuela (VIDEOS)
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BREAKING: Huge Explosions Heard Across Caracas, Venezuela (VIDEOS)

At least six strikes in the capital Caracas. It’s happening. A series of explosions in Caracas and other cities in Venezuela signal the start of the US campaign against the socialist regime of Venezuelan…
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Conservative Voices
Conservative Voices
7 d

Two Cheers for Bari Weiss
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www.theamericanconservative.com

Two Cheers for Bari Weiss

Politics Two Cheers for Bari Weiss The new editor-in-chief of CBS News is trying to solve real problems in American media. The new CBS News editor-in-chief Bari Weiss isn’t Barry Goldwater, despite what you may have heard. Noted media critic George Clooney may not be able to tell her apart from Sean Hannity, but Weiss is essentially a 1990s New Republic liberal, someone who might once have edited the inflight magazine of Air Force One during a popular Democratic administration. Of course, even that is now too right-wing for most of the modern American left, including those found in the pages of today’s New Republic. Bernie Sanders’s 2016 and 2020 presidential campaigns were like retrospective primary challenges to Bill Clinton. Sanders failed in part because he cared more about socioeconomics than cultural identity and what Ralph Nader used to call “gonad politics.” Not coincidentally, it is probably no longer possible for a Democratic administration to be popular for more than a few months under normal circumstances, at least with anyone who could realistically win the party’s presidential nomination at the helm. Still, one needn’t believe Weiss is the caricature that so vexes newsroom progressives nor have a particular taste for her preferred flavors of conservatism to have some sympathy for what she is seeking to accomplish at CBS. Weiss’s progressive detractors believe she is trying to transform the legacy media into a pale imitation of the conservative press. But while her own politics are arguably quite narrow, nothing is narrower than the range of perspectives that dominate putatively mainstream newsrooms. This isn’t necessarily conscious liberal bias, though it is easy for Democratic rooting interests to creep into day-to-day coverage under such circumstances. It is more the ambient liberalism of Washington, DC and New York City that goes unnoticed. Journalism’s shift into a white-collar profession for college-educated liberals, who were themselves mostly white until affirmative action introduced some measure of racial diversity while preserving the ideological conformity, was always going to be problematic in a period of political polarization.  Donald Trump made the problem worse, both because of the unique challenges of covering him fairly and because he accelerated the rightward shift of the working class. Not even the older middle-to-higher brow conservative publications were prepared for this, given their staffs’ demographic if not ideological similarities to their MSM brethren.  The days of Walter Cronkite speaking as the voice of God to Americans across the political spectrum were over long before Bari Weiss was born. CBS’s Dan Rather became a symbol of the media speaking for only one side of a deepening political divide when Weiss was a small child. Objectivity has always been an imperfect journalistic premise. Ideological, even partisan, media can and have advanced the pursuit of truth in a free marketplace as well or better than outlets that imagine they can litigate thorny political questions with the epistemic certainty of distinguishing apples from bananas. A more centrist-dominated corporate media would not have avoided many of the biggest MSM missteps of the 21st century, most notably the weapons of mass destruction coverage that led inexorably to the disastrous war in Iraq, which itself discredited much of the American expert class. Nevertheless, there is real value in having media outlets that at least attempt to have credibility with more than one slice of the American electorate—outlets that do actual reporting, rather than just Joe Rogan-esque expressions of common sense, no matter how refreshing the latter can be. The New York Times from which Weiss resigned still performs these tasks as ably as any other publication in the English-speaking world, despite being deeply implicated in everything from the WMD delusions to the woke excesses of 2020 and despite having alienated half the country decades ago. But that basic credibility question is important. Absent broad trust in news outlets, we risk responding to media bias by retreating to fantasy lands of our own creation, a possibility that AI makes even easier.   A recent controversy over a 60 Minutes segment that Weiss delayed is a good example of how difficult it is to be trusted across the political spectrum. The story highlighted abuse allegations at a Salvadoran detention facility where the Trump administration has sent illegal aliens. The segment was a Rorschach test that said as much about readers’ and viewers’ preexisting opinions of Weiss—and Trump—as anything else. Weiss maintained that CBS shouldn’t run the story until getting comment from a senior White House official. We cannot pretend to speak truth to power or afflict the comfortable or whatever our favorite journalistic cliches are until we first know what the hell is going on. It is better to Bari Weiss than to bury our heads in the sand. The post Two Cheers for Bari Weiss appeared first on The American Conservative.
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Conservative Voices
Conservative Voices
7 d

