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Intel Uncensored
Intel Uncensored
3 w News & Oppinion

rumbleBitchute
UK - Black hangs from traffic light in front of Police who do nothing...
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Intel Uncensored
Intel Uncensored
3 w News & Oppinion

rumbleBitchute
Black woman in Lake Tahoe says she feels scared because she says there are no black people.
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Intel Uncensored
Intel Uncensored
3 w News & Oppinion

rumbleBitchute
IMAGINE you wanted to DESTROY a Country...
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Classic Rock Lovers
Classic Rock Lovers  
3 w ·Youtube Music

YouTube
Joe Walsh Reveals How He Joined The Eagles
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Nostalgia Machine
Nostalgia Machine
3 w

Whatever Happened to the Bewitching Caroline Rhea?
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Whatever Happened to the Bewitching Caroline Rhea?

Sabrina's aunt will star in a new show this fall.
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Intel Uncensored
Intel Uncensored
3 w

US Subversive Operations in Greenland Exposed
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US Subversive Operations in Greenland Exposed

from 21st Century Wire: Yesterday, Denmark summoned Mark Stroh, the chargé d’affaires at the US embassy in Copenhagen, following reports that at least three American citizens, possibly tied to former President Donald Trump, have been involved in secretive influence efforts in Greenland. Speaking on Wednesday, Lars Løkke Rasmussen, Denmark’s foreign minister, expressed concerns about “foreign actors” […]
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Intel Uncensored
Intel Uncensored
3 w

Media Demands You Use Sh00ter’s Pronouns While Attacking Catholics
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Media Demands You Use Sh00ter’s Pronouns While Attacking Catholics

from TheSaltyCracker: TRUTH LIVES on at https://sgtreport.tv/
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History Traveler
History Traveler
3 w

Brutus of Troy, the Legendary Founder of Ancient Britain
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Brutus of Troy, the Legendary Founder of Ancient Britain

