People often say that “to be seen is to be loved.” If that is true, then the bride-to-be in the video below can say with confidence that she is wholly seen by the love of her life. It was the night before their wedding, and nerves were likely high. But that did not stop this thoughtful groom from pulling off the best surprise ever. You see, this groom wanted to serenade his bride the day before their wedding. But not just any song would do for this occasion. So, he gathered his friends (and a couple of dogs, it seems) to put on a delightful performance in the bride’s backyard. Find out what song they chose in the viral video below! @leonnsand The bar is in the cloudssssss #wmyb #1d #directioner ♬ WHAT MAKES YOU BEAUTIFUL ONE DIRECTION – always.editts Groom’s Unexpected Serenade for His Wife the Day Before Their Wedding Melts Hearts Everywhere If you somehow do not recognize this song, it’s One Direction’s first ever hit: What Makes You Beautiful. Although the band is no longer together, their loyal fan base is still going strong, even after all these years. This groom clearly understands how important this band still is to his bride, and it’s beautiful to see how he shows that. Is it any wonder that so many people (the bride’s best friend, included) are saying that this act of love is making them raise their standards? We all deserve to be seen in such a thoughtful way, after all! “Not only is he down for it but his friends are too, that’s what really hits for me. He’s found good people,” someone thoughtfully points out in the comments. Others add, “Does he mentor guys on how to do this? Asking for a friend” and “No more bare minimums for me, I want this or nothing.” You can find the source of this story’s featured image here! The post Groom Surprises Bride The Night Before The Wedding With Epic Serenade appeared first on InspireMore.

MLB fans are P*SSED

RIP...

A Day to Remember formed in 2003 in Ocala, Florida, when vocalist Jeremy McKinnon, guitarists Tom Denney and Neil Westfall, bassist Joshua Woodard, and drummer Bobby Scruggs united with the goal of blending pop-punk melodies with the heaviness of metalcore. Their early DIY ethos led to the release of their debut album And Their Name Was Treason in 2005 through Indianola Records. After gaining traction in the underground scene, they signed with Victory Records and replaced Scruggs with drummer Alex Shelnutt. In 2007, they released For Those Who Have Heart, a defining moment that marked their transition from regional upstarts The post Complete List Of A Day To Remember Songs From A to Z appeared first on ClassicRockHistory.com.

Recent wet season rainfall along the east coast of Australia has shattered hundred-year records, but as the floodwaters recede, a feast of epic proportions seems ready to explode among the hills and valleys. Soaking up all that water, New South Wales’ various eucalypt tree species are preparing for a mass blossoming that may all but […] The post A Mass Blossoming Is Occurring in Wake of Floods to Feed Honeyeater Birds in Australia Where Just 300 Remain appeared first on Good News Network.

Hot Wheels Debuts Back to the Future 40th Anniversary Collector’s Set Hot Wheels is revving up nostalgia with a brand-new Back to the Future 40th Anniversary set, launching in 2025! As the beloved film hits CONTINUE READING... The post Back to the Future Hot Wheels 40th Anniversary Collector’s Set appeared first on The Retro Network.

Liberal journalists dumped a barrel of glorifying adjectives upon the news Bill Moyers died at age 91. The Washington Post headline was “Bill Moyers, eminence of public affairs broadcasting, dies at 91.” AP’s Frazier Moore gushed, “the former White House press secretary who became one of television’s most honored journalists, masterfully using a visual medium to illuminate a world of ideas.” Some also used “legendary.” CNN’s Brian Stelter oozed, “His career can and should serve as a model for younger generations.” Ugh. NPR anchor Scott Simon hailed Moyers as “one of the signature figures, along with Big Bird and Susan Stamberg, who helped build public broadcasting in the United States.” Simon added, “He won the most prestigious awards of our profession, some in bunches—more than 30 Emmys, 11 Peabodys, two Columbia-duPonts, plus many other honors for his PBS documentaries and interviews.” Moyers was acclaimed by other leftists because he was a die-hard leftist. Objectivity was never observed. He crusaded on the public dime against those villainous conservatives. He won Emmy Awards just like the latest prizes to “60 Minutes”—for hating Donald Trump and laboring to elect Kamala Harris. They award having your “heart in the right place.” Moyers was the “signature figure” of everything wrong with “public” broadcasting. He savaged conservatives and also lined his own pockets with revenues of his programs being sold on PBS Home Video. He used his PBS fame to sell expensive coffee-table books, just as Ken Burns does today. But the notable quotes were outrageous. In 1987, Moyers oozed over paintings glorifying the Marxist revolutionaries dominating Nicaragua: “The white dove of freedom soars with the Sandinista revolution, whose heroes included Jesus Christ, George Washington, and the nationalist hero Augusto Sandino.” After the bombing of a federal building in Oklahoma City in 1995, Moyers blamed conservative talk radio on NBC: “Talk radio in that part of the world is more anti-government today than ever. The airwaves are saturated with hostility. It’s just an unremitting vilification of government.” On his PBS show “Now” in 2003, Moyers ripped Republicans who wore flag pins, which was somehow reminiscent of communism: “When I see flags sprouting on official lapels, I think of the time in China when I saw Mao’s Little Red Book on every official’s desk, omnipresent, and unread.” Later that year, Moyers came unglued over a press conference with President George W. Bush before the invasion of Iraq that was insufficiently vicious: “Matt Taibbi wrote in The New York Press at the time that it was like a mini-Alamo for American journalism. I’d say it was more a collective Jonestown-like suicide. At least the defenders of the Alamo put up a fight.” In 2007, Moyers compared Bush-Cheney to an “arsonist” and a “burglar in the basement.” He suggested the press was in cahoots with the “arsonist.” In 2011, Moyers ranted that Republicans want “to feed red meat to Fox News and the partisan talk radio hosts who have turned the public airwaves … into a right-wing romper room.” He quoted from yellow dog Democrat Rep. Lloyd Doggett of Texas, that “My constituents turn to (NPR) because they want fact-based, not Fox-based coverage.” The attacks, he continued, are “an ideological crusade against balanced news and educational programs.” NPR is balanced and nonideological? How delusional can you be? But to Moyers, a crusading leftist press was the model, and a mildly liberal media were basically in cahoots with evil Republicans. This is why he’s “acclaimed” by people who still pretend their ideological screeds are “fact-based.” Their opinions aren’t opinions, they’re “truth,” and that “truth” should be eternally supported by all taxpayers. COPYRIGHT 2024 CREATORS.COM We publish a variety of perspectives. Nothing written here is to be construed as representing the views of The Daily Signal. The post Bill Moyers, the Face of Taxpayer-Funded Propaganda appeared first on The Daily Signal.

The answer was right under our noses all along. Literally, actually.

This discovery is making scientists question how this space rock came to be.