The Overrated Father of Modern Liberalism
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The Overrated Father of Modern Liberalism

Books The Overrated Father of Modern Liberalism A new biography of the journalist Walter Lippmann bashes conservatives but adds value. Walter Lippmann: An Intellectual Biography by Tom Arnold-Forster, Princeton University Press 368 pages, $35.00 In 1982 Ronald Steel won the National Book Award for his voluminous biography of the long-lived public intellectual Walter Lippmann (1889–1974), whose career as a journalist and author of middlebrow works on political theory spanned most of the last century. Despite his desire to appear consistent as he surveyed the American political scene, Lippman changed his positions on key political issues over the decades. Beginning as an editor of The New Republic in 1914, in which capacity he became a pro-English interventionist in the Great War and an advocate of expanded managerial government, Lippmann later had second thoughts about Wilsonian interventionism before becoming an ardent interventionist against Nazi Germany. In the post-World War II era, Lippmann went from being a moderate Eisenhower-Republican to a critic of the arms race and the Vietnam War. Although initially expressing reservations about the civil rights movement, by 1957 he had become a vocal supporter of the Civil Rights Act passed that year.  An undoubted strength of the Steel biography is that it’s written with an attempt to understand the historical context in which Lippmann took his sometimes-changing views about American public life. Steel places Lippmann squarely in the framework of the twentieth-century American society and government that he advised and commented on. Looking at Lippmann from a temporal distance, it seems that for all his changes of position, he usually took what became establishment stands, and at the beginning and end of his life his opinions can be located somewhere in the left-center. The question is to what extent Lippmann’s views became conventional through his own influence and to what extent he simply reflected what had already become fashionable opinion among elites. Noticeably, Lippmann followed mainstream liberal opinion in praising the Nuremberg Trials for setting wise international standards for proper relations among nations and peoples. Lippmann was in favor of a Pax Americana after World War II that would guarantee world peace and security, but he turned against the Vietnam War when other respectable intellectuals did. He also viewed democracy as requiring administrative expertise, a view that characterized his thinking from his early days at The New Republic onward. Lippmann may have enjoyed a certain cachet because he eloquently expressed what was on its way to becoming acceptable opinion. He was in that respect an earlier version of George Will, someone to whom Lippmann has often been compared—usually to Lippmann’s advantage. In Walter Lippmann: An Intellectual Biography (Princeton University Press, 2025), Tom Arnold-Forster covers much the same ground as Steel. A fellow at Oxford’s Rothermere American Institute, Arnold-Forster has devoted considerable time and energy to investigating his subject’s life; and from his footnotes it seems that he has thoroughly examined the available collections of Lippmann manuscripts at the Yale Sterling Library, among other places. This book began as its author’s doctoral dissertation at Cambridge, which he gradually expanded into an “intellectual biography.” The publisher, Princeton University Press, probably believed that the older, more exhaustive Steel biography, which has gone through several editions, has its best days behind it, and the press might therefore take advantage of any remaining interest in Lippmann by bringing out Arnold-Forster’s more concise work. It is almost impossible to look up the older biography on my computer screen without viewing