  While many people are familiar with Aeneas of Troy, relatively few people have heard of Brutus of Troy, his supposed descendant. Despite his name suggesting an origin in Greek or Roman mythology, Brutus is actually a figure from medieval British records. He comes from Welsh traditions about the origin of the Britons. According to these legendary accounts, Brutus led a migration from Italy to Britain and founded a kingdom there, and the Britons are his descendants. What do we know regarding the origin of this legendary figure, and how far back can we trace him?   The Legend of Brutus of Troy Aeneas’ Flight from Troy, by Federico Barrocci, 1598. Source: Borghese Gallery and Museum, Rome   The legend of Brutus of Troy, also known as Brutus of Britain, is first found in the Historia Brittonum. This Latin document was written in c. 830 and is an important source for medieval Welsh legends. According to this record, Brutus was the son of Silvius, son of Aeneas. This Aeneas is the one who fled from Troy and founded a kingdom in Italy, according to Greek and Roman legend. Because of this, Brutus is often referred to as “of Troy,” even though the legend never places him in that city.   According to the account in the Historia Brittonum, Brutus accidentally caused the death of both his mother and his father. As a result, he was driven from Italy. He led a migration to Britain, stopping off at the islands of the Tyrrhenian Sea and founding the city of Tours along the way. One part also mentions that he conquered Spain, although it does not mention when in his career he was supposed to have done that.   The plain of Acheron, Epirus, Greece, where Brutus resided with an enslaved community of Trojans. Source: Flickr   However, the most famous version of the legend of Brutus does not come from the Historia Brittonum. It was Geoffrey of Monmouth, writing the Historia Regum Britanniae in c. 1137, who really popularized it. His version broadly follows the earlier account, but it differs in some places and greatly expands certain parts.   For instance, in Geoffrey’s version, Brutus is not the grandson of Aeneas. Rather, he was Aeneas’ great-grandson. His father, Silvius, is the son of Ascanius, son of Aeneas. However, a more meaningful difference is the fact that Brutus is portrayed as spending a substantial amount of time in Greece between his departure from Italy and his arrival at the Tyrrhenian islands. He resides among a community of Trojan captives taken by the Greeks after the fall of Troy. He eventually becomes their king, leads a successful revolution, and continues his journey with them. The conquest of Spain, in contrast, is not mentioned by Geoffrey at all.   Other Versions of the Legend Ara Pacis relief depicting either Aeneas or Numa Pompilius, Rome, 9 BCE. Source: Wikimedia Commons   A fact that is often overlooked in considerations of Brutus of Troy is the fact that the Historia Brittonum provides more than one version of the legend. This is seen, in part, by the fact that three distinct genealogies are provided for him. The first, as we have already seen, makes him the son of Silvius, son of Aeneas. However, an alternative genealogy is provided for him that makes him descended from Aeneas’ son Ascanius. While this reflects Geoffrey’s version, the rest of the lineage is completely different. It goes through Numa Pompilius, the second king of Rome, and also Rhea Silva, the mother of Romulus. In this version, Brutus’ father is Hisicion, son of Alanus, the daughter of Rhea Silva.   A third version appears in which Brutus again appears as the son of Hisicion, son of Alanus, only this time, Alanus is presented as the first man to ever dwell in Europe. This is obviously not reconcilable with the genealogy that makes Alanus a son of Rhea Silva, an Italian princess, since Italy was always understood as being part of Europe.   Does the Legend of Brutus Date Back to the 6th Century? Historia Brittonum, in Harleian MS 3859, folio 177r, showing the Britons’ 9th-century version of the Frankish Table of Nations, c. 1100. Source: British Library   It is commonly claimed that the legend of Brutus does not date back any earlier than the 9th century when it appears in the Historia Brittonum. However, there is good evidence that a form of this legend already existed at least as early as the 6th century. This is seen from a comparison between this record and the 6th-century Frankish Table of Nations. In the latter document, a man named Istio is said to have been the forefather of the Romans, the Britons, the Franks, and the Alamans. Other manuscripts spell the name of this ancestor figure as “Hisitio.”   It is clear that this is the origin of the Hisicion of the Historia Brittonum, whose sons are listed as Romanus, Brutus, Froncus, and Alamanus. This demonstrates that by at least as early as the 6th century, the Britons were held to be relatives of the Franks and the Romans. The Romans, of course, were famously held to be descendants of the Trojans. By this same century, we know that the Franks had also come to be viewed as Trojan descendants. The fact that the Frankish Table of Nations puts the Britons together with the Franks and the Romans, therefore, suggests that they, too, were viewed as having the same Trojan origin.   