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An Imperfect Crime: The Demolished Man by Alfred Bester
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An Imperfect Crime: The Demolished Man by Alfred Bester
A brilliant blending of science fiction and detective story.
By Alan Brown
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Published on October 28, 2025
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In this bi-weekly series reviewing classic science fiction and fantasy books, Alan Brown looks at the front lines and frontiers of the field; books about soldiers and spacers, scientists and engineers, explorers and adventurers. Stories full of what Shakespeare used to refer to as “alarums and excursions”: battles, chases, clashes, and the stuff of excitement.
Today, I’m looking at one of the most influential books by one of the most influential authors in the history of science fiction: The Demolished Man by Alfred Bester. It imagines a world where telepathic powers, while not ubiquitous, are present in a portion of the population, and tells the story of a man’s improbable quest to get away with murder when surrounded by people who can read his mind. Like all Bester’s work, it is full of lurid and flawed characters, snappy dialogue, and evocative settings. It is satirical, cynical, and as dark as the classic revenge stories that Rafael Sabatini used to write. The text is full of narrative and textual tricks, and Bester’s prose has a rhythm that almost feels like poetry at times, although it is the rat-a-tat rhythm of an advertising pitch rather than the dreamy musicality of a literary poem. Once you start reading, the book is difficult to put down.
When I first read The Demolished Man as a young teenager, I found it disturbing. I was probably a bit too young to understand a lot of it, especially the psychological traumas that are portrayed. The copy I read for this review is an undated Signet paperback edition, which I think I bought in the late Sixties or early Seventies. And because it made me uncomfortable, I’m pretty sure this re-read is only the second time I have read it. This time, I was ready, and I found the book compelling from beginning to end.
About the Author
Alfred Bester (1913-1987) was an American author, script writer, comic book writer, and editor. He lived nearly his whole life in New York City, except for attending the University of Pennsylvania, a period of over a year when he lived in Europe, and a move to rural Pennsylvania after he retired. His wife, Rolly, was an actor, primarily in radio, television, and theater. His first science fiction publication appeared in Thrilling Wonder Stories in 1939 after winning a prize competition. (This was the same competition that Robert Heinlein had withdrawn a story from because he found the payment from Astounding Science Fiction would be higher than the prize.) In addition to Thrilling Wonder Stories, Bester’s work also appeared in Startling Stories and Astounding. Bester began socializing with leading science fiction authors in the New York area. In 1942, he began to write for DC comics; in 1946 he started writing scripts for radio dramas, and in 1948 began writing for television (with one of the shows being Tom Corbett: Space Cadet).
In 1950, he returned to writing science fiction (with much of his short fiction during this period appearing in the Magazine of Fantasy and Science Fiction), and soon produced his most influential novels, The Stars My Destination and The Demolished Man. The Demolished Man went on to win the very first Hugo Award for Best Novel in 1953. Bester continued writing science fiction, while writing mainstream fiction and non-fiction as well—and for a time, he wrote for and then edited the travel magazine Holiday. He then went back to focusing on science fiction writing, although his health began to limit his productivity. In 1988, he was recognized by the Science Fiction Writers of America with the Grand Master Award (and was told of the impending award just before his death). In 2001, he was posthumously inducted into the Science Fiction and Fantasy Hall of Fame. There are a few of Bester’s early works available to read for free on Project Gutenberg.
The Days of Mad Men
A few years ago, my wife and I decided to dive into the show Mad Men… and we found ourselves enthralled. The writing was snappy, and the cast was excellent. But what drew me in was the detailed portrayal of an advertising agency in the New York City of the 1960s. My father grew up on Long Island, and we went to the city many times during the 1950s and 1960s when visiting my grandparents. In 1964, Ford Motor Company assigned my uncle to work at their pavilion at the New York World’s Fair, and I spent even more time in the city visiting my uncle and cousins. So, when I watched Mad Men, and saw the costumes, the sets, and the streets, it brought back a flood of memories.
Now, you might ask, what does this have to do with science fiction? Because, when I read the works of Alfred Bester, with his many stories set in New York City, and many written in the 1950s and 1960s, it immediately triggers the same memories that came back to me when watching Mad Men. My mind would fill in the descriptions and settings of the stories with my own memories. It’s a reminder that, no matter how fantastic the settings or how far the stories are set in the future, both authors and readers are rooted in their own experience. And Bester’s work is indelibly rooted in the city where he spent most of his life: New York City in the midst of the 20th century. The city and the culture he describes are as much a part of his stories as the characters who inhabit them, and his characters and their actions reflect the diverse population of the city during that period.
The Demolished Man
Rich and powerful industrialist Ben Reich is plagued by nightmares about a Man With No Face. He lives in a world where people jet between the planets of the Solar System the way we fly between cities today. He goes to his Esper (Extra-Sensory Perception) Medical Doctor 2 for help in getting to the bottom of his nightmares, but even with his mental powers, the psychiatrist is not able to help. As Reich leaves, he realizes it is not this mysterious faceless entity who plagues him—his true enemy is his business rival, D’Courtney, who he wants to murder.