all the advertising space that Princeton has purchased to promote this new one. What may also have been intended with this new study of Lippmann is to provide readers with an ideologically updated study of its subject. Unlike Steel’s study, this one is full of favorable references to the black Marxist W.E.B. DuBois. Arnold-Forster does mention figures of the right, like Frank Meyer and William F. Buckley, but he does so usually to show how mistaken or malicious these reactionaries were based on our more enlightened understanding of the world. His treatment of the failures of the unimaginative “technocrat” Herbert Hoover stands in contrast to his praise for the brilliant leader FDR, an opinion that seems to come less from Lippmann than from standard FDR hagiography. For the record, FDR ran to the right of Hoover in 1932 and accused the incumbent of engaging in too much deficit spending. Arnold-Forster comes down hard on Lippmann for supporting Eisenhower in the 1950s. The reason, it seems, is that Eisenhower and the author’s predictable bête noire, Joe McCarthy, were in the same party. Lippmann supposedly should have followed the example of poet and political commentator Peter Viereck, who voted for Adlai Stevenson, as an anti-McCarthy “conservative.” If memory serves, Ike went after McCarthy with a vengeance after Senator Joe made accusations against the army. I’ll avoid bringing up M. Stanton Evans’s massive study of McCarthy, which meticulously proves that the notorious anti-communist was generally right in his charges, even if his public behavior was sometimes rather unseemly. Arnold-Forster uses several pages to go after William F. Buckley and like-minded conservatives during the 1950s and 1960s for being racists as well as obsessive commie-haters. Buckley, according to this Lippmann-biographer, combined his enthusiasm for McCarthy and other expressions of “antiliberal conservatism” with “explicitly antidemocratic racism over the Civil Rights Act of 1957.” Buckley did indeed oppose that act and even expressed a preference for “the more advanced race” being left in control of political affairs in the Southern states. But despite this socially unacceptable phrasing, what Buckley clearly meant with his demur was that he didn’t want to deliver government into the hands of those who could be easily radicalized. Later, as Arnold-Forster notes, Buckley changed his position to call for laws banning the illiterate from voting. Arnold-Forster seems offended by this as well, although this was the position of that English feminist and early welfare-state democrat, John Stuart Mill, in the 1850s. Fortunately for Lippmann’s odyssey, as told in this biography, his career ended in a way his biographer can appreciate. During the last 14 years of his mortal existence, he rallied to JFK and was a Camelot aficionado. He also opposed the Vietnam War and called for more conciliatory diplomacy in dealing with the communist powers. But if one looks beyond its preachy political judgments, this biography clearly has its value. It is an easily accessible source of information about Lippmann’s writings and the major turning points in his life. As an intellectual biography, it also deals with philosophical matters, e.g. Lippmann’s differences with John Dewey on the nature of democracy and its compatibility with popular self-rule. Finally, this book may give us a more accurate picture of its subject’s significance than Steel’s capacious study, which, in my view, exaggerates Lippmann’s titanic stature as a public intellectual. Once a celebrity whom even presidents consulted, Steel’s subject seems to have lost his luster since his death more than 50 years ago. Reading Arnold-Forster, one can understand why. The post The Overrated Father of Modern Liberalism appeared first on The American Conservative.
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Classic Rock Lovers
Classic Rock Lovers  
7 d