The Origin of Brutus Ruins of the Regia, Rome, said to have been constructed by Numa Pompilius. Source: Wikimedia Commons   As we can see from this, the origin of the Historia Brittonum’s “Brutus son of Hisicion” can be traced back to the Frankish Table of Nations. However, that does not mean that this was the origin of the legend of Brutus as the descendant of Aeneas. As mentioned earlier, the Historia Brittonum presents Hisicion as the son of the first man who settled in Europe, which is clearly a separate tradition from the one about Aeneas.   Therefore, the tradition of Brutus as a descendant of Aeneas must have a different origin. Are there any clues in the Historia Brittonum as to the answer? In fact, one of them has already been mentioned. One of the lineages given to Brutus makes him the great-great-grandson of Numa Pompilius, the second king of Rome. Placing Brutus four generations after the legendary Numa Pompilius would place him in precisely the era of a famous Brutus from early Roman history. Which Brutus was this?   Capitoline Brutus, a bust traditionally thought to be that of Lucius Junius Brutus, Roman, c. 275 BCE. Source: Capitoline Museums   The Brutus in question was Lucius Junius Brutus. He was, according to the available records, the first consul of Rome. He lived in the latter half of the 6th century BCE, which fits exactly with the reference to Brutus being the great-great-grandson of Numa Pompilius. Could it be that the Brutus of the Historia Brittonum is largely based on the historical, or at least semi-historical, Lucius Junius Brutus?   Another clear indication that this was the intent of the tradition is that the Historia Brittonum explicitly refers to Brutus in one place as the one who “first exercised the consular office” and “reigned over the Romans.” Given that Lucius Junius Brutus was widely remembered as the first Roman consul, it is obvious that he is the intended Brutus of the account. This is also consistent with the fact that the account in the Historia Brittonum includes a passage about a prophecy given before the birth of Brutus. This stated that he would become the most valiant man in Italy. Similarly, a legend about Lucius Junius Brutus claims that a prophecy given when he was a youth stated that he would become the most powerful of the Romans.   Furthermore, the Aeneid strongly implies that Lucius Junius Brutus was held to be a descendant of Aeneas.   Why Has This Identification Been Overlooked? Saint Jerome, as depicted in the Nuremberg Chronicle, 1493. Source: Wikimedia Commons   Given the clear evidence that the Brutus of the Historia Brittonum is predominantly nothing more than a legendary version of Lucius Junius Brutus, why is there not more acknowledgment of this? The explanation can be traced back to a work written in 1923 by scholar James Douglas Bruce. His explanation of the origin of the Brutus legend became the standard piece on the subject. In this explanation, he pointed out that the Historia Brittonum’s reference to Brutus conquering Spain appears to have been taken from Jerome’s Chronicon. That source was talking about Decimus Junius Brutus. Hence, that 2nd century BCE Roman general evidently did form part of the origin of the Brutus of medieval Welsh legend.   In his explanation, Bruce did point out that Lucius Junius Brutus, the first Roman consul, had evidently been combined with Decimus Junius Brutus. However, he only referred to this fact in passing, in a single line. As a result, subsequent summaries of his explanation of Brutus’ origins have ignored this point completely entirely. In reality, Decimus explains only a very small part of the legend, while Lucius is the one who comprises the main core of the character.   What We Know About Brutus of Troy Historia Brittonum, in Harleian MS 3859, folio 177r, showing Brutus (britto) as the son of Hisicion, c. 1100. Source: British Library   In summary, the legend of Brutus of Troy tells the story of the origin of the Britons. They were said to be the descendants of Brutus, who was himself a descendant of Aeneas of Troy. After being banished from Italy, he led a migration through the Mediterranean and finally arrived in Britain. This legend was popularised by Geoffrey of Monmouth in 1137, but there is good evidence that it dates back to at least the 6th century.   The origin of the character of Brutus can be partially traced to a misreading of the Frankish Table of Nations, where the Britons as a whole are intended rather than a specific founding figure. Brutus can also be partially traced back to Decimus Junius Brutus, a Roman commander in the 2nd century BCE. However, the primary origin of Brutus of Troy is Lucius Junius Brutus, the first Roman consul in the 6th century BCE. The Historia Brittonum makes this clear by describing Brutus as the first to hold the consulship over the Romans and by its placement of Brutus relative to Numa Pompilius.
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History Traveler
History Traveler
3 w