But first, he decides to make an offer of partnership to D’Courtney. The narrative pauses to give the reader a list of code words and phrases from a commercial cipher. We follow Reich through his day, and discover that he has surrounded himself with Espers so that they can anticipate his every whim. He receives a reply from D’Courtney that refusing his partnership, which infuriates him. But a careful reader, who goes back to the table of code words, will find that the reply is actually an acceptance of Reich’s offer… which raises the question of how Reich could make such an obvious mistake. Reich reaches out to Augustus Tate, a level 1 Esper, whose services can be bought with an obscene amount of money. If he is going to commit murder, he will need the assistance of a very powerful telepath to cover his tracks, and someone who is willing to violate the strict ethical code of the Esper Guild.
Tate knows that D’Courtney’s physician will be at a party at the house of Lincoln Powell, and decides to do some reconnaissance. This is a risk, because Powell is an Esper 1 and Prefect of the Police Psychotic Division. Like many high-level Espers, Powell is wealthy, and likes to host parties. He is also prone to telling tall tales, and refers to his urge to do so as “Honest Abe” episodes. His friend Mary Noyes is helping him host the party. She would like a closer relationship, but Lincoln has not yet found a woman he finds attractive. At the party, Powell picks up a hint from Tate that he is now working in some capacity for Reich, and warns Tate that Reich is trouble. Bester uses a lattice of words to try to display the multi-dimensional nature of the conversation between a group of Espers.
Reich finds that D’Courtney will be visiting leading socialite Maria Beaumont soon, and gives Maria a book of party games, with all pages damaged except for the page describing the “sardine game,” which crowds an entire party into a single room. And he buys an old-fashioned slug-firing gun, with the slugs removed from the cartridges. He goes to Duffy Wyg& (Bester plays with typography throughout the book, and uses punctuation marks in names, like this one, which is Wygand, and also for another character @kins, or Atkins). Duffy Wygand is a jingle writer, and teaches him a jingle, a strong earworm that he can sing to himself to mask his thoughts when he’s around Espers. This jingle will punctuate the narrative many times as the tale unfolds.
Reich and Tate attend a party at Beaumont’s house. Things immediately go awry because there is an uninvited guest who is another telepath. Reich’s suggestion of the sardine game pays off; they play it, and all the partygoers begin to move to one place. He goes and finds D’Courtney, who is suffering from throat cancer, which makes talking difficult, but who shows Reich affection and says he accepted his offer. Reich cannot understand this, puts his gun in D’Courtney’s mouth, and fires. But then D’Courtney’s daughter Barbara shows up, and when Reich tries to kill her as well, she runs grabs his gun and disappears into the streets in a nightgown. Powell arrives to lead the investigation, and proves to be an expert at manipulating a crowd. He also tricks Reich into giving up information about Barbara that no one could know except the murderer.
So now the struggle begins. Powell knows Reich is the murderer, but doesn’t have sufficient evidence to prove it to the Prosecution Computer—a device designed to make totally logical and totally impartial judgements in criminal cases where the punishment is Demolition of the perpetrator. Reich knows Powell has his number, and he will do everything in his power to destroy or discredit his case, or bribe anyone who can block it. While something blew a hole in D’Courtney’s head, there is no bullet to be found. Both Powell and Reich are engaged in a mad scramble to find Barbara, who is the key to everything. The chase leads through both high society and the sleazy underside of the city, and it will take them through the tortured mind of Reich and to the ultimate mystery of the Man With No Face, whose presence drove him to madness. Powell, normally in control of his cases, will be pushed to the brink of madness himself, as Reich’s psychosis threatens to spread to others.
The central plot of the book is as simple as a fairy tale, with a noble hero striving to rescue a damsel in distress from an evil villain. But the warrior is flawed, the damsel is not helpless, and the villain might not be as evil as he first appears, and the surrealistic world of a futuristic New York is anything but a fairy tale setting. The chase to the resolution is absolutely fascinating, and in the end, utterly satisfying.
Final Thoughts
The Demolished Man is Alfred Bester at his best; and it is easy to see why he is held in such high regard by the science fiction community. He is credited with influencing many of the literary movements that came after him, including the New Wave and Cyberpunk. He is frequently referenced by other authors, either by use of ideas he pioneered, or in obvious tributes, as in the case of J. Michael Straczynski, who named the telepathic police officer from the PSI Corps in the show Babylon 5 after Alfred Bester.
At 13 or 14, I was a bit too young for the novel, but reading it again as an adult gave me a chance to fully appreciate it. As with all older science fiction, some elements feel a bit dated, but it is a compelling story that I would recommend to anyone above the age of 16. Re-reading the book reminded me of how much I liked Alfred Bester’s writing, and those of you who read this column regularly should not be surprised to see his other works featured in coming months.
And now I look forward to hearing your comments, whether they be about The Demolished Man in particular, about Bester’s work in general, or even about other favorite works that feature speculation on telepathic powers.[end-mark]
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