The Depeche Mode album Dave Gahan called “spooky” to listen back to
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faroutmagazine.co.uk

The Depeche Mode album Dave Gahan called “spooky” to listen back to

"It’s as if I plotted my own demise". The post The Depeche Mode album Dave Gahan called “spooky” to listen back to first appeared on Far Out Magazine.
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Classic Rock Lovers
Classic Rock Lovers  
7 d

Megadeth
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rockintown.com

Megadeth

It’s rare a musician gets bounced from a major group like Metallica for drug abuse and being difficult (the former usually causes the latter) and starts a successful group. Launched in ’83, by former Metallica guitarist/vocalist Dave Mustaine, Megadeth’s debut “Killing Is My Business… And Business Is Good” dropped less than two years later. Next, the group released the lesser “Peace Sells… But Who’s Buying?” Guitarist Jeff Young and drummer Chuck Behler then joined Mustaine and bassist Dave Ellefson. “So Far, So Good… So What” followed with “Mary Jane” and covers of Alice Cooper’s “No More Mr. Nice Guy” and the Sex Pistol’s “Anarchy In The UK.” It was after that album Mustaine checked into rehab and it appeared to take hold. But it turned out that Young and Behler were not long-term players. Guitarist Marty Friedman and drummer Nick Menza replaced them. This line-up produced Megadeth’s pinnacle “Rust In Peace” (’90). “Countdown To Extinction,” with “Sweating Bullets” was released two years later with the group’s most accessible and popular album “Youthanasia” hitting stores in ’94. Sweating Bullets ‘97’s “Cryptic Writings,” drummer Nick Menza’s last album with Megadeth, debuted at #10 on the Billboard 200. Subsequent albums, “Risk” and “The World Needs A Hero” landed in Billboard’s Top 20. And that might have been the end of it. Mustaine suffered a debilitating arm injury in ‘02 but he was never the type to just fade away. After a three year lay-off Megadeth returned with “System Has Failed,” the group’s 10th album. It too cracked the Top 20.A short time later, Mustaine dismissed the band and started from scratch picking up Canadian Thrash Metal vets Glen and Shawn Drover. The brothers played guitar and drums, respectively. Also added was James Lomenzo (JLo), former bassist for Zakk Wylde’s Black Label Society for “United Abominations.”Megadeth went into the studio in September, ’08 and came out with “Endgame” arriving a year after it work on it began. The album made its debut at #9 on the Billboard album chart. “Head Crusher” was the lead single. Head Crusher The group’s “TH1RT3EN” dropped in ‘11. “This record is the culmination of my work over the 13 records I recorded,” said Mustaine. “There are moments on “TH1RT3EN” that capture my every emotion, and other moments where I am releasing feelings I never knew existed!” After completing the American leg of the Countdown To Extinction 20th anniversary tour Megadeth returned to the studio to complete “Super Collider.” They completed recording on a date that seemed to reference their previous set. “More 13 weirdness… we finished the record on 31313,” tweeted Mustaine. “13 of 14 songs used; song 13 left off.”“Super Collider” was the group’s first album released on Mustaine’s own label, Tradecraft, and it was the first album since ‘97’s “Cryptic Writings” not to feature a lineup change from the preceding album. “Super Collider” sold 29,000 copies in its first week to land at #6 on the Billboard 200. In October, ’14 Drover and Broderick quit Megadeth one day apart, after tenures of ten and seven years, respectively. The split left Mustaine and Ellefson as the only current members.With so much swirling around Megadeth it was almost anticlimactic when they officially confirmed that Lamb Of God drummer Chris Adler would be a guest player on their next studio album. And just a few days later, the group announced the addition of guitarist Kiko Loureiro. The pair were brought in after an attempt to reunite the band’s “Rust In Peace” era line-up failed. That same year, Megadeth unfurled its 15th studio album, “Dystopia.” “I knew from the start that I wanted to go back to my roots, and I wanted to make a thrash record,” said Mustaine. Megadeth picked up the Best Metal Performance Grammy for the title song from “Dystopia.” It was the group’s first win after twelve nominations. Dystopia “The Sick, The Dying… And The Dead!” was the first Megadeth album to feature drummer Dirk Verbeuren, the second with guitarist Loureiro. During the album’s recording founding bassist David Ellefson was forced out after sexual misconduct charges surfaced. His bass parts re-recorded by Testament’s Steve Di Giorgio. Tipping Point In an August ’25 announcement Megadeth frontman Dave Mustaine said the time had come to pack it in. He thanked fans for their commitment while celebrating the band’s impact on the music world. Megadeth released “Tipping Point,“ a track from their self-title final album. “There’s so many musicians that have come to the end of their career, whether accidental or intentional,” Mustaine shared. “Most of them don’t get to go out on their own terms on top, and that’s where I’m at in my life right now. I have traveled the world and have made millions upon millions of fans and the hardest part of all of this is saying goodbye to them.” ### The post Megadeth appeared first on RockinTown.
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Intel Uncensored
Intel Uncensored
7 d

Angry Americans Call for Tax Revolt in 2026!
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Angry Americans Call for Tax Revolt in 2026!

from InfoWars: Taxpayers complain elected officials doing nothing to stop their money from being fraudulently stolen by illegal aliens. ‘F*ck it, I’m not paying taxes this year… Upset Americans say they won’t be paying taxes this year following reports of rampant fraud and abuse of federal programs by illegal alien scam artists and general taxation […]
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BlabberBuzz Feed
BlabberBuzz Feed
7 d

NASA’s Artemis II Could Carry Astronauts Into Lunar Orbit By February
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NASA’s Artemis II Could Carry Astronauts Into Lunar Orbit By February

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