Where Are the Oldest Cave Paintings? 6 Key Sites Explained
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Where Are the Oldest Cave Paintings? 6 Key Sites Explained

  For tens (and possibly hundreds) of thousands of years, human beings (including Neanderthals) painted on the walls of caves. Surrounded by an aura of mystery, these sites are beyond value to our understanding of what it means to be human and the evolution of intelligence and imagination within our species.   Where are the oldest sites, and what is contained within them?   1. Neanderthal Cave Paintings in Spain Drawing of the cave paintings in La Pasiega. The horizontal and vertical lines are attributed to Neanderthals while the other images were added later. Drawing by Henri Breuil, published in La Pasiega a Puente-Viesgo (Santander) (Espagne), 1913. Source: El Paìs   Three sites in Spain can be considered among the oldest discovered examples of prehistoric cave paintings. A 2018 study indicated that the oldest of the artworks contained within these caves all date to around 65,000 years ago, predating the arrival of Homo sapiens by around 20,000 years. This fairly recent discovery adds to the solid evidence that the Neanderthals were not the savage brutes they were once made out to be but intelligent humans capable of abstract thought on a level that is comparable to modern Homo sapiens.   The oldest of the artworks is in Maltravieso cave. It is a hand stencil dating back at least 66,700 years. Much of the painting is covered by calcite and is very hard to decipher. The oldest of a series of red dots on a curtain rock formation in Ardales cave is dated to at least 65,500 years ago, while the most striking piece of art, located in La Pasiega cave, is a series of lines that look like a ladder. The latter is dated to at least 64,800 years.   However, there has been pushback from people in the scientific community. The discoveries based on uranium-thorium (U-Th) dating of calcite deposits have been challenged by many academics who claim there are errors in the dating method. Hoffman (2021) subsequently released a paper noting that methods of dating cave paintings are limited. However, as mentioned, there is evidence of Neanderthal symbolic behavior dating back to at least 180,000 years ago. Thus, it remains highly possible that, even if the dates are incorrect, the Neanderthals were mentally capable of creating such art.   2. The Oldest Rock Art, Blombos, South Africa Artifacts from Blombos Cave, including the 73,000-year-old rock fragment representing the oldest rock art ever discovered. Source: Henning, © Chris Henshilwood. CC-BY-2.5   The oldest rock art ever discovered dates back to 73,000 years ago, and although it is not a painting, it is the earliest evidence of abstract art. The discovery consists of a fragment of rock upon which a cross-hatch design was carved and painted red with ocher. The fragment was found in Blombos Cave on the South African coastline, roughly 300km (186 miles) to the east of Cape Town.   Blombos Cave is an important site because it contains much evidence of Middle Stone Age life, which dates to between 100,000 and 70,000 years ago. Engraved ocher, engraved bone, refined stone and bone tools, and beads made from marine shells have been found at the site, revealing valuable insights into the prehistoric people who lived there for thousands of years.   Blombos Museum of Archaeology. Source: museumexplorer   Research on the site is ongoing, and it is possible that evidence of even earlier habitation may be found. The site is located on a private nature reserve and is not open to the public. However, there is a small archaeological museum in nearby Stilbaai which exhibits the site’s findings.   3. Cave Paintings on Sulawesi Island, Indonesia The painting of a Celebes warty pig (to the left of the image) is the oldest known depiction of an animal, photograph by Basran Burhan, 2017. Source: Wikimedia Commons   The caves of the island of Sulawesi in Indonesia are home to many examples of prehistoric art. Among them is a life-size rendering of a Celebes warty pig, which was discovered in Leang Tedongnge cave and has since been dated to 45,500 years ago. This makes it the oldest depiction of an animal ever found and the oldest example of figurative art.   The island of Sulawesi is also home to the oldest depiction of a hunting scene. On a wall in Leang Bulu’ Sipong cave, there is a painting of several small humanoid figures connected to an anoa (dwarf buffalo) via spears or ropes. Findings published in 2021 indicate the art to be at least 43,900 years old. Previously, the same team of researchers dated a painting of a banteng bull to 40,000 years ago in the Lubang Jeriji Saleh limestone cave complex. In the same cave complex are outlines of hands and fingers. Analysis of the cave wall suggests that the oldest of the finger stencils may be 52,000 years old.   