[View Article at Source]For the frustrated and disillusioned on the right, here are four foundational reasons to give thanks for this great country.

Please share our story! Print ? PDF ? 3-Nitrooxypropanol (“3-NOP”), marketed as Bovaer, is, so it is claimed, a feed additive used to reduce methane emissions in ruminants.  UK residents…

A planet’s habitability is determined by a confluence of many factors. So far, our explorations of potentially habitable worlds beyond our solar system have focused exclusively on their position in the “Goldilocks Zone” of their solar system, where their temperature determines whether or not liquid water can exist on their surface, and, more recently, what their atmospheres are composed of. That’s in part due to the technical limitations of the instruments available to us - even the powerful James Webb Space Telescope is capable only of seeing atmospheres of very large planets nearby. But in the coming decades, we’ll get new tools, like the Habitable Worlds Observatory, that are more specifically tailored to search for those potentially habitable worlds. So what should we use them to look for? A new paper available in pre-print on arXiv by Benjamin Farcy of the University of Maryland and his colleagues, argues that we should look to how a planet formed to understand its chances of harboring life.

On Earth, Coronal Mass Ejections (CMEs) like the one we experienced earlier this month are aesthetic, even disruptive events, sending aurora southward and interrupting radio signals. But around other stars, they could prove lethal to life. This point was driven home by a recent CME detection from an M-class red dwarf star. This marks the first detection of an energetic Type II radio burst from a nearby star.

A hidden signal.

Tom Curry with Jim Sharman on the Rocky Horror theatre set in 1973 Jim Sharman directed The Rocky Horror Show (1973) and later film adaptation, The Rocky Horror Picture Show (1975). The Australian writer’s visual diaries take us behind-the-scenes, capturing Tim Curry and Richard O’Brien at the show’s final London performance of as well as moments from the cast recording. Sharman’s papers also feature the musical’s original screenplay, adapted from the musical, and written by Sharman and Richard O’Brien. It reveals some of the influences that shaped the show’s key characters, such as Riff-Raff, who drew inspiration from Max Schreck’s Count Orlok, from the 1922 film, Nosferatu.  We see how the sci-fi styling envisioned in the Rocky Horror script comes to life among the pages of the diaries; but it’s the off-stage moments where they really shine, with behind-the-scenes photos     Rocky Horror, 1973 Rocky Horror   Rocky Horror Rocky Horror   Rocky Horror Cast In LA Rocky Horror Cast In LA Rocky Horror Cast In LA Rocky Horror Cast In LA Rocky Horror Cast In LA   The programme         Rocky Horror script Rocky Horror script Via: National Library of Australia The post The Jim Sharman Diaries: Behind the Scenes on the Rocky Horror Show, 1970s appeared first on Flashbak.

"It never sounds anything less than great." The post Lars Ulrich has listened to one song more than any other: “92,00 times” first appeared on Far Out Magazine.

Grocery store sushi can't compare to the kind you get in a restaurant, but there's one particular variety that's just as good, and retails at a great price too.