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George Bellows: Painting The Rough Energy of New York City’s Skyscraper Age
George Bellows (August 1882 – January 1925) was a frequent visitor to Sharkey’s Athletic Club, the lively saloon in Manhattan with a backroom boxing ring. Founded by Tom “Sailor” Sharkey (November 26, 1873 – April 17, 1953), an ex-fighter who had served in the US Navy, the club was a place for fighters and fans when public boxing was illegal in New York.
Participation was usually limited to members of a particular club, but whenever an outsider competed, he was given temporary membership and known as a ‘stag’.
Preliminaries, 1916 by George Bellows
George Bellows painted canvases that throb with the rollicking energy of modern New York city. A member of the Ashcan School, a group of painters intent on showing American life in its unalloyed immediacy, Bellows painted a tough, rough, freewheeling New York City, seeped in sweat, endeavour and the swirling energy of the skyscraper age.
Both Members of This Club by George Bellows – 1909
Arriving in New York from his native Ohio in 1904, Bellows painted the city as a site where, as his mentor Robert Henri said, “the battle of human evolution is going on”. Stag at Sharkey’s established Bellows “as a really gutsy, formidable force as a painter on the New York scene. I think people were very shocked by the works. There really hadn’t been anything like this in American painting before.”
Indoor Athlete by George Bellows, 1921
In addition to painting, Bellows made significant contributions to lithography, helping to expand the use of the medium as a fine art in the U.S. He installed a lithography press in his studio in 1916, and between 1921 and 1924 he collaborated with master printer Bolton Brown on more than a hundred images, some of which you can see here.
Bellows also illustrated numerous books in his later career, including several by H.G. Wells. It was a perfect match. For Wells, New York possessed “a blindly furious energy of growth” combined with “the sense of soulless gigantic forces, that took no heed of men”.
On a Raft c. 1900–1923 George Bellows
George Bellows, Club Night, 1907, oil on canvas, John Hay Whitney Collection
“The outline of the city became frantic in its effort to explain something that defied meaning. Power seemed to have outgrown its servitude and to have asserted its freedom. The cylinder had exploded, and thrown great masses of stone and steel against the sky. The city had the air and movement of hysteria, and the citizens were crying, in every accent of anger and alarm, that the new forces must at any cost be brought under control.”
– Henry Adams on the New York depicted in Bellows work
Dempsey and Firpo 1924 George Bellows
Counted Out, Second Stone 1921 George Bellows
Counted Out, First Stone 1921 George Bellows
Between Rounds, Large, First Stone 1916 George Bellows
George Bellows work is in the shop.
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