In Leang Timpuseng cave, there are various artworks, one of which is a hand stencil that was dated to be at least 39,900 years old, putting it in the same timeframe as paintings made by Homo sapiens in Europe. The cave also contains a 35,400-year-old painting of a female babirusa (deer-pig).   4. Cueva del Castillo, Spain Images from the De Los Manos Panel in Cueva del Castillo, 2010. Source: Gabinete de Prensa del Gobierno de Cantabria / Wikimedia Commons   One of the most famous sites for prehistoric art is the Cueva del Castillo, or Cave of the Castle, in Cantabria, northern Spain. Within the cave is a painting of a large red stippled disk. A 2012 study determined through the uranium-thorium method that the painting was over 40,800 years old and, as such, was claimed as the oldest painting ever discovered. However, subsequent discoveries in other parts of the world, including Europe, have proven to be older.   El Castillo also contains pictures of bison, horses, and deer, as well as hand stencils. The dating on the stippled disc has caused significant debate in that it predates accepted models of Homo sapiens migration into the area, giving rise to the fact that it may have been created by Neanderthals.   El Castillo is a popular destination for Palaeoarchaeologists. Along with other caves in the Cuevas de Monte Castillo complex, it is open to the public with guided tours on offer.   5. Chauvet, France Horses, bison, and rhinoceroses in Pont d’Arc, which contains copies of the images in Chauvet, photograph by Claude Valette, 2016. Source: Wikimedia Commons   Located in southeastern France, Chauvet-Pont-d’Arc Cave is one of the most important sites for palaeoarchaeological study. It is famous for its exceptionally beautiful and accurate depictions of wildlife. The cave, discovered in 1994, contains a treasure trove of prehistoric remains, including the footprints of a child, which were made around 26,000 years ago.   The cave was used during two distinct periods in prehistory. Most of the artwork dates back to the Aurignacian era, and it dates back to 32,000 to 30,000 years ago. The child’s footprints are from the later Gravettian era, 27,000 to 25,000 years ago. More recent research has pushed the habitation date further back. In 2016, a study claimed the two occupation dates ranged from 37,000 to 33,500 years ago and 31,000 to 28,000 years ago. Research in 2020 involving the IntCal20 radiocarbon calibration curve dating method indicated the oldest painting in the cave was created 36,500 years ago.   Since its discovery, the cave has been closed to the public in an effort to preserve the artifacts contained within.   6. Shulgan-Tash Cave, Russia Rock paintings in Shulgan-Tash cave, photograph by SaganZ, 2014. Source: Wikimedia Commons   Located in the Burzyansky District of Bashkortostan, Russia, on the western slopes of the Ural Mountains, is the Shulgan-Tash Cave, where evidence of human occupation spanning tens of thousands of years has been documented. It is the northernmost site for prehistoric paintings discovered so far.   The upper tier of the cave contains the oldest paintings, and uranium-thorium dating has shown that the oldest of the markings were made 36,400 years ago. The other paintings in the cave date from around 16,000 years ago.   The art in the cave was discovered in 1959 by Alexander Ryumin, who was searching for bats. What he found instead shook the established beliefs in palaeoarchaeology. Cave drawings of prehistoric animals were thought to be characteristic of Western European prehistoric art, and it had been assumed that the phenomenon was localized to that area. As such, the discovery indicates an independent center of prehistoric art located in the Southern Urals that is not connected to the art in Western Europe.   The paintings include depictions of horses, rhinoceroses, bison, and mammoths, as well as geometric shapes. Most of them are made with ocher, while a few were drawn with charcoal.   Shulgan-Tash cave in Russia, photograph by Vanchy96, 2012. Source: Wikimedia Commons   From sites all over the world, every few years, new discoveries are made that push back the timeframe for the beginning of human art, impacting theories of migration and the development of human beings, including our evolutionary kin, the Neanderthals and the Denisovans. It is certain that more discoveries in the near future will increase our knowledge even further and expand our understanding of the lives of our prehistoric ancestors.
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Conservative Voices
Conservative Voices
3 w

Who says you need decades to be successful? This 20-year-old is shaking up business and real estate.
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Who says you need decades to be successful? This 20-year-old is shaking up business and real estate.

Who says you need decades to be successful? This 20-year-old is shaking up business and real estate.
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